Folk Art Art

Olga Fisch ( American 1901-1990) Hummingbird and Pendant Flower, hand woven and stitched wool and sequins, signed lower right. Dimensions: 58 x 32 in. Olga Fisch was born in Hungary, studied in Germany and lived in Morocco and Ethiopia before receiving asylum as a Jewish refugee in Ecuador in 1939. For her Indian-inspired designs, Mrs. Fisch uses natural black and white sheep...

Charles Bragg, American (1931 - 2017) - Marc Chagall, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8 x 8.5 inches, Size: 12....

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

turned wood, wooden vessel, oak Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediately fascinated...

OIL ON CANVAS Ready to hang. Shipping from Belarus, Minsk. Natalia Ivanova is a well-known Belarusian painter working in the style of symbolic figurat...

Staghound Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 27 x 22 in. (68.58 x 55.88 cm)

OIL ON CANVAS Ready to hang. Shipping from Belarus, Minsk. Natalia Ivanova is a well-known Belarusian painter working in the style of symbolic figurat...

Golden (Musica Poetica) - 1997 44x59cm, Edition 4/10. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and...

Desert Bloom (Musica Poetica) - 1997 44x59cm, Edition 4/10. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. Artist...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Parsonage Lane. Year: 1986, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Size: 25 x 30 in. (63.5 x 76.2 ...

The Field (Musica Poetica) - 1997 44x59cm, Edition 4/10. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. Artist In...

Tighe O'Donoghue's dimensional rendering of a sloping mountain surrounded by clouds above a series of the phases of the moon retains the same mystic elements as his other work while ...

Charles Bragg, American (1931 - 2017) - And He Saw That it Was Good 2, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 9 x 12 i...

Oil painting on cardbord. Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Sh...

Mels (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

No Parking (Stranger than Paradise) - 1999 59x56cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist In...

In this painting, Robert Richter has composed a tightly-cropped image of a leafy bush, paying attention to its individual sprigs and flowers. Below the shrub, a row of small flowers ...

Acrylic and pencil on paper Signed and dated, l.r. Also inscribed "A 2001" in pencil, verso This work is offered by ClampArt, located in New York City.

Original vintage gouache painting on poster board by Emma Heinzelmann (Hungarian, born 1930). Hungarian Peasant art, children fairytale themes, in psychedelic pop colors of the era. This framed painting depicts figures, a rooster and angels in flying above. Artist signature on farm gate. Housed in chrome mid century frame. Framed: 19.5 X 25.5 image is 15 X 21. Emma Heinzelmann ( Nyírbátor , March 14 , 1930 - ) Munkácsy Prize-winning Hungarian graphic designer and illustrator. Heinzelmann is a Hungarian children's book illustrator and graphic poster artist, who started her career during the 1950’s. She has a very unique drawing style that resembles children’s book illustrations. Working in psychedelic pop colors of the era. She Initially she studied to be a costume designer but she soon turned to graphic design. She graduated in 1950 from the clothing design department at the Junior High School in Török Pál Street which operated under the name Szépmíves Lyceum from 1946 to 1950. His master was György Farkas, a ceramicist, painter and sculptor. She creates her compositions using mainly watercolor and gouache paint. She often worked on illustrations for children’s books, since her style fits their themes. Her posters show the same playful Hungarian Folk Art style. She has produced artwork in almost all areas of applied graphics. posters, commemorative cards, designed album covers, postcards, advertising graphics, slide films, animation and cartoons. Her drawings were published in Dörmögő Dömötör and Kisdobos among others as well as in children's magazines. An entire generation of children grew up with her book illustrations, reading the fairy tales of Wilhelm Hauff or Hans Christian Andersen. Her story books and drawings are known well beyond our borders. She illustrated nearly 80 storybooks. She is a contemporary of Maurice Sendak and William Steig. Her work is of the same genre as the iconic Polish Cyrk poster artists. In her original fine art graphics grotesque and bitter elements often prevail, her figures are playfully ironic. Her drawings are made in a variety of ways, from pencil drawings to watercolor painting to collage techniques, from decorative spot effects to lace-like line drawings. She is no stranger to a kind of Art Nouveau influence, but it is always individual. It was never beautiful, but over the years its color scheme changed, thus confirming the lines of József Somogyi quoted earlier. She had several individual exhibitions, and for more than 10 years as a member of the Papp-Gábor group, her works could be seen in Dorottya Street. In 2009 , the book of art historian András Székely was published by Holnap Könyvkiadó under the title Emma Heinzelmann: fairy tales in the drawing. Awards and recognitions Lot Prize (International Poster Biennale, Warsaw) (1972) Ministry of Culture Award (1977, 1979) Brno Graphic Biennale (Bronze Award) (1980) Worker's Award (1984) Children's Book of the Year Award (1984) IBBY Andersen Diploma (1988) Hamburg Lifetime Achievement Award (1990) Albert Star Award (1992) Noémi Ferenczy Award (2005) Munkácsy Award (1984) Solo Exhibitions: Thought Bookstore, Budapest (1965) Cultural Center, Nyíregyháza (1974) Little Gallery, Komárom (1982) Art Gallery, Budapest. (1990) Vác (2010) Selected group exhibitions: International Children's Book Fair and Exhibition, Bologna (1971-1975) International Graphic Biennale, Brno (1966-1985) BIB (Children's book illustration biennial), Bratislava (1970-1985) XXXVI. Venice Biennale, Venice (1972) ARC. International Poster Biennale, Warsaw (1972) International Poster Triennale (B) (1972-1974) Weekdays, graphic exhibition, (1975) Calligraphy and typography, Institute of Cultural Relations, Budapest (1977) "Falrahányt pea", graphic exhibition, Institute of Cultural Relations, Budapest.(1978) International Poster Triennale (B) (1978) National Poster Exhibitions, Art Gallery, Budapest (1978)(1980) International Poster Exhibition (IR) (1979) Slide films: Fairy tales with Emma Heinzelmann's drawings: Under the Shore (1981) Goose Party (1981) Take a Little Trumpet (1982) The Bremen Town...

