Hudson River School Art

Prominent Luminist Hudson River School painter.

John George Brown (1831–1913) was a prominent British-born American painter, renowned for his genre paintings that vividly depict the everyday life of chi...

Edmund Coates (1816 - 1871) America, 1861 Oil on canvas 30 x 40 inches Provenance: Kennedy Galleries, New York Private Collection This 1861 painting shows deep symbolism with a sled reading "America" slipping down a hill. A versatile nineteenth-century painter, Edmund C. Coates created landscapes, seascapes, portraits, and history paintings. Born in England, Coates spent his adult life in New York City, where he was a frequent exhibitor at the National Academy of Design. Working in the style of the Hudson River School, Coates produced beautiful, idealized images of the lakes and mountains of the Hudson River Valley and the White Mountains of New Hampshire, as well as romantic visions of ancient Italian ruins. He was closer in dates to the second generation of the Hudson River school, which included Frederic Edwin...

Monogrammed and dated lower right: JW. 71; on verso: Indian Summer / By Jw. Williamson / N. Y. 1871 –

Signed and dated lower left: W. Whittredge 1861

Painted by Hudson River School artist Hermann Simon (1846-1895) , "Sunset on the Hudson River" is oil on canvas, measures 15 x 25 inches, and is signed and dated 1875 at the lower ri...

Signed lower right: RABlakelock

This dynamic seascape by Charles Ernest Butler captures the rugged cliffs of Penolver Head on the Lizard Peninsula, where land meets the vast, glistening ocean. The bold, expressive ...

Signed lower left in arrowhead: RA Blakelock.

This stunning, original signed landscape painting by Charles Partridge Adams (1858-1942) captures the breathtaking beauty of a Colorado sunset along the Front Range, near Denver. The...

"Cattle by the Sea," c. 1867 by historic woman artist Ann Sophia Towne Darrah (American, 1819-1881) was exhibited at the Pennsylvania Academy of the Fine Arts in 1867. Painted in oil...

Painted by Hudson River School artist Henry A. Ferguson (1845-1911), "Autumn Landscape (NH)" is oil on canvas and measures 9 x 15 inches. The painting is signed and dated 1864, at th...

Fine late 19th C oil painting on cradled wood panel by George Washington Nicholson. The painting is in very good cleaned condition and shows Surfmen rescuing a ship in distress. This...

"Enjoying Old Times" by Charles Baker captures a poignant and joyful moment in the life of an older man, immersed in the beauty of nature. The painting features the man in the midst of a hike, his weathered walking stick in one hand, and a bottle of champagne in the other. His gaze is fixed on the bottle, a focused and content expression playing on his lips, suggesting a celebration of memories or perhaps a spontaneous toast to the present moment. Baker’s use of warm, earthy tones highlights the natural surroundings, with the man standing against a backdrop of greenery, a rocky path, and a clear, open sky. The composition is rich in detail, from the rugged texture of the man’s clothes...

Winckworth Allan Gay paints a scenic coastal scene from an elevated perspective overlooking a wave-filled beach below in his work entitled, “Sandy Beach, Cohasset.”

Joseph Antonio Hekking was a landscape and marine painter born in 1830 in the Netherlands and died in New York in 1903. He studied in Paris and was a talented draftsman who lived in Cherry Valley, NY, Hartford, CT, Detroit, MI, and Washington, D.C. He also exhibited paintings of the Adirondacks at the National Academy of Design (NYC). He served in the Civil War with a New York regiment and exhibited in the Detroit area after the war. He was a versatile and talented painter was active from the early 1850s to the later 1870s and he participated in major exhibitions. His paintings were inspired by visits to the Adirondacks and White Mountains. He is considered an important and relevant early American landscape...

"Hudson Highlands," by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 14 inches. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Painted by Hudson River School artist Thomas B. Craig (1849-1924), "Autumn Stroll along the River Path" is oil on canvas and measures 20 x 16 inches. The...

Signed lower right: W Bradford

American artist Franklin Briscoe (1844-1903) known for his hirtorical and portrait paintings, paints a Civil War piece; it is a portrait of an officer with his white horse. The brus...

