Hudson River School Art

Antique American sunset seascape beach scene oil painting. Oil on board. Framed. Signed. Measuring: 15 by 21 inches overall, and 9 by 15 painting alone.. In excellent original cond...

Gorgeous panoramic sunset landscape by unknown artist, ca. 1890. Oil on canvas measuring 20 x 34 inches. Depicted are the Catskill Mountains facing west from somewhere in Dutchess County NY...

A fine & large antique Hudson River School oil on canvas painting, by John Bunyan Bristol (New York- Massachusetts 1826-1909), likely Lake Geneva New York circa 1870. The painting d...

A charming 19th–early 20th century oil on canvas capturing a tranquil mountain landscape. Executed in a loose, impressionistic hand, the work depicts rolling hills in warm earthy ton...

Henry Augustus Ferguson Laurel Lake near Stockbridge, Massachusetts, circa 1870s Signed and titled on the reverse Oil on canvas 16 x 26 inches Provenance Gallery of Mrs. Cornelius J...

Antique American Hudson River School landscape oil painting. Oil on board. Framed. Signed in monogram. Measuring: 17 by 25 inches overall, and 14 by 22 painting alone. In excellent...

Hudson River School artist William Richardson Tyler's (1825-1896) "Lake George," is oil on canvas and measures 8 x 13 inches. The painting is signed at the lower center and signed an...

Signed and dated K. W. Newhall 1881, this luminous seascape by American painter Kate White Newhall (1840–1917) captures a dramatic coastal scene at sunset with refined academic techn...

This finely executed 19th century oil painting exemplifies the pastoral grandeur and romantic vision associated with the Hudson River School. While the painting is unsigned, it was c...

Beautiful example of the Hudson River School romantic bucolic New York autumn landscape with cows foraging. Illegible artist signature on stretcher bar (See enhanced images). Condition: very good; professionally cleaned and minor restoration upper right hand corner where paint was missing. Unframed. Image size: 14"H x 24"W x .75"D Hudson River School was an informal association was America's first so-called school of painting and the dominant landscape style until the Civil War. The name derives from a group of 19th-century landscape painters working in New York state. With realistic composition, they depicted romantic views of unsettled areas of the Hudson River Valley especially lakes, rocky gorges, and forests in the Catskill Mountains. About a fourth of these artists utilized luminism or effects with special lighting techniques to convey lofty emotions through contrasts of light and dark. Included in this Hudson River luminist category were Washington Allston, Albert Bierstadt, William Hart, and Frederic Edwin Church...

Hudson River School inspired landscape painting of sunset with orange glow “Evocation” painted by Jane Bloodgood-Abrams in 2014 oil on canvas 48 x 60 inches / 49.25 x 61.5 inches wi...

This atmospheric 19th-century oil painting by George H. McCord (1848–1909) depicts a wooded riverbank under a dynamic sky, rendered with the crisp naturalism and luminist subtlety as...

Woodland Scene, 1885 Oil on canvas, 38 x 50 inches (96.5 x 127 cm) Framed dimensions: 49 3/8 x 61 3/8 inches Signed and dated lower left: W Bliss Baker 1885 Provenance Albert E Clue...

Impressive early American Hudson River School landscape oil painting by Jasper Holman Lawman (1825 - 1906). Framed. Oil on board. Signed. Image size, 10H by 16L.

Jasper F. Cropsey An Autumn Landscape Signed and dated J.F. Cropsey 1898 Oil on canvas 14 x 24 inches Provenance Private Collection Texas, acquired in the early 1900s Thence by desc...

Remarkably, this painting tells its own story on the verso. To save your eyesight, here's what it reveals: James McDougal Hart (1828-1901) Landscape, animal, and portrait painter. A ...

Albert Bierstadt Mt. Rosalie, Colorado, circa 1863 Signed lower left: ABierstadt; inscribed on verso: Mt. Rosalie / Colorado Oil on paper 13 1/4 x 9 1/2 inches Provenance Private Co...

Incredible early American Hudson River School landscape painting by William Hart (1823 - 1894). Oil on board. Framed. Signed. Measuring 15 by 17 inches overall and image size, 1...

Antique American Hudson River School coastal seascape. Most likely a view of Maine. Oil on board. Image size, 8 by 12 inches.

Luminist, Hudson River School inspired landscape of Catskill mountains with moonlit blue sky "Moonrise in the Mountains", painted by Hudson Valley artist, Jane Bloodgood-Abrams in 20...

Painted by Hudson River School artist Joseph Antonio Hekking (1830-1903), "Adirondack Stream in Fall" is oil on board and measures 8.5 x 6.5 inches. The painting is signed at the low...

Antique Quintessential American Hudson River School landscape by an unknown Hudson River School artist. This painting features its original period gold frame, and a charming scene o...

