Street Art

Agent X The adventures of Dixwell Hastings (episode 8) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed C...

Agent X The adventures of Dixwell Hastings (episode 200) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed...

Kenny Scharf Bluester, 2023 15-colour screen print on Mohawk Superfine UltraWhite, 160 lb cover paper. Signed by the artist, numbered and stamped by the publishers, JRP Editions. 61...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

JM Robert's portraits start with a bright a bold background done with spray paint. As JM started his career as a graffiti artist, he is now able to bridge fi...

This piece depicts an anonymous portrait of a rock star. Inspired by the every day, JM Robert strives to create paintings that mimic the flash of a beautiful...

Circular deep frame mirror Mixed media collage and ink detailing Raised 3D character 60cm diameter Ready to hang

Artist: Jerkface Title: Bob Ooblong Size: 12 × 12 in 30.5 × 30.5 cm Medium: Acrylic on Canvas Edition: Original Notes: From the Benham Collection. Few scattered dots of accreti...

Screenprint on paper, hand-finished by the artist c. 2010 7 inches by 4.5 inches Limited edition, signed and numbered Published by Souled Out Studios From Beejoir's acclaimed Oil Can...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Shepard Fairey
 Rise from the Ashes (Red), 2020
 Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered, on verso
 106.5 x 74 cm
 Editio...

Artist: Martin Whatson x Pez Title: Behind the Curtain - Migration Size: 18 9/10 × 31 1/2in (48 × 80 cm) Medium: Giclee Print On 300 Gsm somerset satin Paper Edition: of 5 Year: 2018...

I Can Not Sleep When You're Wide Awake by BD White 12x12 inches Acrylic and 24kt Gold Leaf on wood panel Signed by BD White COA included

🔸 _Title: Astro Boy 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2023 🔸 _Dimensions: 38.2 x 51.2 / 97 x 130 cm 🔸 _Medium: Acrylic, enamel, spray ...

Ideal Power Vienna Heliogravure 17 x 21.5 inches Edition of 500 2018 151/500 From the artist - "Earlier this year I had the opportunity to paint this mural entitled “Ideal Power Do...

Original painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included....

Shepard Fairey, Fruits of Our Labor, 2015 Screen Print on Cream Speckletone Paper 24 × 18 in Edition of 450. 433/450 From the artist - "The Fruits of Our Labor print was inspired ...

And Wot Spray paint and gloss on archival paper 6 layer stencil Edition of 4 70 x 50cm *Due to the nature of the painting process each piece will differ slightly

This mixed media painting on wood panel (ready to hang) includes an "appropriation" (or deliberate borrowing) of a Madonna painted by the Italian painter Botticelli, in 1485. The wo...

Hope, 2020 screenprint in colours on wove, signed and numbered in pencil recto, dated in pencil and with thumbprint verso edition of 95 76.2 x 55.9 cm This print was produced to ce...

"Sharp Edge" style from Sax Berlin

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

10 color spray paint and stencils with paint markers on genuine $1 bill. Surface – genuine $1 bill Edition size – edition of 1/1 Description – 5 colour spray paint and stencils wi...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

This Guardian Angel almost vanishes into his background, but that was the most wonderful attribute of the Angels, they melted in with the environment. Only the piercing blue eyes & r...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting to come together to try to make sense of systemic racism. Black Lives Matter...

Berlin has always maintained his hand is an independent entity and the paintings he produces with it are unique and not within his control, they unfold onto the canvas. He fondly calls it his "Billion Dollar...

The concept of service and governance is not new in history; Einstein thought the "high destiny of the individual is to serve rather than to rule" and Seneca the great Roman philosop...

DALI LIVE 2018 "Tribute to the heroes of painting 2 # " Dimensions: 50 x 50 x 5 cm Technique: Aerosol can and Posca on canvas Original work with certificate of the artist. Neat sen...

Fine Art paper 320g with 5 cm white margin on each side 70 x 70 cm hand-signed and numbered by the artist comes with COA Edition 27 of 30 Noe Two, also known as Noé, is a prolific F...

"Sharp Edge" style from Sax Berlin

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

Sharp Edge 21st Century Neo Expressionist painting of New York City's finest, The Guardian Angels. Berlin encapsulates the ethos of the Guardian Angels in this piece; they are truly ...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters wh...

Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynamic & vibrant series of Guradian Angels that he's created to protect the areas that he loves so much with his own Guardian Angels in the Sharp Edge style.The first of these Angels has been created to protect SoHo, the now historic cast iron district in Lower Manhattan south of Houston Street north of Little Italy. During the dark hours when people are sleeping and the district has emptied this first, primary coloured Angel watches...

Paste-up print mounted on aluminium. Hand-Signed by the artist, lower right on recto 70 x 50 cm Edition of 75 Ben Eine is a British street artist and typographer known for his disti...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters wh...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urba...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urban landscape. His work has been featured in The LA Times, The Huffington Post, Fast Company, LA Magazine and on television networks such as ABC, CBS, Netflix, Comedy Central...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urba...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urban landscape. His work has been featured in The LA Times, The Huffington Post, Fast Company, LA Magazine and on television networks such as ABC, CBS, Netflix, Comedy Central...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urba...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urba...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters wh...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urba...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters which he wheatpastes within the urban landscape. His work has been featured in The LA Times, The Huffington Post, Fast Company, LA Magazine and on television networks such as ABC, CBS, Netflix, Comedy Central...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Edition version – evening sky background with red hearts on deep edge canvas Surface – deep edge canvas Edition Edition of 5 Size – 8 x 20 inches Year - 2022 16 color stencil and spray paint on deep edge canvas Hand-painted with unique heart...

Eleven-color screen-print on hand torn archival art paper, hand finished with spray paint by the artist. Hand signed and numbered on front, thumb print on verso by the artist. Edit...

Dondi White Stylemaster General, The Life of Graffiti Artist Dondi White is a beautifully written chronical of the legendary artist. First Edition published by Harper in 2001. Includ...

Acrylic spray paint on wood panel 32 Stencil Layers 16 x 20 inches Signed by BD White Comes with a COA

Original artwork Created out of unplayable vinyl records and their packaging on canvas Size 48 x 36 inches Set in a black floater frame

Hand finished 24 color screen print on 300gsm somerset satin paper. Hand signed lower right margin by Fanakapan. Hand numbered PP 3/6 lower left margin. Artwork Size: 31.5 x 27.75...

There are a few hands I love in poker and I used a few cutouts from playing cards here to display them. I am always listening to music when I paint because the flow of the songs hel...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...