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"Nepalese Teral Blessing Post, " Carved Wood created in the 19th Century

19th Century

"Fire Spiter's Mask/Senufo Mask of Worship Ceremonies" is made of wood and was created in the Ivory Coast circa 1930. This mask has to heads on either side...

"Senufo Mask of Ceremonies (from Republic Ivory Coast)" is an carved wood artifact from the Senufo people of Africa, in the northeastern cote d'Ivoire. The...

"Idgo Nigeria Female Standing" is a wooden statue with blue and white pigment created in Nigeria circa 1930. This figure stands up right with arms out slightly in front of her. A st...

"Nail Fetish Bacongo-Zaire" is a sculpture made of glass, wood, and metal created circa 1910. He has a top hat upon his head and face paint. Their right ha...

"Kota Reliquary Figure Nigeria" is a wood and copper sculpture created in Nigeria circa 1970. A head is made with wide red eyes. Their hair is in...

"Bambara Queen, Rep. Mali" is a carved wood sculpture with abstracted human and animal figures. 20" x 6" x 3" The Bambara are a Mande ethnic group native to West Africa, primarily ...

Early 20th century zoomorphic African puppet head sculpture from the Bozo tribe in Mali. This puppet head would have been used by the Bozo ethnic group during the Sogobo ceremony. This ancestral tradition continues in the region of Segou in Mali along the Niger river. It is an opportunity to regroup the different villages and give rise to musical and theatrical performances whose highlight is the puppet show...

A large scale and beautifully carved wooden ceremonial mask from Cameroon. There are traces of colour and decoration to the surface and the mask has a magnificent patina giving it a wonderful presence as a sculptural object. The Batcham Mask or simply the Batcham originated in western Cameroon although its name refers to the place where it was first found: Batcham. This is a ceremonial mask from the Bamileke culture in the western Grasslands of Cameroon. This tall crest (76 cm in height) has clearly defined features, a powerful yet calm visage, sharply chiselled diamond and triangular furrows, and nearly perfect symmetry. Such painstaking craftsmanship underscores the sophistication and control of the sculptor in preparing this ceremonial piece. It shares the elements of Batcham masks including: The general morphology is built on two axes: a symmetrical vertical axis with chiseled furrows, stylized eyes, lips, nostrils, mouth and teeth; a horizontal axis presenting swollen cheeks, an ovular mouth showing multiple teeth, and triangular ears supported on a hollow cylindrical base. One interpretation is that the masks depict a hippopotamus emerging from watery depths, conveying nature’s power conferred to enthroned royalty. The Batcham mask represents the pi, or double animal of a great dignitary of the kingdom. It was used by a great dignitary of the Msop society who intervened only on rare occasions: during the funeral and enthronement of the king and the nine notables, and to perform the Royal Tso dance, elephant dance...

Mid-Century Ibibio wood carving of a Great Hornbill or (Kalao) from Nigeria. (The carving is shown in the first photo on a bamboo stand which is available if required.) The Great Ho...

Carved wood figure by West African Lobi People. "The Lobi People live in a vast geographical area that stretches from Burkina Fasso, to the Ivory Coast a...

Representing the forces of female fecundity, these statues were used in rituals to make these forces work. This type of figure was known under the tribal name of Alangua. Standing an...

An elegant African sculpture from the West African Baoulé or Baule people, depicting a young woman wearing a loincloth. Smooth black lightly worn patina.