Street Art

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Artist: OG Slick Description: OG Slick 'LA Hands' 3 Foot Tall limited edition blue vinyl hand-cast resin figurine, made in Los Angeles. Edition Size: 10 Di...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

In this electrifying composition, RETNA pushes the boundaries of urban calligraphy with a radiant yellow canvas ignited by strokes of hot pink. Fresh from the studio, this newly comp...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express emotions akin to silent poetry while drawing inspiration for her palette from the layered world around her. Her artworks include layered textures and playful details along the surfaces. This original colorful graffiti-inspired painting measures 13 inches square. The artwork is framed in a white wood frame, size and price include the frame. It is wired and ready to hang. This painting is signed and titled by the artist on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included. Amber Goldhammer is best known for creating vibrant abstract paintings with a street art edge. She originally started painting with pigments, powders, and waxes and went on to experiment with different mediums and processes to keep evolving her artworks. As love and joy are paramount emotions in life, Goldhammer hopes her series incorporating the “I Love You” message expands to reach a wide audience. Connecting people through public art is one way she believes her street murals can impact lives, as it is impossible to view her work and not feel a sense of joy and love. Painting a convergence of color and emotion, she builds and layers bold colors organically, allowing the process to determine the outcome. There is no analyzing, conceptualizing, or judging that takes place. It all happens in the moment, as a union between her, the canvas, and the paint. Amber Goldhammer frequently draws inspiration for her palette from the colors of the ocean, saying, “I get to take in the essence of the ocean every day, which fuels my creativity and brings me peace.” Embracing a profound love for existence unveils a world adorned with beauty at every turn. When one's heart is entwined with the sheer joy of life, the ordinary transforms into the extraordinary, and the mundane becomes a canvas of boundless inspiration. This sentiment resonates eloquently in the captivating artworks by Amber Goldhammer. Within her original creations, positivity takes center stage, as vibrant hues dance harmoniously to convey a celebration of life. Hearts and declarations of love, intricately painted onto the canvas, serve as visual affirmations of the artist's unwavering affection for the world. Each stroke tells a story of optimism, inviting viewers to share in the enchanting journey where love and art converge to create a tapestry of uplifting emotions. Amber Goldhammer's works are not just paintings; they are vibrant expressions of a love affair with life itself. A worldwide collected young artist with ongoing concurrent exhibitions in galleries throughout the United States and Switzerland, Goldhammer's artworks have also been exhibited at major international art fairs. Her original paintings have been showcased in print and online publications, and on such TV series as “Million Dollar Listing,” “Being Mary Jane,” “The Catch” as well as both multi-Emmy® nominated series, “Crazy Ex-Girlfriend”, and “Scandal.” Goldhammer’s art is also featured on Netflix’s original series, “G.L.O.W.” by “Weeds” creator, Jenji Kohan. Artspace Warehouse has been representing and exhibiting Amber Goldhammer's original artworks since 2011. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, California SOLO EXHIBITIONS 2022 Christopher Martin Gallery, Dallas, TX 2022 Merritt Gallery, Washington, DC 2021 Artspace Warehouse, Los Angeles, CA 2020 Christopher Martin Gallery, Dallas, TX 2012 Meridian’s, Ventura, CA 2010 Healing Bodywork, Santa Monica, CA GROUP EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Christopher Martin Gallery, Dallas, TX Merritt Gallery, Washington DC MAC Fine Art, Ft Lauderdale, FL Clarendon Fine Art, London, England 2022 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Christopher Martin Gallery, Dallas, TX Merritt Gallery, Washington DC MAC Fine Art, Ft Lauderdale, FL Clarendon Fine Art, London, England 2021 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Christopher Martin Gallery, Dallas, TX Merritt Gallery, Washington DC MAC Fine Art, Ft Lauderdale, FL Clarendon Fine Art, London, England 2020 Kunstwarenhaus Zurich, Switzerland Artspace Warehouse, Los Angeles, CA Kevin Barry Fine Art, Las Vegas, NV Ethos Contemporary, Newport Beach, CA Christopher Martin Gallery, Dallas, TX 2019 Artspace Warehouse, Los Angeles, CA Kevin Barry Fine Art, Las Vegas, NV Ethos Contemporary, Newport Beach, CA 2018 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Kevin Barry Fine Art, San Francisco, CA 2017 Artspace Warehouse, Los Angeles, CA Jackson Gallery, Palm Springs, CA Kevin Barry Fine Art, San Francisco, CA Kunstwarenhaus Zurich, Switzerland 2015 Artspace Warehouse, Los Angeles, CA JCC Gallery, Santa Barbara, CA Kunstwarenhaus Zurich, Switzerland Michael Kate Design, Santa Barbara, CA 2014 National Peace Project USA 2014 Artspace Warehouse, Los Angeles, CA Burbank Creative Arts Center, Burbank, CA 2013 Artspace Warehouse, Los Angeles, CA 2012 Artspace Warehouse, Los Angeles, CA Artlife Gallery, El Segundo, CA Encino Community Center, Encino, CA ART FAIRS 2024 AAF New York, NY AAF Austin, TX 2021 AAF New York, NY 2020 AAF New York, NY Art Palm Springs, CA LA Art Show, CA 2019 AAF New York, NY Art Palm Springs, CA 2018 AAF New York, NY AAF Hong Kong Art Palm Springs, CA 2017 AAF New York, NY 2016 AAF Hong Kong AAF New York, NY 2015 AAF New York, NY 2014 Love Art Fair Toronto, Canada 2013 Affordable Art Fair New York, NY Affordable Art Fair Seattle, WA PRESS 2023 Home and Design Magazine 2023 So Cal Design Magazine 2021 Art Daily Swagger Magazine Grey Journal 2020 Paper City Magazine, Dallas 2018 Architectural Digest Magazine 2018 LA Yoga Magazine 2015 Scene Magazine - Santa Barbara, Ca 2014 Avant Garde Magazine – Nationwide (USA) 2013 Blick Winter Catalog 2013 Fusionart, Rassouli 2011 Origin Magazine – Nationwide (USA) TV & FILM Insecure, HBO GLOW, Netflix L.A.’s Finest, Netflix Planet of the Apps, Apple TV The Catch, ABC Crazy Ex-Girlfriend, CW Scandal, ABC Million Dollar Listing LA, Bravo Being Mary Jane, BET Staged to Perfection, HGTV Beyond Hope, Al Diaz Silicon Valley, HBO The Laundromat (2019) Love, Simon (2018) REPRESENTATION Artspace Warehouse, Los Angeles, CA Kunstwarenhaus Zurich, Switzerland COLLECTIONS The STRAT Hotel, Las Vegas, NV Cooperative of American Physicians, Los Angeles, CA Casting Networks, Los Angeles, CA Capital One Headquarters, Los Angeles, CA Brentwood Country Club, Los Angeles, CA Ritz Carlton, Los Angeles, CA Meredith Baer...