View at Dawn, 1877 Oil on canvas, 7 1/8 x 12 5/8 inches (18 x 32 cm) Framed dimensions: 12 x 17 inches Signed and dated lower right: C.H. Gifford / 1877 Charles Henry Gifford was bo...

1842 Wakechai (Crouching Eagle) A Saukie Indian Chief Lithograph with Applied Watercolor The lithograph depicts Wakechai, also known as Crouching Eagle, who was a member of the Sauk and Fox delegation. King renders Wakechai with exceptional detail. The Saukie Chief is adorned with fine accoutrements such as a white fur robe...

A remarkably fresh, naturalistic and rare depiction of the environs of Lake George! It is possibly from the late 1860’s, after the Civil War when his work became more naturalist in m...

Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the background add depth and interest to this beautiful piece. Signed "W. S. Adams" lower right corner. Condition: Previous restoration includes relining of canvas. Frame is vintage gilt molded and wood frame and shows previous repair of molding losses. Image size: 20"H x 24"W. Auctions records for the artist exceed $6,000. Willis Seaver Adams was known for his landscapes of the Connecticut River Valley. A relative recluse for much of his artistic life, his loneliness can be seen in much of his works. Oil miniatures were the focus for almost all of his later works. He is credited with over 425 oils, watercolors, and drawings. Willis Seaver was born in 1844 on a farm in Suffield, near the Connecticut River. He intermittently attended the Suffield Academy, and always wanted to be a painter. A wealthy doctor became his patron, and financed his studies in 1868 at the Royal Academy in Antwerp. When the doctor passed away, Adams returned home and struggled to make a living painting. After working for a photographer for three years, he opened his own studio. Adams helped organize Cleveland's first watercolor exhibit in 1876. Soon thereafter, he completed a portrait of Rutherford B. Hayes, then governor of Ohio, prior to his becoming President of the United States. This portrait enhanced Adams notoriety. In 1878, Adams traveled to Italy where he opened a studio in Venice, and became friendly with neighbor James Whistler. Prior to returning to Springfield, Adams lived in Florence, Italy for three years. He returned to became an instructor for the Springfield Art Association, and began to exhibit his works at the galleries of James D. Gill. His first one-man exhibit was held there in 1894. Other successful exhibitions took place in Chicago, New York, and Boston. Although his works garnered respectable prices and reflected his success, Adams felt he was due more recognition. In 1906, he moved to Greenfield, Massachusetts and converted a barn into a studio. There, he fell into relative obscurity, accompanied mainly by his dog, Collie. In 1921, Adams passed away. Examples of Willis Adams works can be seen at the Kent Memorial Library, the Wadsworth Atheneum, and the Suffield Academy. Several Suffield residents are thought to own Adams paintings.

Edmund Darch Lewis (American, 1835-1910) 'Untitled', 1875 Oil paint, linen, stretcher bars The artist signed the bottom right of the painting. Dimensions: 43.5" x 25.5" x .75" Frame...

Original Oil Southern California Landscape C. 1930s -- The Eucalyptus Grove Vibrant, painterly Southern California landscape of iconic Eucalyptus trees by Andrew Boardo Lund (1877 ...

San Francisco Bay Sunset Hudson River School circle of William Alexander Coulter Luminous San Francisco Bay 1870s landscape of sunset over water with red buoy in foreground and sail...

Antique impressionist painting of a coastal seascape. Oil on canvas, circa 1900. Signed illegibly. Framed. Image size, 18L x 12H.

Serene early 20th century landscape of a winding creek in verdant country side with a distant farmhouse in the background, by an unknown artist (American, 20th Century), c. 1920. Pre...

Nicely framed 19th century forest interior landscape painting. Oil on canvas. Ready to hang. Image size, 13"L by 17"H inches painting alone.

Jasper F. Cropsey Janetta Falls, New Jersey, circa 1846 Signed J.F. Cropsey Oil on canvas 12½ x 10¾ inches Provenance Private Collection, New York, 1930s Thence by descent to the pr...

George Henry Smillie Coastal Scene Signed lower right Oil on canvas 20 x 30 inches Provenance Collection of Sylvia and Saverio Giammalva, Houston, Texas The career of George Smill...

DeWitt Clinton Boutelle Sunset, Indian Summer, 1848-49 Signed and dated lower left Oil on canvas 12 x 16 inches DeWitt Clinton Boutelle was b...

Water Lilies, 1881 Oil on canvas, 7 1/2 x 12 inches (19.1 x 30.5 cm) Framed dimensions: 16 1/8 x 21 1/8 inches Signed and dated lower left: Geo. Henry Hall '81 George Henry Hall was...

Rare early American sunset Hudson River School swimming hole painting. Framed. Oil on board. Image size, 7.25H by 10L.

