Building Art

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork # 3 sold in perfect condition from a limited edition of 12 ex- Composition from an assembly ...

Original watercolour of Montepulciano in Tuscany. Presented in a double white bevel cut mount 50cm x 40 cm (20 in x 16in ) Certificate of authenticity and artists biography. :: Pain...

Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a...

Uses and Customs - Map of Churches in Ravenna is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

The motive attracted me with its compositional construction. The rhythms of baths and houses with their rooftops at sunset. Warm glancing light and cold shadow. When I was painting t...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery, as well as group exhibitions at the Museum of the City of New York and the International Center for Photography. Kocharian was also a finalist in the Smithsonian Magazine Photo Competition. This is his third solo show at the Robin Rice Gallery. Color, urban, American, New York, New York City, NYC, Landscape, Night, Evening, Surreal, nocturne, warm colors, rain, ICM, noir, streetlight, subway, metro, train, Wall st...

Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...

JERRY BERNECHE Small Town No. 18 Watercolor on Arches 21.5 x 29.25 inches

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Signed and dated on the front of the mount. Printed later in the artist's career.

Biblioteca Piccolomini Siena, Italy 2022 Immerse yourself in the grandeur of history and art with this captivating photograph of the Biblioteca Piccolomini by acclaimed photographer...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the vibrant streets of New York City with "Manhattan...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Clifford...

Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Rebecca Skinner’s “Sanctum” was photographed in an abandoned monastery. The 24 x 16 inch black and white photo is of a staircase and stained glass window in a state of decay. The ima...

The glass-fronted triangular Skaal House, lit up at night, in the Stowe Mountain ski resort in Stowe, Vermont, 1962. A pair of skis lean against the wall b...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Irelan...

Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762) Title: The Pool of Bethesda Medium: Oil on canvas Dimensions: without frame 50 x 62 cm - wi...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Lincoln College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Lincoln, engr...

This is beautiful piece of the Cotswolds, England. Image 10 x 16 in. on paper with about 1.5 in. all around Signed, titled and editioned Unframed Gallery curates a series of original etchings from respected European artist Cuca Romley. Ms Romley is in her late 80's and currently based in Spain. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. ETCHINGS Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a buril until the image is completed. For each individual print a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet French Arches paper 100% cotton covering the plate to pass through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. Every etching in the limited edition is then signed and numbered in pencil by the artist. Limited pieces available. Image size specified. Exhibition (selection) 1933 Born in Madrid, SPAIN (age 81) 1952-55 Fashion Illustrator, SPAIN Prize - Galerias Preciado , Sindicato Nacional Textil, Madrid, SPAIN 2nd Prize - Salon Nacional de Dibujos de Alta Costura...

Man walking along the canals of Venice Edition of 15

Romantic School, circa 1860 A pavilion in a garden , an animated view Pen and black ink, black ink wash on paper 19.5 x 26.5 cm In good condition, slightly undulating. Framed : 39 x ...

Hotel du Cap Eden-Roc 1976 Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 40 x 30" inches / 101 x 76 cm paper size. Estate Stamped Collection Editi...

Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch acid-free, archival, color p...

Daud Akhriev's (EUR and US based) "Piazza Signoria" is an original, handmade oil painting that depicts a European city street and square lined with old brick and stone buildings and ...

Maison de Guttemberg a Mayence is a black and White etching realized by Pierre Tetar van Elven in the 1860s.  Titled in the lower. Image size: 32x23. Very good impression with wid...

This vintage 1965 oil painting captures a charming European village cityscape, featuring rooftops, houses, and apartments beneath a soft grey sky. The artwork showcases a rich color ...

Hand printed by artist. Loose print. Cannot be rolled. Framing and matting available for an additional fee.

"Abstract Nr. 5" is a new 2024 unique acrylic on canvas painting by German mid-career artist Michael Pröpper. It debicts square or rectangular layers painted in an abstract expressio...

