Building Art

Kunsthistorisches Museum Wien, Neue Burg, Vienna 2014 C print Signed and numbered edition of 5 Mounted and framed The photographer is based in Florence, and is fascinated how his ar...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Oil on Board realized by Jules Victor Génisson (1805-1860) in the mid-19th Century. Hand signed lower left. Good condition.

'Chinatown San Francisco at Twilight', ink and gouache, diptych on card stock, French School (circa 1950s). This artwork was discovered in Paris, France. The unnamed artist skilfully captured that magical moment at dusk when light is at its most beautiful. The scene is Chinatown, San Francisco in the 1950s. The Far East Café, depicted in this artwork was established in 1920. It is the oldest banquet-style Chinese restaurant in the city. Of course, Chinese cuisine in large cities in America has since moved on from the chop suey...

Dimensions with frame: 28 x 36,5 x 5 cm This evocative landscape painting depicts a serene alpine lake bordered by a picturesque village and dramatic mountain formations in the dist...

Downtown New York, c. 1930s, oil on canvas, signed lower right, 10 x 12 inches; label verso reads: "Harry Dix / Title Downtown New York / Medium Oil" Harry Dix was a 20th-century p...

'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

'Pinkie's Pizza', oil on panel, 30 x 40 inches, proudly presented by Andra Norris Gallery in California. Terry Thompson looks for beauty in the often overlooked, painting in a photor...

Title: Mediterranean Village, Catalonia Artist: José María Vilà Cañellas (Vic, 1914 – Barcelona, 2001) Date: 1941 Technique: Oil on canvas Support: Canvas on stretcher Dimensions (un...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower left Artist Statement "During a recent stay in San Francisco, I had this gorgeous view of this beautiful city from my room. Mason Street glows as it heads up to Nob Hill...

Artist: Garry Nalbandyan Title: Walking Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 22" x 16" x 0.8" inch (55 x 40 x 2cm) Presentation: Unframed, Gallery Wrappe...

A charming 1930's French naive oil on board depicting the Château de Fougères, one of Europe's largest medieval fortresses. An excellent example of French naive painting, which is...

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Honfleur - Oil canvas Oil measurements 46x38 cm. Frame measurements 66x58 cm. Josep Maria Vayreda Canadell...

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front Elegantly matted and f...

Airline's office-  Vintage Photo is a black and white photograph of the early 20th century by Donald Chapman. Stamped on the rear. Good conditions, aged with foxing.

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

This beautiful original impressionist painting by Stephanie Hartshorn depicts a quaint white barn in the midst of a forest and plain, the blue sky dotted with wisps of clouds. This ...

Title: French Street Scene with Bar La Coquille Normandy Style Townhouse Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 11.25 inches (height) x 1...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on watermarked J Whatman Turkey Mill 1843 paper with a gilded edge, 11 1/2 x 14 3/4 inc...

Title: Atmospheric French City Square With Figures Archway And Trees Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on artists paper, unframed Size (...

Gelatin silver print Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Paper size: 20 x 16 in., Image size: 19 x 15 in. Earlie Hudnall, who is one of the mos...

Title: Blackstone Quay Sunlit Italy Landscape May 1998 Signed Watercolour Painting By Tony Herbert (1927-2024) Signed: Bottom left Medium: Watercolor on paper Size: 11 inches (height...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His pictures of New York's iconic architecture carry the same romantic feel of a Parisian shooting ...

Listing includes framing with UV plexi ($1,700 value), free shipping to the continental USA, and a 14-day return policy. Also available for local pick up from our New York gallery. A Faithful...

Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....

From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...

Makes a wonderful gift! Offset lithograph card (Hand signed Christo et Jeanne-Claude) Christo's "The Gates" was one of the most popular and successful temporary public art installati...

Rebecca Skinner’s “Faded Footsteps” is a 20 x 30 inch color metal print of a symmetrical blue wrought-iron double staircase in an abandoned school. Arched sunlit window and peeling p...

An original silver gelatin black and white photograph by Press Agency ROL, Paris, 1937. Constructions are everywhere in Paris in 1937, even near the Eiffel Tower, as the city prepare...

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging talents who have had their work published in noted magazines in Europe or the USA, others, who are recognized for their work in international photography competitions. ABOUT THIS PIECE: This is drawn from archive of an award winning photographer. The work is a C print -sold print...

