Tribal Art

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

Highly detailed depiction of a Barong Mask dance in Bali. Several people wearing elaborate masks are taking part in a dance or ritual. People are dressed i...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

This is a fabulous, large tribal painting on cloth canvas with dung wash and white paints. Anil Vangad, Cloth size: 87 x 119 cm, Image size 78.5 x 110.5 cm, white colour on dung wa...

Basket, Panama, Darien, Rainforest, Butterfly, Flower, white, red, yellow, green unique hand woven extremely finely woven

Parrot basket, Wounaan Tribe Darien Rainforest Panama, red, yellow, black, white

An elegant African sculpture from the West African Baoulé or Baule people, depicting a young woman wearing a loincloth. Smooth black lightly worn patina.

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

An extraordinary group of Ibeji "triplets" sculpted by the same master sculptor. Ibeji is name of a very specific type of carved wooden figure from Yoruba in Nigeria. Ibejis repre...

Unglazed ceramic, hand-crafted and hand-decorated. (plants not included) unknown edition size. New as issued. Due to their hand-finished nature, each sculpture differs slightly. Gra...

Illustration of a Village by the River - Amate Bark Drawing in Ink Illustration with people in a village by Cristino Florez Medina (Mexican, 1937-2007). This piece is divided horizo...

Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...

Mother Goddess Figurine Early Indus Valley Civilization (circa 3500 - 2800 BC) Handmade pottery, 140 mm x 45 mm, 60 g Provenance: Prince Collection, 1990s-2014; Pierre Bergé Colle...

This elegant terracotta head is a memorial portrait (nsodie) of an Akan nobleman from the part of Africa which is today southern Ghana and southeastern Cô...

Handmade Benin sculptural tribal bronze figural judgement throne chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standin...

Gary Goldberg Birthing Mother, 2023 Dry wool needle felting 48 x 32 in Edition of 3 One of Gary Goldberg’s photographs from his Mesa Prieta Petroglyphs (in New Mexico) series has be...

Handmade Benin sculptural tribal bronze figural judgement throne chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standin...

Basket, Panama, Darien, Rainforest, Butterfly, Flower, white, red, yellow, green unique hand woven extremely finely woven

This is a fabulous, large tribal painting on cloth canvas with dung wash and white paints. Anil Vangad is a master at playing with the traditional forms to produce a natural minimal...

Basket, Parrot, Toucan designs Panama Rainforest Wounaan Tribe handwoven with palm fibers and vegetal dyes The baskets are made by the Wounaan and Embera Indians from the Darien R...

Eric Gill "Hawaiian Drummer" Original Airbrush Painting C.1930s Small but mighty airbrush. Classic 1930s Hawaiian painting by Eric Gill. Dimension...

George Lilanga (1934-2005) - Tribal dance - Acrylic on board Painting size 61x61 cm. Frameless. George Lilanga was born in 1934 in the city of Kikwetu, in the southeast of Tanzania ...

Basket, Wounaan Tribe Panama Darien Rainforest, gold, black, red, white

Frog and Spider Basket, Panama Rain Forest, Wounaan Tribe, handwoven, white, red

"Bobo Mask Burkina Fasso-Upper Volta" is a wood carved sculpture with painted details. It features the image of an abstracted face with a large almost elepha...

Illustration of the Garden of Eden done with Mexican Amate Bark Drawing in Ink Vibrant illustration with Adam and Eve in the Garden of Eden by Cristino Florez Medina (Mexican, 1937-...

"Secret Society Mask-Sierra Leone W. Africa," is a wood sculpture of a woman's head. The hair has been sculpted with intricate detail, and metal hair adornments...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

Antique Polychrome Wood Carving Igbo Nigeria Africa, Staff decorated with two figures, mounted as a finial on the shaft terminating in a triang...

Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...

“Scattered across the Ivory Coast, Mali and Burkina Faso, the million and a half Senufo tribespeople live principally off the fruits of agriculture and occasionally hunting. They in...

Antique Indonesian Horse, yellow, red, sculpture, free-standing, vintage, walking Some wear on paint and crack that has been repaired.

Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting Artist Signature - Riley Sunrise (1914-2006) Quoyavema “Another of the earlier Hopi artists, Riley Sunrise (Quoyavema) worked with Fred Kabotie and Waldo Mootzka in illustrating John Louw Nelson’s Rhythm for Rain. He is also known as Quoyavema or Kwayeshva, according to Nelson. His paintings are comparable to Fred Kabotie’s, with some of them showing more action and most of them revealing less detail. Sunrise is represented in the collections of the Denver Art Museum, Gilcrease Institute (Tulsa), and the Southwest Museum. The Museum of the American Indian in New York has an extensive collection of his paintings of native Hopi dances.” (Clara Lee Tanner: Southwest Indian...

George Lilanga (1934-2005) - Tribal dance - Acrylic on board Painting size 61x61 cm. Frameless. George Lilanga was born in 1934 in the city of Kikwetu, in the southeast of Tanzania ...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

45x45cm + 5cm of white edge Acrylic on canvas Shipped rolled in a tube I can do commissioned works

45x45cm + 5cm of white edge Acrylic on canvas Shipped rolled in a tube I can do commissioned works

"Bronze Statue - Ife, Nigeria" is a bronze sculpture created in circa 1920. This figure has short legs and a short torso, but a large head. They held out their hands with two objects...