Signed lower right in arrowhead: R A Blakelock; on verso: A Spring Garden

James McDougal Hart (1828-1901) was a prominent American landscape painter and a key figure in the Hudson River School. His landscapes are characterized by their serene and idyllic q...

Estate stamp on verso; on stretcher bar: SEP 9th 1855

Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the background add depth and interest to this beautiful piece. Signed "W. S. Adams" lower right corner. Condition: Previous restoration includes relining of canvas. Frame is vintage gilt molded and wood frame and shows previous repair of molding losses. Image size: 20"H x 24"W. Auctions records for the artist exceed $6,000. Willis Seaver Adams was known for his landscapes of the Connecticut River Valley. A relative recluse for much of his artistic life, his loneliness can be seen in much of his works. Oil miniatures were the focus for almost all of his later works. He is credited with over 425 oils, watercolors, and drawings. Willis Seaver was born in 1844 on a farm in Suffield, near the Connecticut River. He intermittently attended the Suffield Academy, and always wanted to be a painter. A wealthy doctor became his patron, and financed his studies in 1868 at the Royal Academy in Antwerp. When the doctor passed away, Adams returned home and struggled to make a living painting. After working for a photographer for three years, he opened his own studio. Adams helped organize Cleveland's first watercolor exhibit in 1876. Soon thereafter, he completed a portrait of Rutherford B. Hayes, then governor of Ohio, prior to his becoming President of the United States. This portrait enhanced Adams notoriety. In 1878, Adams traveled to Italy where he opened a studio in Venice, and became friendly with neighbor James Whistler. Prior to returning to Springfield, Adams lived in Florence, Italy for three years. He returned to became an instructor for the Springfield Art Association, and began to exhibit his works at the galleries of James D. Gill. His first one-man exhibit was held there in 1894. Other successful exhibitions took place in Chicago, New York, and Boston. Although his works garnered respectable prices and reflected his success, Adams felt he was due more recognition. In 1906, he moved to Greenfield, Massachusetts and converted a barn into a studio. There, he fell into relative obscurity, accompanied mainly by his dog, Collie. In 1921, Adams passed away. Examples of Willis Adams works can be seen at the Kent Memorial Library, the Wadsworth Atheneum, and the Suffield Academy. Several Suffield residents are thought to own Adams paintings.

Signed Lower Right Known for his marine, history, and portrait paintings, Franklin Briscoe was born in Baltimore, Maryland and at age four moved with his family to Philadelphia where he later became a student of Edward Moran and where eventually he settled his studio. Briscoe made extended ocean voyages, including trips to Europe where he saw much painting in galleries, and from these adventures and observations developed his landmark paintings of the ocean and ships in all kinds of weather conditions. In 1885, he painted an historical mural that was in ten panels, a total of 230 feet long, and 13 feet tall--"The Battle of Gettysburg...

Covered Bridge Deep in the New England Forest is a captivating work that exemplifies the essence of the Hudson River School's artistic vision. This painting portrays a covered bridge...

"Little House in the Upstate New York Mountains" by C.H. Schmidt is a captivating painting that evokes a sense of rustic charm. Set against the backdrop of the majestic mountains of ...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...

With masterful precision and a keen eye for atmosphere, Frederic Rondel captures the rugged beauty of the coastline in Walking Along a Rocky Shore. The painting depicts a windswept s...

George Frederick Morse Hubbard Park, Crescent City, Florida, 1906 Oil on canvas 17 x 12 inches A landscape and marine painter from Portland, Maine, George Morse was a founding membe...

Antique American sunset seascape oil painting. Oil on board. Signed. Framed. Measuring: 18 by 24 inches overall, and 12.25 by 18 painting alone.. In excellent original condition. Ha...

Signed lower right Dewitt Clinton Boutelle’s landscape paintings embody the grandeur and tranquility of the Hudson River School. In this imagi...

This Hudson River School autumn landscape is done by the famed artist David Johnson. He studied at the national Academy of Design in New York. He was best known for the development o...

George Harvey was born in 1800 in Tottenham, England but moved to the United states at 20 years old and spent several years in the west before he established himself in New York City...