KAWS Original drawing held in Australian monograph, 2019 Original marker drawing held inside hardback monograph: Companionship in the Age of Loneliness Boldly signed and dated with original drawing by KAWS on the title page 13 × 10 × 1 1/2 inches Original hand signed drawing held inside the KAWS: Companionship in the Age of Loneliness book. The drawing is unique; the book was published in an unknown number. The drawing can be removed by the framer and framed separately, or it can be kept in the monograph and displayed in a shadow box, or even a coffee table or bookshelf. Or it can be gifted to a special someone. The possibilities are numerous. Monograph information: Working across art, fashion and design, he creates colour-filled paintings, murals, large-scale sculptures, street and public art, products, and streetwear. His work is infused with humour and humanity and is deeply tied to our times. KAWS draws his cast of characters from pop-culture animations to form a distinctive artistic vocabulary. Featuring a new text by Margaret Atwood (The Handmaid’s Tale...

KAWS Together: Set of 2 works (Black and Grey). New and unopened in their original packaging. In TOGETHER, KAWS’s iconic “Companions” are interlocked, consoling each other in an eve...

Materials: Screen Print on fine art paper Size: 24 × 24 in 61 × 61 cm Rarity Limited edition Medium: Screenprint Condition: Print is in pristine condition and has been stored fla...