Sweet Boy (Stranger than Paradise) - 1997 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist Inventory...

Two Unknown Boys (Stranger than Paradise) - 1997 - 44 x 59 cm, Edition 8/10. Analog C-Print, hand-printed by the artist. based on the Polaroid. Certificate and Signature label. ...

Sacred Buffalo - A New Beginning, Contemporary Painting on Canvas 72 H X 48" W Collectible The buffalo is a symbol of self-sacrifice; it gives until there is nothing left. Acrylic on Stretched Canvas SPECIFICATIONS: - Artist-grade canvas. - 1.5" deep wooden support bars - Gallery Stretching & Wrap About Artist Irena Orlov, innovative, contemporary fine artist, architect, designer, illustrator, photographer is known for creating captivating works which are full of energy. Extraordinary versatile in her mediums, Irena could never imagine life without art. She is an artist whose path in the fine arts has led her to a unique expression of mood and color. The combination of antique and a very clean, crisp modern design sense creates a highly prized, individual art style. Her images begin spontaneously and give expression to personal creativity and insight. Each piece is unique in design. Irena often prefers to think of herself as a craftsman, constructing, or interpreting imagery and messages from her conscious and subconscious mind. Irena Ukrainian born lives and works in Los Angeles. STATEMENT I've been drawn by the magical beauty behind fine arts and design since childhood. Having a successful carrier in architecture and design for quite a long time, I began to deal with fine art. I began to look for new ways to express my emotions and feelings. The process of creating art gave me what I wanted - endless ways of expressing myself. During the creating process, I don't limit myself to a specific style or medium therefore my art is mostly represents mixed media. My creating process is based on my emotions and my mood. I'm very spontaneous. Today I might use photography to convey my feelings...tomorrow I might paint to express myself. My work is infused with spirit and energy I felt at the moment I created it. It encourages viewers to interpret it their own way. My art evokes different feelings in the audience depending on their individual experiences and memories. I was and continue to be inspired by the beauty of the world around me and can spent hours to explore it. The rapid world at which is everything changed so fast, I discovered that I will never live in quite the same world. Life unfolds only in moments. Capturing moments that are full of emotion is the key to my art. Exhibitions and Art Fairs 2019 Dolcezza Fashion Collection 2019 Art Comes Alive, ACA 2019, Cincinnati, Ohio 2019 Blink Art Artist Showcase,Cincinnati, Ohio 2019 WhyNotArt, Pasadena, CA 2019 Voyager, Royal Caribbean Cruise Line, Artworks installed: Spa, Staterooms, Suites, Lounge 2019 Apartment Building, Stairwell, Wilson Mountain view CALIFORNIA 2019 Oasis, Royal Caribbean Cruise Line, Artworks installed : Bed Spa Staterooms 2019 Leasing Office, Lake Meadow, Chicago Illinois 2019 Freedom Spa Staterooms, Royal Caribbean Cruise Line, Miami 2019 Freedom of the Seas Royal Caribbean Cruise Line 2019 Parallax Art Fair Kensington, London, UK 2019 4th Annual Jockeys & Juleps Derby Party Fine Art Auction, Southern Reins 2019 Parallax Art Fair Chelsea, London, UK 2018 Red Dot Miami, R.E and Perseus Gallery, Spectrum Miami 2018 2018 Parcus Gallery, Berlin, Germany 2018 21st Beijing Art Expo, China 2018 Museum MIIT, Modern and Contemporary Art, Turin, Italy 2018 The Vatican's Chancellery Palace, Italy, 1st International Itinerary Art Biennale 2018 "Between Dream and Reality” 2018 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2018 Artexpo New York 2018 2018 Royal Caribbean Cruise Line 2018 Renaissance Asheville Hotel 2018 Renaissance Newport Beach Hotel, Reception 2018 UC Davis, Student Housing, California 2018 LA Mart, TEMPS on 2, Los Angeles 2018 European Intercultural Activity, The Museum of Art and Science, Milan 2017 The Art Festival at The Papal Palace of Castel Gandolfo (di Castel Gandolfo -Musei Vaticani) 2017 The International Exhibition at the Art Italian Institute, Prague 2017 Marriott SFO, San Francisco, CA 2017 Stars of Art 2017, Galleria Sant'Andrea, Parma, Italy 2017 Stars of Art 2017, Galleria Farini Concept, Bologna, Italy 2017 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2016 Ritz-Carlton Osaka, Tokyo, Corporate Collection 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 “Contemporaries at Uffizi”, Florence: Palazzo Ximenes Panciatichi. Italy 2016 Arttour International. Spectrum Miami 2016 2016 Biennale "Palma d'Oro per l’Arte 2016" Monte Carlo 2016 Galleria Borghese, "Historical Prize for Contemporary Artists", Rome, Italy 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 Dwell on Design, Los Angeles Convention Center 2016 Tokyo International Art Fair 2016 Saatchi Art, Girlcrest Event/ Lloydcrest Estate, Beverly Hills 2016 "Woman's Art World" Museum of Marrakech, Casablanca, Morocco 2015 Awarded the International Art Award David of Bernini, Grand Gala, Italy Monumental Theatre “G.Paisiello” by International Education of Art and Human Rights Italia in Arte nel Mondo 2015 Awarded the Special Prize for Human Rights, Anne Frank Italy Monumental Theatre “G. Paisiello” by International Education of Art and Human Rights Italia in Artenel Mondo 2015 Hotel Monaco, Washington DC 2015 " Snap To Grid" Los Angeles Center for Digital Art 2015 Stanford University, Student Housing, Stanford, California 2015 1st International Noto Award - Unesco Heritage, "Convitto Ragusa" Museum - Noto, Sicily 2015 Premio Oscar dell...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Cyclone Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 99 Image Size: 18 in. x 15 in. (45.72 cm x 38.1 cm) Si...