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...

Uses and Customs -  Square and Temple of Augustus in Assisi is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the un...

A finely detailed engraving with hand colouring by Samuel (1696-1779) and Nathaniel Buck (c.1695-c.1775) depicting St. Osyth's Priory in Essex. Signed within the plate. On laid.

Untitled, c. 1940s, oil on Masonite, signed lower right, 19 ¾ x 25 ¾ inches Ava Vorhaus Gabriel was a New York-based painter, lithographer, and designer. Born in Larchmont, Gabriel ...

In the picturesque realm of travel posters, Daniele Buzzi's 1952 creation beckons viewers to explore the scenic wonders of Lugano in Southern Switzerland. This vintage masterpiece se...

Paper Size: 27.5 x 27.5 inches ( 69.85 x 69.85 cm ) Image Size: 18.5 x 23.75 inches ( 46.99 x 60.325 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...

Guiseppe Capineri (1923-1994) Ponte Veccchio, 1959 Ink on paper, image measures 11.25 x 15.5 inches. Framed measurement: 14.25 x 18.5 inches. Signed and dated in red ink lower rig...

This is an original 19th century duotone lithograph entitled "Cairo: The Aquaduct of the Nile from the Island of Rhoda" by David Roberts, from his Egypt and Nubia volumes of the larg...

A Hilltop Fortress Artist: Pierre Neveu (French b.1929) Signed lower left Medium: oil on canvas, unframed Canvas: 35 x 45.5 inches Condition: Good and sound condition Inscribed vers...

Architectural Study for the Restoration of Saint-Pierre Church in Avon, France. This unique architectural study was created as part of a church renovation project in a suburb of Pari...

Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...

Artist/ School: Italian School, mid 20th century, indistinctly signed. Title: The Tranquil Canal, Venice. Beautiful green/ teal moody tones to the colour palette. Medium: oil pa...

➡️Vivid Antique scene Landscape⬅️ ⏩It is signed J Ch Millet.⏪ Jean Charles Millet (1892-1944) How did Jean-Charles Millet, the grandson of the celebrated painter, become a master ...

A captivating oil depicting an industrial street scene, viewed through the arch of a bridge. Signed and dated to the lower right. On board.

This artwork "The Harbor" c.1990, is an acrylic painting on canvas by noted American artist Robert (Bob) Logrippo, 1947-2021. It is signed at the lower left corner by the artist. The canvas size is 24 x 36 inches, framed size is 31 x 43 inches. Framed in a wooden gold frame, with fabric liner and gold color bevel. It is in excellent condition. About the artist: Bob LoGrippo's paintings have appeared on magazine, book and album covers, as well as calendars, greeting cards and puzzles. The New York Times Sunday Magazine, Readers Digest, Six Flags...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

The painting depicts a flood in Venice, the famous Acqua Alta, when during the sea tide, the canals overflow their banks, flooding the embankments and squares. At this time, the Vene...

Lancaster Castle is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters:...

Mid Century Figurative Landscape -- Aptos Village Apple Shed and Market Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist ...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. The work depicts a view of the houses of the commune Heblay-sur-Seine lining the ba...

QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN FOR THE PLACEMENT OF THE SHIP Watercolor and gouache on board, 20 x 36 inches. Signed and dated by the artist - Segroves, 1969. The original artist concept for the placement in Long Beach Harbor in 1969. Subsequently revised several times. The Queen after extensive renovation has just reopened to the public on December 14, 2022 Much larger than the Titanic, At 1,019 feet long and 81,000 tons (310 meters and 73,500 metric tons), the Queen Mary was one of the largest and most elegant ships of the early 20th century. From Wikipedia: The RMS Queen Mary is a retired British ocean liner that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard-White Star Line and built by John...

Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort. Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper. Visible watermark verso Small printer crease in the bottom right below the caption plate. Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Title: Architectural Miniature Watercolor of Bath Abbey from the West Front by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.7...

6119 Parisian street scene Set in a decorative period frame Image size 9.5x7.5"

Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...

This atmospheric cityscape captures the bustling life along a Parisian riverbank, with a stone bridge arching gracefully over the Seine. The artist's loose brushwork and muted palett...

This artwork titled "Arch of Titus" created 1923 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist's estat...