Hudson River School Art

This coastal landscape is done by the famed painted William Frederick De Haas (1830-1880). This painting shows two men in a canoe paddling off the cliff shore in the foreground with ...

THE WATERFALL - Oil on canvas cm. 55x70 by Paolo De Robertis, Italy 2002. The painting is inspired by the paintings of Thomas Hill, an American landscape painter belonging to the H...

Spaniel Game is a delightful nineteenth-century sporting scene by W.H.M. Turner, painted circa 1860s, celebrating the companionship, discipline, and excitement of the traditional Bri...

A remarkably fresh, naturalistic and rare depiction of the environs of Lake George! It is possibly from the late 1860’s, after the Civil War when his work became more naturalist in m...

Walter Blackman (1847–1928) Apple Blossom in a Vase Signed lower left Oil on canvas applied to board 10 × 8 inches Walter Blackman was born in New York in 1847 and pursued formal s...

A charming New England landscape, Town Along the River in Vermont by Charles Louis Heyde offers a beautifully observed view of rural life in the 19th century. Likely painted circa 18...

About this work: “Manchester-by-the-Sea” by Ann Sophia Towne Darrah (American, 1819-1881). Darrah was among the earliest American women to establish a professional reputation as a p...

Charles Day Hunt From Nature, Adirondacks, circa 1880 Signed lower right; signed and titled on the reverse Oil on canvas 10 x 8 inches Provenance Linda Peet, Glen Head, New York C...

William Edward Norton (1843 - 1916) Ship Portrait, 1876 Oil on canvas 10 x 16 inches Signed and dated lower left Born in Boston, William Norton became a noted marine painter, stirred by his youth when he sailed on family-owned ships. He studied at the Lowell Institute in Boston, and with George Inness, and then established a studio in Boston. In the early 1870s, he went to Paris and became a student with Chevreuse and A. Vollon, and then he settled in London where he exhibited throughout the last quarter of the 19th century. His reputation there was based on his scenes of the Thames River, and ocean and coastal views. In 1901, he and his wife returned to the United States and settled in New York City. He also painted at Monhegan Island, Maine, where a treacherous ledge on the southern side of the island is named "Norton's Ledge" for him. He was a member of the Boston Art Club with whom he exhibited from 1873 to 1909. He also exhibited with the Pennsylvania Academy, the Royal Academy in London, the Paris Salon, the 1893 Chicago Exposition...

Painted by Hudson River School artist Joseph Antonio Hekking (1830-1903), "Autumn Stream" is oil on canvas and measures 14 x 12 inches. The painting is signed at the lower left. The ...

Rare early American sunset Hudson River School swimming hole painting. Framed. Oil on board. Image size, 7.25H by 10L.

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Walpi Hopi Village, Arizona First Mesa Landscape by Marion Kavanaugh Wachtel. Significant southwestern painting of Hopi at Walpi Mesa in Arizona...

This atmospheric sand painting, attributed to “Mrs. Brown,” is a rare and evocative example of Hudson River School–era sandpaper drawing, a distinctive medium favored by a small numb...

Victor de Grailly Niagara Falls, circa 1840-45 Oil on canvas 28 7/8 x 21 1/4 inches Provenance: Mark Borghi Fine Art, New York Private Collection, Nyack, New York Little is known a...

Original pastel on heavy card stock (made in Paris) by the well known Hudson River artist, George Douglas Brewerton. A view of Mount Shasta in Northern California. Signed lower left. Circa 1880. Condition is excellent. The artwork is housed in its original scroll decorated frame. Overall framed measurements are 33.25 by 19 inches. Provenance: A East Coast Florida estate. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

Hudson River School artist William Richardson Tyler's (1825-1896) "Lake George," is oil on canvas and measures 8 x 13 inches. The painting is signed at the lower center and signed an...

Wall was born in Ireland and arrived in New York in 1812. He was already a well trained artist and soon became well known for his watercolor views of the Hudson River Valley and surr...

Edward Moran (American, 1829 - 1901) Boy with Dog on Dock Oil on canvas Signed lower left 22 x 36 inches Provenance: Sotheby's Sale no. 3255 Oct. 27-28, 1977 Page 58 Price on reques...

This finely realized landscape by William Louis Sonntag presents a serene and expansive view of the White Mountains, a region that held enduring appeal for 19th-century American arti...

James Renwick Brevoort (1832–1918) was an influential American landscape painter associated with the Hudson River School, a mid-19th century art movement known for its romantic portr...

Signed lower right: Bradford

This 19th-century American School river landscape painting by an unknown artist embodies the essence of the era’s reverence for nature and the burgeoning national identity. These wor...

A View from Picturesque America is a charming nineteenth-century American landscape inspired by the celebrated publication Picturesque America, edited by William Cullen Bryant and pu...