“Scattered across the Ivory Coast, Mali and Burkina Faso, the million and a half Senufo tribespeople live principally off the fruits of agriculture and occasionally hunting. They in...

"Jokwe Maternity, Angola" is a wood sculpture from Africa created circa 1910. The figure kneels on the ground holding a baby in her arms. Her eyes are closed and she is wearing a com...

This wooden half mask features slanted eyes and a deep black/olive color. It was created by an unknown Indonesian artist and is approximately 7" high by 6" w...

"Bambara Queen, Rep. Mali" is a carved wood sculpture with abstracted human and animal figures. 20" x 6" x 3" The Bambara are a Mande ethnic group native to West Africa, primarily ...

George Lilanga (1934-2005) - Tribal dance - Acrylic on board Painting size 61x61 cm. Frameless. George Lilanga was born in 1934 in the city of Kikwetu, in the southeast of Tanzania ...

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

Parrot basket, Wounaan Tribe Darien Rainforest Panama, red, yellow, black, white

Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting Artist Signature - Riley Sunrise (1914-2006) Quoyavema “Another of the earlier Hopi artists, Riley Sunrise (Quoyavema) worked with Fred Kabotie and Waldo Mootzka in illustrating John Louw Nelson’s Rhythm for Rain. He is also known as Quoyavema or Kwayeshva, according to Nelson. His paintings are comparable to Fred Kabotie’s, with some of them showing more action and most of them revealing less detail. Sunrise is represented in the collections of the Denver Art Museum, Gilcrease Institute (Tulsa), and the Southwest Museum. The Museum of the American Indian in New York has an extensive collection of his paintings of native Hopi dances.” (Clara Lee Tanner: Southwest Indian...

Elephant lidded kuduo container from the Ashanti peoples of Ghana. Kuduo were created to store valuable possessions such as gold dust and served the sym...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

A Songye Male Power Figure, Democratic Republic of the Congo, the male figure with openwork arms and hands resting on the abdomen, typical facial features and a waterbuck (kobus elli...

"Toma Mask, Guinea" is a carved wooden mask from Africa and created in c. 1900. The painting has worn away, but around the eyes the painting is easier to see...

Very finely executed ink and watercolor painting depicting the Balinese goddess, Saraswati. Signed lower left “De Mus, keliki-Kawan, Ubud, Bali”. The ...

Elephant lidded kuduo container from the Ashanti peoples of Ghana. Kuduo were created to store valuable possessions such as gold dust and served the sym...

A pair of African carved wood and cloth ancestral figures from Nigeria. Meant to be sold as a pair, these ancestral figures are meant to convey the achievements of those they represe...

"Dan Mask Ivory Coast" is a mask sculpted out of wood with hair and mud. Slit eyes and an opened mouth with a heart shaped face. 6" x 9" x 2" Da...

A Rimpa School six-panel screen with a chrysanthemum motif in gold, red, green, and white by an unknown Japanese artist from the Meiji Period. The artwork is unsigned. Provenance: Pr...

Eternal is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals, sand) and resin. The base materials for the work consist of a ...

This Pre-Columbian bowl featuers red marks on a light orange ground. It is 9" in diameter and has been previously repaired.

The present decorative frieze, signed by the Malagasy painter Georges Razanamaniraka, is organized around the central figure of an enigmatic and hypnotic dancer. The quasi-symmetrica...

Signed/inscribed by the Artist on the bronze base of the sculpture with an edition number. Open Edition

These cast figures and objects express status, prestige, and power. This cast metal figure exhibits the technical skill and artistry that Dogon blacksmiths brought to their work. Mad...

Basket, Parrot, Toucan designs Panama Rainforest Wounaan Tribe handwoven with palm fibers and vegetal dyes The baskets are made by the Wounaan and Embera Indians from the Darien R...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

UNIQUE piece. John Isaiah Pepion is a noted contemporary indigenous artist and renowned graphic ledger artist, muralist, and educator based on the Blackfeet Nation (Piikani Band of ...

"Nail Fetish Bacongo-Zaire" is a sculpture made of glass, wood, and metal created circa 1910. He has a top hat upon his head and face paint. Their right ha...

"Maternity-Bacongo, Zaire," is a carved wood and glass sculpture created in what is now the Democratic Republic of Congo circa 1940. The nude, woman figure rests on her knees. In her...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Antique Indonesian Horse, yellow, red, sculpture, free-standing, vintage, walking Some wear on paint and crack that has been repaired.

Signed/inscribed by the Artist on the bronze base of the sculpture with an edition number. 6/9

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

"Nkondi Bakongo Fetish - Zaire" is a sculpture created out of wood, cloth, nails, and twine in circa 1930. This statue is large and formidable. The figure's limbs are wrapped up in a...

A bronze Thai Bell from the Dongson Culture (1000 BC-200 AD). The work is unsigned.