Takashi Murakami × ComplexCon Mr.DOB Figure by BAIT × SWITCH Collectibles (Gold Edition), 2016-2017. Painted cast vinyl, cast resin polychrome sculpture 10 4/5 × 9 3/10 in 27.4 × 2...

"Marc of the Wooden Soldier" by RETNA is a bold contemporary artwork that merges street art, sacred symbolism, and military precision. This 2025 painting features RETNA’s signature c...

Michael Wittmann Spacegod 3D-construction Year: 2020 Signed and numbered by hand Edition: 25 Size: 21.8 × 14.8 on 23.8 × 16.9 inches COA provided (gallery issued)

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Kanye West 808s & Heartbreak album poster 2008. Offset lithograph; 12 x 24 inches. 1st edition 2008. Good overall condition with the exception of some minor signs of handling; con...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Materials: Presented on acid-free, archival cotton PhotoRag Giclee paper from Hahnemuhle Size 11 × 14 in 27.9 × 35.6 cm Rarity Medium: Fine Art Print Condition: Print is in pristi...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Artist: Brainwash, Mr. Title: Pop Wall Date: 2024 Medium: Silkscreen and Mixed Media on paper Unframed Dimensions: 36" x 60" Framed Dimensions: 41.25" x 65.5" Signature: Signed...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

In "Matisse Blue Nude—Drop a Like," Tirigall masterfully bridges classical art and contemporary urban expression. This striking interpretation transforms Matisse's serene figure into...

"Blue Harmony" by RETNA is a striking example of contemporary urban calligraphy, rendered in radiant shades of blue with shimmering enamel and crystalline. This 2025 mixed media pain...

Mr. Brainwash Love Catcher - Blue, 2023 Screenprint on Archival paper 22 × 22 in 55.9 × 55.9 cm Frame included Edition 30 of 75 Mr. Brainwash, the pseudonym of Thierry Guetta, is a...

Banksy (after) Walled Off Hotel Boxed Set Assemblage, 2018 Mixed Media assemblage: unique piece of concrete/cement wall with framed lithograph. Accompanied by original embossed rece...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Pop Wall" silkscreen and mixed media on canvas artwork with paint-splashed frame by Mr. Brainwash. Fingerprint, Mr. Brainwash signature, numbered No 430581846A and dated 2024 on bac...

KAWS Cat Teeth Bank (Navy Blue) in original box, 2007 Limited Edition painted cast vinyl 5 × 5 × 1 in Edition of 400, unnumbered Stamped on the underside This long sold out 2007 KAWS...

Cuban-American artist Frankie Alfonso creates interwoven paintings using lively colors and spontaneous, well-balanced compositions. His work is best described as a style of automatic...

SHEPARD FAIREY - GEOMETRIC DOVE (BLUE TILE) Date of creation: 2021 Medium: Digital print on tile with cork base Edition: 225 Size: 15 x 15 cm Condition: Brand new in mint condition Description: This is a digital art print on tile that belongs to a limited edition of 225 tiles. To ensure safety of this delicate medium, the tile is attached to a cork base. The work is laser signed and numbered on verso. The “Geometric Dove” tiles created by Shepard Fairey are a manifestation of the artist's distinctive style, known for his work that fuses elements of graphic design, street art and social activism. Fairey, famous for works such as the Barack Obama “Hope” poster...

Mark Gonzales Supreme Skateboard Deck 2017: Dimensions: 31.5 x 8 x 0.5 in. (80.01 x 20.32 cm). Medium: Offset print on Maple Wood. Printed artist signature & Supreme logo on reverse. New in its original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Mark Gonzales (b. Southern California 1968) Mark Gonzales aka Gonz, first entered the skateboarding world at the age of 13, and by the age of 16 he had featured on the cover of Thrasher, riding an Alva board. He soon switched to Vision, where he graduated to pro status and won the 1985 Oceanside street contest. He is often described as the greatest skateboarder of all time, and even more often as the most influential, and is undoubtedly a true pioneer of modern street skateboarding. Gonz’s affiliation with Supreme goes way back to the stores beginning on Lafayette Street, NYC. Whenever overseas on skate trips, Mark would often send postcards to the late Harold Hunter and the rest of the crew at “Supream” (his misspelling), featuring his own doodles and musings, some of which would later make it on to items of clothing from the brand. The Gonz...