Summer Fishing Scene by Hudson River School artist John Carleton Wiggins (1848-1932) is oil on canvas and measures 12 x 20 inches. The painting is signed by Wiggins at the lower left...

John Ferguson Weir West Point, 1873 Signed and dated lower left Oil on panel 12 1/8 x 20 1/8 inches Provenance: Sotheby's Arcade, American Paintings, December 19, 2003, Lot 1091 Spanierman Gallery, New York Private Collection, New York (acquired directly from the above) Exhibited: Roslyn, Nassau County Museum of Fine Art, William Cullen Bryant, The Weirs and American Impressionism, April 24, 1983-July 31, 1983. A painter, sculptor, writer, and teacher, John Weir was a highly talented man whose painting was overshadowed by his father, Robert Weir, the long-time West Point Academy drawing teacher, and his brother, J Alden Weir, well-known impressionist painter. His distinguished reputation was primarily based on his accomplishments as a teacher and administrator. For many years, from 1869 to 1913, John Weir was the Director of the Yale University School of Fine Arts. He was also a commissioner of the art exhibition at the Centennial Exposition in Philadelphia. Weir was born at West Point, New York, and by age 20, had a studio in New York City in the Tenth Street Studio Building, the first building in America dedicated to art studios, and there he associated with many leading painters of the day. He earned attention early in his career for paintings of industrial scenes...

Victor de Grailly Niagara Falls, circa 1840-45 Oil on canvas 28 7/8 x 21 1/4 inches Provenance: Mark Borghi Fine Art, New York Private Collection, Nyack, New York Little is known a...

Paul Weber was a German born artist that painted beautiful American Landscapes. He exhibited his works in New England, specifically Philadelphia and Boston. After his famed period of...

G. Brundell Untitled, c. Early 20th Century Oil on canvas Sight: 10 x 18 in. Framed: 19 7/8 x 27 7/8 x 2 in. Signed lower left

Original pastel on archival paper by the well known Hudson River artist, George Douglas Brewerton. A Northern California scene near Mount Shasta. Signed lower left and dated 1876. Recently professionally matted and framed in new antique silver style gallery frame. Overall framed measurements are 27 by 36 inches. Under glass. Condition is excellent. Provenance: A Pennsylvania collector. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

Paul Gottlieb Weber (1823-1916) was a German-American painter renowned for his landscape and genre scenes. Settling initially in Philadelphia from Germany, he quickly gained recognit...

Hudson River School Style - The Homestead and Grist Mill 1942 In the Hudson River School style by A (K) Mathieu (American, 19th-20th C). Harvest time at the Homestead with a hay wago...

This rare and impressive depiction of a white capped mountain and Indian encampment from the 1870's is a great image for a library or rustic room. Exquisitely painted, Young focused...

The Jolly Flat Boat Men, 1847 After George Caleb Bingham (American, 1811-1879) Engraved by Thomas Doney (French, active New York 1844-1849) Engraving with Hand-Coloring Published by The American Art-Union, New York (1838-1851) Printed by Powell and Co. 18 x 24 inches 32 x 38 inches with frame In 1847, the American Art-Union purchased Bingham’s painting "The Jolly Flat Boat Men" (1846; National Gallery of Art) directly from the artist. The subscription-based organization, founded in 1838 as the Apollo Association, boasted nearly ten-thousand members at this date. For an annual fee of five dollars, each received a large reproductive engraving and was entered in a lottery to win original artworks exhibited at the Art-Union’s Free Gallery. Aimed at educating the public about contemporary American art, the organization developed an impressive distribution network that reached members in every state. The broad circulation of the Art-Union's print helped to establish Bingham's reputation and made his river scene famous. Born in Augusta County, Virginia in the Shenandoah River Valley, George Caleb Bingham became known for classically rendered western genre, especially Missouri and Mississippi River scenes of boatmen bringing cargo to the American West and politicians seeking to influence frontier life. One of his most famous river genre paintings was The Jolly Flatboatmen completed in several versions in 1846. This first version of this painting is in the Manoogian Collection at the National Gallery of Art. Fame resulted for this work when it was exhibited in New York at the American Art Union whose organizers made an engraving of 10,000 copies and distributed it to all of their members. Paintings such as Country Politician (1849) and County Election (1852) and Stump Speaking (1854) reflected Bingham's political interests. In 1819, as an eight-year old, he moved to Boon's Lick, Missouri with his parents and grandfather who had been farmers and inn keepers in the Shenandoah Valley near Rockingham, Virginia. Reportedly as a child there, he took every opportunity to escape supervision to travel the River and watch the marine activity. His father died in 1827, when his son was sixteen years old. His mother had encouraged his art talent, but art lessons were not easily obtainable. In order to earn money, he apprenticed to a cabinet maker but determined to become an artist. By 1835, he had a modest reputation as a frontier painter and successfully charged twenty dollars per portrait in St. Louis. "His portraits had become standard decorations in prosperous Missouri homes." (Samuels 46). In 1836, he moved to Natchez, Mississippi and there had the same kind of career, only was able to charge forty dollars per portrait. He remained largely self taught until 1837, when he, age 26 and using the proceeds from his portraiture, studied several months at the Pennsylvania Academy of the Fine Arts. He later said that he learned much of his atmospheric style and classically balanced composition by copying paintings in collections in St. Louis and Philadelphia and that among his most admired painters were Thomas Cole, John Vanderlyn, and William Sidney Mount. Between 1856 and 1859, Bingham traveled back and forth to Dusseldorf, Germany, where he studied the work of genre painters. Some critics think these influences were negative on his work because during that time period, he abandoned his luminist style that had brought him so much public affirmation. Bingham credited Chester Harding (1792-1866) as being the earliest and one of the most lasting influences on his work. Harding,a leading portraitists when Bingham was a young man, had a studio in Franklin, near Bingham's home town. In 1822, when Bingham was ten years old, he watched Harding finish a portrait of Daniel Boone. Bingham recalled that watching Harding with the Boone portrait was a lasting inspiration and that it was the first time he had ever seen a painting in progress. Harding suggested to Bingham that he begin doing portraiture by finding subjects in the river men, which, of course, opened the subject matter that established fame and financial success for Bingham. Harding also encouraged Bingham to copy with paint engravings. He later painted two portraits of Boone but, contrary to the assertions of some scholars, he did not do Boone portraits in the company of Harding. Bingham's portraits of Boone are not located, but one of them, a wood signboard for a hotel in Boonville circa 1828 to 1830, showed a likeness of Boone in buckskin dress...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