Ernani Silva, Brazilian - Ceremony under Moon, Year: 1993, Medium: Acrylic and Enamel on board, signed and dated in marker lower left, Size: 21 x 22 in. (53.34 x 55.88 cm)

Christmas (Los Angeles) - 1997 44x59cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. Artist Invent...

Dust Bowl Farm (American Depression) - 1997 44x59cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. ...

The Actress and the Lawyer (California Blue Screen) - featuring Radha Mitchell - 1999 44x59cm, Edition 4/10. Analog C-Print, hand-printed by the artist, based on the original Pol...

Andre Derain, French (1880 - 1954) - Man with Cane, Medium: Woodblock on laid paper, Image Size: 4.25 x 3 inches, Size: 5.25 x 4 in. (13.34 x 10.16 cm), ...

Judith Bledsoe, American (1938 - 2013) - Clown I. Year: circa 1975, Medium: Lithograph, signed and dedicated in pencil, Size: 35 x 24 in. (88.9 x 60.96 cm), Description: Standing wi...

Judith Bledsoe, American (1938 - 2013) - A Muster of Peacocks. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 59/60, Image Size: 8.5 x 13 inches, S...

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Untitled - Three Stars Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 28 x 22 in. (71.12 x 55.88 cm)

Untitled - Planetary Abstract Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 99 Size: 27 x 22 in. (68.58 x 55.88 cm)

The Winds - il sirocco Tighe O’Donoghue, American (1942–2023) Date: circa 1979 Etching with Aquatint, signed in pencil Edition of I/XV Size: 30 x 22 in. (76.2 x 55.88 cm)

Set within a thick border, Tighe O'Donoghue's scene of a boat accompanied by two spirits floating near the stars in the sky demonstrates his unique take on Magical Realism. Dialect...

Illuminated with a glowing light, this mythical depiction of a knight on horseback holding a lance by Tighe O'Donoghue features the artist's signature delicate script and mathematica...

size includes frame: 32.5" H x 26.5" W; Lithograph in colors depicting an enchanted evening in Paris with a bright cafe and a church or public building on a charming Paris square. ...