JEAN-MICHEL BASQUIAT : DOWNTOWN 81" Réalisé par Edo BERTOGLIO en 2000 avec Jean-Michel BASQUIAT / Affiche originale entoilée / FKGB ARGUMENTS (2000) signed by Maripol directrice arti...

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia): Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

signed and dated on the back

Ilan Leas uses graffiti-like strokes and bold angles to converge creating an intriguing balance of organized chaos in his drawings. His dynamic linear design compositions are aborigi...

Artist: Brainwash, Mr. Title: Work Well Together Date: 2025 Medium: Silkscreen and Mixed Media on Paper Unframed Dimensions: 50" x 38" Framed Dimensions: 55.5" x 43.5" Signatur...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Murmure - Grabage Tail - Main Edition - Contemporary Urban Street Art Prints As whale watching is becoming more and more popular in the Caribbean, this wo...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Kenny Scharf Bluester, 2023 15-colour screen print on Mohawk Superfine UltraWhite, 160 lb cover paper. Signed by the artist, numbered and stamped by the publishers, JRP Editions. 61...

This one-of-a-kind Mixed media and collage on textured, sturdy, paper is in excellent condition and comes framed in a frame of your choosing. It is Certified by the Estate of Keith ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Super cool and collectible Banksy Cut It Out Mini Book. Released in 2004. Must have for the Banksy collector. Last in the series of 3 books released in mini black book format in the ...

Unique piece i Richi Rich on a ladder is spraying money JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a d...

Banksy (after) Visit Historic Palestine Print On the verso of the print it is double stamped with the Walled Off Hotel Emblem. It has a stamp in the lower left corner that reads,...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals the late iconic artist’s artwork from the mid 1980s wrapping the figure in its entirety. Housed in a standout Keith Haring collectors box. Complete sold out & out of print. Medium: Vinyl Figurine...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Up Here Down There" by JR, Oliver Jeffers. 2016. Hand embellished lithograph in colours on 270 grm BFK Rives paper 28.9 x 20.3 inches unframed (please inquire about framed dimensio...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Amber Goldhammer’s "We Stick Together", a bold and expressive 24-inch square graffiti-inspired painting, radiates energy, positivity, and emotional depth. Known for her signature fus...

Artist: Brainwash, Mr. Title: Life is Beautiful Date: 2023 Medium: Neon, stenciland mixed media on canvas in a plexi box Unframed Dimensions: 30" x 30" Signature: Signed by Art...

Artist: Brainwash, Mr. Title: Work Well Together Date: 2025 Medium: Silkscreen and Mixed Media on Paper Unframed Dimensions: 20" x 16" Framed Dimensions: 25.5" x 21.5" Signatur...

Mr Doodle Yellow Flower, 2019 Screenprint on paper Signed, dated and numbered Edition of 100 34 by 34 cm. 13⅜ by 13⅜ in framed Mr Doodle, born Sam Cox in 1994 in England, is a cont...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Hand Signed by the artist from a limited edition of 60 prints. Artist gained popularity from participation in Banksy's "Dismaland," a take on Disneyland. Jeff Gillette has made his ...

RETNA American, 1979 - SACRED SOLICITATIONS I signed, titled and dated "Retna / Sacred Solicitations. I. / 2015-" (on the reverse) acrylic and enamel on canvas 68-1/2 x 58-3/4 inche...

The „Camel Print" represents a peaceful picture of an animal in the desert. Size: 34 x 24 inch Material: Coventry Rag 320gsm paper Medium: 6 colour silkscreen Edition of: 100 Signa...

Yvon TAILLANDIER The Aviators, 2010 Original screen print Handsigned in pencil Numbered / 100 copies On paper 63 x 51.5 cm (c. 26.3 x 20.2 in) INFORMATION : Authenticated by the pu...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. 93 from the edition of 100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Fra...