Silkscreen Print with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 207/350 Set of 3 Covert to Overt prints: Icon Water Tower, Peace Tree, Big Brother. 18 x 24 inch screen prints on thick white cotton archival paper. Signed by Shepard Fairey and Jon Furlong. Edition Details Year: 2015 Class...

This mid-20th century oil painting depicts a serene farm landscape near Cabrillo, California, painted by renowned artist Jon Blanchette circa 1955. The scene features a vibrant red b...

The trained cabinetmaker Jakob Volk (1876-1954) was a self-taught photographer. In the early years of the 20th century, he built his own plate camera and traveled through the Moselle...

Varick Street in New York City is viewed at dusk. The sun is seen having the same light intensity as the street lamps. :: Painting :: Contemporary :: ...

A fine 19th century watercolour showing figures in the French streets of Rouen. The artist has included many architectural features within the composition, such as a medieval turret and church spire...

An original watercolour painting by Cotswold artist, Elizabeth Chalmers, featuring a typical Cotswold cottage built in that region’s honey coloured ...

Signed lower right: Gustave Wolff

Marc Todd New York – Times Square At Midnight Original Painting on Canvas Medium – Acrylic Paint on Canvas Sold Unframed Image size: H 76cm x W 102cm x D 1.9cm Please note that in si...

A fine watercolour showing a coastal harbour town under a grey sky. The artist has wonderfully captured the flat light of a grey day at the coast. Figures can be seen at the dockside...

Daud Akhriev's (EUR and US based) "Oltrarno" is an original, handmade oil painting that depicts a European city street lined with old brick and stone buildings. Artist Biography: T...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

Graham Fransella Figure on Sand Limited Edition Etching Triptych Edition of 25 Individual Sheet Size: H 90cm x W 46.7cm x D 0.2cm Total Size: H 90cm x W 140cm x D 0.2cm Sold Unframed...

Snowy New York [2020] Please note that insitu images are purely an indication of how a piece may look Snowy New York is an original work by artist Gill Storr...

This early morning piece, "Mid Morning Sun" is a 24x36 features three huntsmen atop their brown and grey horses in a green field during a fox hunt. A group of hounds eagerly run alon...

'The Hall & Chapel, Oriel College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm ...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

Jules Noel (1810-1881) Landscape with a manor and a traveler Signed lower left Pencil on paper 27.5 x 44.5 cm Framed under glass : 43 x 59.5 cm This drawing shows more particularly...

"Patch of Light" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts the weathered facade of a historic building in Havana, Cuba draped with sporadic cast-shadows and a tangle of powerlines stretched across the foreground. Look closely to see the dog peering from the doorway. This watercolor painting of architecture is primarily painted in tan, brown, purple, and navy colors. For more works by Thomas Schaller...

Fine art print, photo, also available in different sizes.

Rene Magritte (1898 – 1967) was a Belgian surrealist artist. He became well known for creating a number of witty and thought-provoking images. Often depicting ordinary objects in an ...

Chand Baori Stepwell, Rajasthan, India, 2016 - Steve McCurry(Colour Photography) Signed and numbered on photographer’s edition label on reverse Digital c-type print 20 x 24 inches, ...

Rosemary Ellis Windows XIV Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photograp...

Reinhard Görner Biblioteca del Senado, Madrid 2017 59 x 50 inches ed. of 10 $6,000 71 x 60 inches ed. of 7 $9,000 83 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Keywords: Reinhard Görner, Library series, Madrid, Spain, Large-Scale Photography, Large-scale German photography, Spanish Libraries, Spanish Monuments, Library Photography...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...

View looking down the Galleria Vittorio Emanuele II in Milan, Italy, 1960. Opened in 1890, the covered arcade is on the northern side of ...

Limited edition print of a brown and white dog sitting outside of Mornington Crescent. Inspired by the game I'm Sorry I Haven't A Clue.  Additional information: Mychael Barratt Wes ...

French School circa 1850 Villefranche sur mer, the Harbour Watercolor on paper 16 x 24 cm In good condition Framed 29 x 38 cm This very fine wat...