Assemblage Art

This one depicts a painting of a pond in the Tuileries garden in Paris france with little boats collaged on it surrounded by color photos of people sitting in the park with a gold le...

This one depicts a sports wristwatch over an aerial city landscape and is untitled. it is not signed. I believe it might be Amsterdam or London. SIMONS, Vera (1920 - 2012) Vera Habre...

This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/...

This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...

This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/Am...

The sculpture is attributed to Swedish artist Bob Pasterkamp (1952-) who has created similar pieces during the 1990s and early 2000s. An inspirational contemporary sculpture is composed of various metal objects such as an old bicycle...

Kurt Schwitters 50 Collages by Schwitters, 1962 Lithograph and Silkscreen 22 × 17 inches Unframed Extremely rare and desirable lithographed exhibition poster published on the occasio...

Linda Stein, Brushes at Ease 119 - Mixed Media Assemblage Contemporary Art Wall Sculpture Brushes at Ease 119 is from artist Linda Stein's Brush Assemblage series, where she combine...

"Bull&Bear" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 29 x 25 cm framed in a silver wood-framing with sim...

Bright Idea Boiler is an assemblage composed of paper, wood, wire and glass. The background shows a drawing of a spider web on which a paper cut out of the Bright Idea Boiler is supe...

This contemporary mixed media wall composition resembles a vessel. When Alice Vander Vennen sits down to create a sculptural composition, she thinks of it as a visual poem-a story r...

This found-object assemblage by Oklahoma based artist Sunni Mercer was created in 2018 and is made up of various materials, including clay, aluminum, bottle caps and paint. Much of M...

Territorios by Fernando Otero Measures: 20.5 in. H x 28.5 in. W x 4 in D Found objects in wood box wall sculpture One of a kind Artist Fernando Otero was born in Lima (1972). He gra...

Erosiones VII by Fernando Otero Measures: 20.5 in. H x 28.5 in. W, 4 in D Found objects in wood box wall sculpture One of a kind Artist Fernando Otero was born in Lima (1972). He gr...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

"Homage to Kandinsky" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference to a...

"Homage to Paladino - Espresso" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refe...

"Love" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is created as an edition. It depicts a romantic coupl...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

"Love" is an original mixed media artwork by Volker Kuhn. A couple dancing on the signs of love. The work gives also a beautiful reflection of the lettering depending on the lightin...

"Among teh Reeds" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is a funny minimalist work formed as a han...

"Homage to Pollock" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed...

"The Garden of Gauguin" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference fo...

Peter Blake, Homage to Schwitters Deon (Framed), 2021 Silkscreen on Paper 80 x 70 cm (31.5 x 27.5 in) Edition 167 of 175 Hand-signed and numbered by the artist Artist Peter Blak...

Original painting by William Finlayson Sighed on back Can be hung horizontally or vertically

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"Enchanted Forrest" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 28 x 25 cm framed in a silver-gold wood-fra...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"Handle with Care" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed ...

"Glued Together" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 29 x 25 cm framed in a silver wood-framing wit...

"Free as a Bird" is an original mixed media artwork by Volker Kuhn. It is a philosophical, minimalist work. The work is hand-signed by the artist below the artwork on the mat. 51 x ...

"Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist on the overabundanc...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Blue, black and red assemblage painting created with found materials and acrylic paint. Work is titled by the artist and dated 2011. Artist Biography: Lucinda Cobley was born in 19...

"Global Player" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 28 x 25 cm framed in a silver wood-framing with...

"This Way" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 65 x 63 cm framed in a silver wood-framing with simp...

Acrylic on canvas and on foam and objects. Polyurethane foam paterns, Re purposed objects blue or painted blue.

Linda Stein, Phone Conversation 136 - Mixed Media Assemblage Contemporary Art Wall Sculpture Phone Conversation 136 is from artist Linda Stein's Brush Assemblage series, where she c...

Linda Stein, Vertical Stripes 87 - Mixed Media Assemblage Contemporary Art Wall Sculpture Vertical Stripes 87 is from artist Linda Stein's Brush Assemblage series, where she combine...

Linda Stein, First Down 141 - Mixed Media Assemblage Contemporary Art Wall Sculpture First Down 141 is from artist Linda Stein's Brush Assemblage series, where she combines found ob...

Linda Stein, Pacer 142 - Mixed Media Assemblage Contemporary Art Wall Sculpture Pacer 142 is from artist Linda Stein's Brush Assemblage series, where she combines found objects, inc...

Henry Newman: 1923-1996. Listed American artist with auction results Over $800. This assemblage is a really clever piece, showing an artist and his model. It is made of different mat...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Creating a sculpture from sleeves, I decided to draw an analogy with the Guardian Angel, who in these difficult times for Ukrainians is embodied in the form of a weapon with which br...

"Timeless" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is a philosophical, minimalist work formed as a h...

"Golden Egg" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 29 x 25 cm framed in a silver wood-framing with si...

"I'm So Happy" is an original mixed media artwork edition by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 51 x 43 cm framed in a silver wood-frami...

Rod Lathim’s Glowgrass transforms a vintage wooden dobro into a fusion of sculpture, sound, and spirit. Rooted in the traditions of American folk, country, and bluegrass, the dobro h...

"The Garden of Magritte" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference f...

"Homage to Sam Francis" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference fo...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

"Lips" is a unique original mixed media artwork by Volker Kuhn. It is a witty reference to surrealism and pop art formed as a hand-made assemblage carved out and painted with painsta...

Diptych: Erosiones VII and Territorios by Fernando Otero Overall size: 20.5 in. H x 57 in. W x 4 in. D Individual size: 20.5 in. H x 28.5 in. W x 4 in D Found objects in wood box wal...

"Components of Life" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 25 x 28 cm framed in a silver-gold wood-fr...

"I Like It" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist on the back. It is a stunning, minimalist work formed as a hand-made assemblage c...

Beyond Baroque Literary Art Center Gift direct from the Artist Consigned to ViCA

"Treasure Chest" is an original mixed media artwork by Volker Kuhn. A golden elephant hording gemstones. The work is hand-signed by the artist below the artwork on the mat. It is a f...

Artist Commentary: Aluminum can-tabs chained together with safety pins are layered, massed and attached to an MDF backing creating a dense sparkling texture. The can-tabs are reflective, glinting in the light, catching the eye of those who pass by them. These shield-like, glittering wall pieces have the presence of valuable treasure, but closer inspection reveals that the treasure is made from can-tabs, one of many common disposable items that continuously pass through our hands. Keywords: assemblage, post consumer can-tabs Details: This is a wall mounted scuplture made from post consumer can-tabs and safety pins mounted on green MDF. A hanging cleat is attached on back. signed on back. No paints are use in this piece. The can-tabs are manufactured in many colors according to thier brand. Artist Biography: Since 2002, award winning artist Virginia Fleck...

"Measure by Measure" is an original mixed media artwork by Volker Kuhn. A golden elephant hording gemstones. The work is hand-signed by the artist below the artwork on the mat. It is...