F. Alexander Wust paints a stellar sunset over a hillside with light red color in his artwork entitled, “Sunset Landscape.”

Signed illegibly lower right

During her lifetime, Davis was best known for her exquisitely-painted floral still lifes, which she exhibited to much acclaim in New York from the mid-1870s to the mid-1880s. As an a...

John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...

JAMES MCDOUGAL HART (1828–1901) View of Lake Champlain, c. 1857 Oil on canvas 26 3/16 x 36 1⁄4 inches Signed lower center Exhibition History: National ...

Signed lower left in arrowhead: R. A. Blakelock

Signed lower right: L.W.Prentice.

Signed lower right in arrowhead: R.A. Blakelock

"Summer at the Farm," by Hudson River School painter James McDougal Hart (American, 1833-1915) is oil on canvas and measures 14 x 24 inches. It is signed and dated by Hart at the low...

"Rocky Seascape" by Lemuel D. Eldred is a captivating painting that masterfully captures the raw beauty and power of the sea. Eldred, an accomplished 19th-century American marine art...

Walking Home in the Snow by John Carleton Wiggins is a captivating winter landscape that evokes the tranquil beauty of rural life. The painting depicts a lone figure, likely a young ...

This painting by Howard Russell Butler captures the serene, almost mystical presence of a Yellowstone geyser in a moment of stillness. Known for his ability to portray the grandeur o...

Signed lower right: W Whittredge

Lovely genre scene by American impressionist Henry Bacon (1839-1912). The Beekeeper's Daughter (1881) Oil on canvas 35" x 36" 42.5" x 33" x 3" framed Signed and dated "Henry Bacon ...

William Hart was an influential figure in the art world, best known for his contributions as a landscape painter during the 19th century. Born in Paisley, Scotland, in 1823, Hart imm...

Spring Picnic in the Vineyard, Contemporary Impressionist Landscape Beautiful oil painting of a variety of fruits with cups in a field of grass by Alexander Rapoport (Russian-Ameri...

George Owen's "Resting Beneath the Trees by the Stream" is a quintessential Hudson River School painting that encapsulates the majesty and sublime beauty of the American landscape. T...

Beautiful original pastel on archival paper of Mount Shasta in Northern California by the well known Hudson River artist, George Douglas. Signed and dated 1874 lower right. Condition is excellent. Recently professionally matted and framed in a antique silver style gallery frame. Overall framed measurements are 27 by 36 inches. Under glass. Provenance: A Pennsylvania collector. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

This beautiful oil on canvas painting of two sisters playing by the famous American Artist John G Brown has been lined. There is a slight touch up, and i...

Richard Law Hinsdale (1832–1874) was an American painter known for his contributions to landscape and genre painting during the mid-19th century, mostly in the Hudson River School. He received brief instruction from Alexander Emmons, Philip Hewins and Jared B Flagg as well as being exhibited in American art...

Edward Lamson Henry (American, (1841 - 1919)) “The Warning” Grisaille on paper mounted on board, signed lower left ‘E L Henry’ (partially obscured by frame) ...

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...

This serene Hudson River School painting by George Wright captures a peaceful moment of pastoral life, where three cows rest and graze under a wide, luminous sky. The composition gen...

Signed lower right: J.R. Brevoort.

Stunning Hudson River School landscape by George Lafayette Clough (1824-1901). High Bridge and Croton Waterworks, Harlem River, ca. 1870. Oil on canvas measures 14 x 21 inches; 26 x 33 inches in original frame. Signed lower left. Old repair of small diagonal puncture measuring 1/2 inch in length to the right of ship sail. Otherwise no damage or conservation to painting. Original frame has several areas of damage and loss and will require conservation. George Lafayette Clough was born September 18, 1824, in Auburn, New York, and was that city's leading landscapist and, known as a Hudson River School painter, became Auburn's most noted resident painter of the mid-century. His mother was widowed shortly after his birth, and he was raised without paternal influence. He had little formal education and was employed by the age of ten. By age fifteen he had taken up painting, and his first and informal art influence came from the portraitist, Randall Palmer. In 1844 Clough opened his own studio in Auburn. About that time Charles Loring Elliott...