1920s Connecticut Mountains & Stream Oil Painting Landscape, Signed "L. Hamilton" Scenic Connecticut Mountains landscape with stream in foreground with a small waterfall capture...

Signed and dated lower right: J.F. Cropsey 1887

This expressive painting by Francis William Edmunds offers a compelling glimpse into 19th-century American genre painting, a field in which Edmunds was a recognized master. Known for...

This serene Adirondack landscape is a significant and deeply moving example of the work of Alexander Wyant, whose career marked a critical transition from the Hudson River School tow...

Signed and dated oil on canvas landscape by Hudson School River painter Winkworth Allan Gay. The work depicts a view of the boats of the Boston Yacht Club in Massachusetts Bay. We be...

Joseph John Englehart (1867-1915) was a prolific American landscape painter who painted in realist style. He was born on June 14, 1867 in Chicago, Illi...

F. Alexander Wust paints a stellar sunset over a hillside with light red color in his artwork entitled, “Sunset Landscape.”

This captivating artwork, titled "Children Feeding the Horse", is masterfully executed in rich tones. It depicts two children tenderly feeding a gentle white horse against a familiar...

Antique American Hudson River School artist working in Italy. Oil on canvas. Framed nicely. No signature found.

"Landscape with Sheep" by Daniel Folger Bigelow (July 22, 1823 - July 14, 1910), Oil on Canvas, signed D. F. Bigelow lower right corner. An American painter active in New England an...

Alfred Thompson Bricher, an American artist celebrated for his exquisite marine and landscape paintings, created "Boats Sailing Between Mountains." This piece, though unsigned, exemp...

HARRY ROSELAND (1867–1950) The Prediction Signed lower left (please note: In the image of the signature shows to be faint but by the naked eye is clearly discernable) Oil on canva...

This serene landscape by a Hudson River School artist captures the quiet tension between storm and calm, rendered with luminous color and delicate brushwork. A soft sunset glows behi...

American artist Franklin Briscoe (1844-1903) known for his hirtorical and portrait paintings, paints a Civil War piece; it is a portrait of an officer with his white horse. The brus...

"Hudson Highlands," by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 14 inches. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

William Hart was an influential figure in the art world, best known for his contributions as a landscape painter during the 19th century. Born in Paisley, Scotland, in 1823, Hart imm...

Monogramed and dated lower right: JF.K. / ‘64.

Hudson River School artist Ernest Parton's (1845-1933) "Trout Fishing," is oil on canvas, measures 11.25 x 15.75 inches, and is signed and dated 1871 at the lower left. The work is f...

This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...

This serene Hudson River School painting by George Wright captures a peaceful moment of pastoral life, where three cows rest and graze under a wide, luminous sky. The composition gen...

Frederick J. Sykes (1851-1905) was a remarkable artist of the Hudson River School, renowned for capturing the serene beauty of tranquil landscapes. His work often featured New Englan...

Edmund Darch Lewis (1835-1910) Mount Washington, New Hampshire 50 x 58 inches, signed & dated 1859 Description The area near Mount Washington in New Hampshire was visited by m...

George Smillie (1840-1921) was an American landscape painter renowned for his serene and meticulously detailed depictions of the natural world. Smillie’s work is characterized by its...

Prominent Luminist Hudson River School painter.

A luminous early 20th-century watercolor landscape by Charles Partridge Adams depicting a dramatic Colorado sunset along the Front Range, where expansive prairie, a winding creek, an...

Otto Norquist (1859-1906) "Gordon Setter in a Landscape, 1890" Oil on canvas 22 x 27 inches Signed and dated 1890, lower right Otto Norquist was born in...

Signed lower left: Blakelock

Painted by Hudson River School artist William G. Boardman (1815-1895), "White Mountains in New Hampshire" is oil on canvas and measures 28 1/8 x 38 inches. The painting is signed and...

With masterful precision and a keen eye for atmosphere, Frederic Rondel captures the rugged beauty of the coastline in Walking Along a Rocky Shore. The painting depicts a windswept s...

Signed lower left: Blakelock

A fine landscape painting with birch trees and wildflowers by American artist Ernest Parton (1845-1933). Parton was born in Hudson, New York, and in his teenage years, began to accom...

Painted by Hudson River School artist Henry A. Ferguson (1845-1911), "Autumn Landscape (NH)" is oil on canvas and measures 9 x 15 inches. The painting is signed and dated 1864, at th...

This charming Hudson River School study by Virginia Granbery captures a tender and distinctly American moment: children playing baseball in a sunlit clearing. Painted by one of the f...

"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

A wonderful landscape by American artist Thomas Mickell Burnham (1818-1866). Burnham was born in Boston, MA and received informal art training early on, traveling abroad before relo...

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...