Tighe O'Donoghue's geometric abstract composition features minimal detail and indistinguishable subject matter spotted with flecks and scratches of bright pink and blue. Dialects o...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 10.5 x 17 Frame Size: 20.5 x 16.5 Medium: Mixed Media on poster board Dated 1987 "Thanksgiving" Biography Johnny Banks (1912-1...

Artist/Designer; Manufacturer: Justin McCarthy (American, 1891-1977) Marking(s); notes: marking(s) Materials: board/panel Dimensions (H, W, D): 24"h, 23.75"w Additional Information: ...

Ernani Silva, Brazilian - Mother and Child, Medium: Acrylic, Collage and Enamel on board, signed in marker lower right, Size: 10.75 x 21 in. (27.31 x 53.34 cm)

Lazar Obican 1944-2004 Tapestry, mixed media applique on woven background Taking The Bird Away, Folk Art, Dimensions: H 80 cm (32.25 in.) x W 58 cm (23in.) The artist Lazar Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. This is not an aubusson style but a pieced applique, quilt like style on a wool woven background. Mid century modern textile art...

Shah Mat Suite - MacDuff Tighe O’Donoghue, American (1942–2023) Date: 1981 Etching with Aquatint, signed in pencil Edition of V Image Size: 12 x 9 inches Size: 22 x 15 in. (55.88 x 3...

Judith Bledsoe, American (1938 - 2013) - City Cats. Year: circa 1980, Medium: Lithographs on Black Tinted Paper, signed and dedicated in pencil, Edition: EA,...

Shah Mat Suite - MacBeth Tighe O’Donoghue, American (1942–2023) Date: 1981 Etching with Aquatint, signed and numbered in pencil Edition of V Image Size: 12 x 9 inches Size: 22 x 15 i...

Repose Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 125 Image Size: 18 x 15 inches Size: 30 in. x 22 in. (7...

Patito Sergio Bustamente Polychrome hand carved wood 15 x 20 x 40 cm 1984, MX No Base Sergio Bustamante is a Mexican Artist and sculptor. Though bor...

Purvis Young (1943 - 2010) Drawing from the 1990's #469 ink on paper 10.50 x 8 in

Ernani Silva, Brazilian - 5 Figures, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 10.5 x 22 in. (26.67 x 55.88 cm)

Judith Bledsoe, American (1938 - 2013) - An Exultation of Larks. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 60/60, Image Size: 13 x 8.5 inches,...

Signed lower left. In this richly imaginative painting by Julian Nemethy reimagines the Hudson River day liner not merely as a vessel of transport, but as a dreamscape in motion. The steamboat, rendered with meticulous precision, glides through a river that shimmers magically—beneath a sky alive with imaginative playful clouds Nemethy’s signature style is on full display: whimsical flourishes, exaggerated perspectives, and a near-naïve attention to detail that invites the viewer into a world where nostalgia and fantasy intertwine. The day liner becomes a symbol of freedom and wonder, a floating stage for the American imagination. It’s a celebration of movement, memory, and the enduring romance of the Hudson. Contemporary artist Julian Nemethy is the son of artist Albert Nemethy, and his work can be distinguished from that of his father by the use of fantastical elements, extreme use of color and detail, and whimsical touches. Julian Nemethy is one of the many artists in the Nemethy family. Born in Hungary, his parents fled the Communist regime in the mid-1950s when Julian was a small child. He was one of six siblings who were raised by their father. In high school, Julian taught himself to paint, and felt he had found his vocation. In the 1980s, he moved to the Smokey Mountains of...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Ship...

Judith Bledsoe, American (1938 - 2013) - Petite Portrait - Witch. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA, Image Size: 8 x 6 inches, Size: 1...

REX BANDY Untitled Tempera on panel 21.5 x 14.5 inches Framed: 22.5 x 15.5 inches

The Warrior Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 40 Size: 30 x 22 in. (76.2 x 55.88 cm)

The Sphinx Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching, Signed in Pencil Image Size: 11 x 14 inches Size: 22 in. x 27 in. (55.88 cm x 68.58 cm)

The abstract print "BROKEN MIRROR 03242018 607pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on March 24, 2018 at 6:07 pm. While Justin Neely...

Sundial - Suite 2 Tighe O’Donoghue, American (1942–2023) Date: circa 1976 Etching with Aquatint, signed in pencil Edition of M 10 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Snow Flower Tighe O’Donoghue, American (1942–2023) Date: circa 1975 Aquatint Etching, signed in pencil Edition of 40 Image Size: 5 x 4 inches Size: 11 x 10 in. (27.94 x 25.4 cm)