Aircraft Art

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

Coney Island, New York, 1975 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later ...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

"Exit Row" 40"x60" photograph - edition 1/5 (unframed) This iconic photograph is from the artist's series: "Brace For Impact: the aftermath of flight 1549." Depicting the wing from...

Ed. Museum AP/1 Signed, titled, dated and numbered in black ink on mount verso by Esteban Pastorino Diaz. Photograph is digital c-print mounted on dibond with acrylic facemount, wall...

Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service, but it is also due in a large part to global climate change and massive drought. Wildfires are not relegated to the western US. They happen across the country and often occur in the Smokey Mountains, just on a smaller scale.” McLean Fahnestock...

This black and white still from McLean Fahnestock's animated video titled "Fistfuls of Diamonds," depicts two planes attempting to put out wildfires with water. The "water" in this case, has been replaced with glitter by the artist. Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...

This black and white still from McLean Fahnestock's animated video titled "Fistfuls of Diamonds," depicts two planes attempting to put out wildfires with water. The "water" in this case, has been replaced with glitter by the artist. Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...

This black and white still from McLean Fahnestock's animated video titled "Fistfuls of Diamonds," depicts two planes attempting to put out wildfires ...

This black and white still from McLean Fahnestock's animated video titled "Fistfuls of Diamonds," depicts two planes attempting to put out wildfires ...

Depicting a Mohawk Airlines airplane in flight Signature: Signed Lower Right and Dated ’97

AP Signed, titled, and numbered in pencil on print margin. From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted in...

Het Depot Rotterdam’s latest acquisition is the Depot Boijmans Van Beuningen. There was this online première in Januari 2021 during corona times but it drew less attention than d...

Hand signed and numbered by the artist. Silkscreen on Arches paper. Image size 30 x 30 inches. Artwork is in excellent condition. Certificate of Authenticity included. Published by C...

40"40" photograph, edition of 5, signed and editioned on reverse framed in natural wood shadowbox frame This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

Limited Edition Fine Art Prints, series of 10 per each size: Each print comes with a hand signed and numbered certificate of authenticity (will be sent separately). Each certific...

I saw a passenger jet leaving condensation trails in the sky overhead. It seemed so high and far, I imagined it was actually leaving the atmosphere and escaping planet Earth. I took ...

El Al 787 Dreamliner ***** Limited Edition Fine Art Prints, series of 10 per each size: Each print comes with a hand signed and numbered certificate of authenticity (will be s...

Het Depot Rotterdam's latest acquisition is the Depot Boijmans Van Beuningen. There was this online première in Januari 2021 during corona times but it drew less attention than deserved. Upon my word, I declare 'Het Depot' or in slang Rotterdam 'De Pot', a new wonder of the world. Surely it looks like a rather plump shiny pot but it is grand and stacked full of art. Boijmans therefor is the first to offer access to its entire collection in this new art storage...

A fantastic original pop art screenprint, from an edition of 50 on 260gsm Fabriano paper. 5 colour print (plus gloss varnish over image). Print has a white border. Print size 50cm x 70cm All prints numbered signed & embossed with artists stamp. :: Hand Printed...

A fantastic original pop art screenprint, from an edition of 50 on 260gsm Fabriano paper. 5 colour print (plus gloss varnish over image). Print has a white border. Print size 50cm x 70cm All prints numbered signed & embossed with artists stamp. :: Hand Printed...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will...

30"x45" C-Print Photograph, #3/5 signed on reverse by the artist. This limited edition Chromogenic Print captures the moment flight 1549 was pulled from the waters along the Hudson R...

Signature: Signed lower right “Tony Fachet” and dated ’80 Illustration depicting a WWII Naval Battle.

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Artwork sold framed: 76 x 76 x 5,5 cm. The Great Wall of China is well known in the world. Tens of millions of tourists from all over the world...

40"x60" C Print 2/5 from the series: "Brace For Impact, The Aftermath of Flight 1549" available unframed please inquire about additional editions and availability Stephen Mal...

18"x18" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

On April 4, 2022 I painted the airplanes landing into Burbank airport from my backyard. 25 canvas panels mounted on a wood frame. :: Painting :: Contemporary :: This piece comes with...

Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

This is a unique work. Dated 'Apr 23 1982' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The ...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

Boldi is a Hungarian sculptor who creates works that express a balance between reason and emotion. His sculptures reveal not only the true form of human figures but also the emotions...

Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subject is modernism’s footprint on the outposts of Americana—places typified by harsh artificial light and hard shadows on concrete. The show makes clear that for Young, despite the contemporary art world’s preferences for irony, disjunction, and tongue-in-cheek intellectual gamesmanship, painting is at its best when it attempts to offer an unpretentious accounting of where and how we live our day-to-day lives. The celebrations of urban sprawl offered by artists like Ed Ruscha—who famously took no-nonsense aerial photographs of thirty four LA parking lots in 1967, and created sleek, stripped down paintings of Standard Oil stations—are an obvious point of reference in Young’s work. But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his own memories of road trips, photographs, and pure invention, and rendered with a sense of atmosphere and drama seemingly at odds with his use of hard lines and simple geometric shapes. Painters today tend to lean on pastiche, on art-historical mashups and code-switching. This typically results in images with no unified style and no concern for pictorial space, illusionistic or otherwise. For many contemporary painters, the picture plane is simply a flat, delimited arena in which different types of visual syntax collide, floating freely. This is a non-strategy in which artists make an end run around some of the thornier problems of composition, perception, and cognition. Young bucks this trend. He activates every square inch of his canvases, blocking in large passages of negative space with skeins of scruffy countervailing strokes. He is not a fussy painter, nor is he out to prove his own mastery to an audience. Like Edward Hopper, Young tends to eschew a lot of paint’s seductive properties, preferring to create hard edges and large, gently undulating planes of subdued color. He draws the viewer into an unpopulated, uncluttered world with a clear horizon line—but one that is also filled with hiccups, discontinuities, and compromises. In Service in the Rear, for example, a shelter for gas pumps in the foreground—closest to the viewer and, therefore, logically a dominant compositional element—is rendered as a hazy silhouette that flagrantly disobeys the rules of linear perspective. This is intentional: The structure is only important to Young in the way that it draws the viewer’s eye below and past it, to the glowing, low-slung building dominating the lefthand side of the picture. Thus Young shows his talent for creating visual tension and drama—and for sidestepping the viewer’s expectations. Young understands that some might regard his brand of painting as obsolete. He also understands the troubled legacy of modernism, and what the triumph of universal technology has meant for cultures around the globe. Still, for Young, the cold comfort offered by outposts of convenience—gas stations, airports, cheap hotel rooms—is not so easily dismissed. Young shares the strange buoyant optimism of his hero, Jonathan Richman, who, in his early ‘70s proto-punk single, Roadrunner, exults in the simple act of driving past the Stop’n’Shop with the radio on...

Medium: Oil on Canvas Dimensions: 24.50" x 36.00" Signature: Signed Lower Left

24"x24" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

Balloon flight on top of Capadocia at 6 am.

This is a happy painting of 19th century people having a nice day out on the river while watching the ballooners fly by. This painting has been created ...

Michael WOLF (1954 – 2019, Germany) Street View: A Series of Unfortunate Events #16, 2011 C–print Sheet 153 x 121.4 cm (60 1/4 x 47 3/4 in.) Edition of 3 plus 1 AP; Ed. no. 1/3 Prin...

Oil on wood panel. Meditation on beauty, passage of time, luminosity, space and escapism. :: Painting :: Realism :: This piece comes with an official...

He Was A Wing Man, 2005 Archival pigment print in heavy rag paper 40 x 73 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engine...

"The Key Figure at Cold Moment" is an original oil pastel on a paper bag by Reginald K. Gee. The artist signed the piece in the lower right margin. This piece features a figure being...

Medium: Gouache on Board Signature: Unsigned Frame dimensions: 24 x 31 in. Image Area: 15.25 x 22.5 in.

Signed Lower Left

Medium: Watercolor Painting Signature: Unsigned World War 1 Plane, 1920.

Medium: Conte Crayon, Pen and Ink on Paper Dimensions: 16.00" x 10.50 Signature: Signed Lower Right

Watercolor on paper

Sz: 17"H x 11"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Lanvi...

18"x18" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard...

30"x45" 5/5, C-Print photograph, this is the final available print in the edition. mounted and framed in a natural wood shadowbox frame. Stephen Mallon has gained interna...

Mitchell Funk revisits popular tourist locations and shoots them in a way that perhaps millions of tourists never imagined. Not unlike Pop Art, he shows us a new way to look at icon...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

Statue Of Liberty and New York Harbor is framed with a light post and silhouetted of trees. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and...

Medium: Watercolor and Gouache Signature: Signed and Dated Lower Left "John Lavalle 1930"

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

An American wing car photographed by Jean Daniel Lorieux. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed ...

Harrison Ford, standing next to a helicopter, by Timothy White. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and si...