John A Mooney is a Virginian artist who has been known to paint trompe loeil and landscape paintings. Born in Buffalo, New York, John A. Mooney (1843-1918) traveled to Georgia to enl...

George Curtis transcended the typical Hudson River School style with this painting. While in the Hudson River School, painters often created warmer landscapes of the American country...

This is a beautiful landscape done by the famous Hudson River School artist, Asher Brown Durand. Asher B. Durand began his art career following his father in engraving. He was one of...

Harrison Bird Brown (1831 - 1915) Birch Tree in Maine, New England, 19th Century Oil on canvas 25 x 13 1/8 inches Initialed lower left Provenance: Portland International Galleries, Maine Mr. and Mrs. Walter M. Jeffords, Jr., Saratoga Springs, New York and Lexington, Kentucky (President of Brooklyn Borough Gas Company) Private Collection, Chicago Exhibited: Portland Maine, Portland Museum of Art, 58 Maine Paintings 1820-1920: Selections from the Collection of Mr. and Mrs. Walter M. Jeffords, Jr., May 20 - June 20, 1976, cat. no. 11. The above catalogue listing this vertical landscape will be included with your purchase. "Mr. Brown has succeeded fully in accomplishing that which Mr. John Ruskin, in speaking of J. M. W. Turner's sea views, said no painter had yet accomplished; that is, the representation of the creamy foam which the storm lashes up from the waves along a rocky shore." Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine...

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...

Joseph John Englehart (1867-1915) was a prolific American landscape painter who painted in realist style. He was born on June 14, 1867 in Chicago, Illi...

Painted by Hudson River School artist Johann Hermann Carmiencke, "Hudson River Landscape" is oil on canvas and measures 12 x 18 inches. The painting is signed and dated 1865 at the l...

Fantastic early New Hampshire landscape by John Rollin Tilton. Pre White Mountain School. View from Tilton NH looking back towards Concord. Oil on canvas - deserves a special place o...

A fine and important painting by the celebrated American Hudson River School painter William Trost Richards (1833-1905), the painting depicting the coastline at sunset Atlantic City, NJ, signed and dated 1875. This watercolor is fresh to the market from a private American collection, in the same family hands since the 1920's and housed in the original bronzed frame, condition is all original, we at Bloomsbury Fine Art had the work professionally remounted in archival acid free materials and UV glass. Condition is excellent. Framed: 20.25" tall x 30.25" wide x 1" deep At sight: 10.5" tall x 20.5" wide William Trost Richards was born in Philadelphia and began to draw at a young age. At thirteen he was forced to leave school to support his family and found a job designing ornamental metal fixtures. He continued to study art, eventually taking classes at the Pennsylvania Academy of the Fine Arts and exhibiting his first work there in 1852. In 1855 he made the first of several trips to Europe to look at art. An admirer of the great American landscape artists of his day, Frederic Edwin Church and John F...

Provenance Collection of Mrs. Victor R. Bieber, Gwynedd, Pennsylvania Born in Ohio, Worthington Thomas Whittredge began his career as a sign and portrait painter in Cincinnati, wher...

Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...