Building Art

The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...

In Rain in Paris (2009), David Drebin captures the magnetic beauty of the French capital after dark. A glowing corner café illuminates the rain-soaked street, while reflections of go...

Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...

Jakub Malinowski – Born in 1985. He is a graduate of the Faculty of Painting at the University of Arts in Poznań. He is engaged in painting and drawing. Since 2011 he has been workin...

'Legends Corner, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The iconic,...

Alcazar II, Unframed Print Signed, Edition of 5 71 × 88.5 in. (180 × 225 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing optio...

'Mosque of Sultan Hassan, Cairo', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

This is an original 19th century duotone lithograph entitled "Medinet Abou, Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770. 380mm by 420mm (platemark) 460mm by 560mm (sheet) From Roubo's 'L'Art du Menui...

In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...

Title: French Watercolor of "Les Trois Grâces, Place de la Bourse, Bordeaux by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Town and Lighthouse. Year: circa 1989, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: C ( 100 ), Image Size: 2...

Oil on Board realized by Jules Victor Génisson (1805-1860) in the mid-19th Century. Hand signed lower left. Good condition.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Architectural Study for the Restoration of Saint-Pierre Church in Avon, France. This unique architectural study was created as part of a church renovation project in a suburb of Pari...

Original painting signed by the Artist on the lower left.

The Arc de Triomphe, Paris French Impressionist, circa 1890-1900 indistinctly signed oil on canvas, unframed canvas : 20 x 24 inches Provenance: private collection, France Condition...

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Bernard Buffet French Riviera : Saint Tropez Village, 1977 Original lithograph (Mourlot workshop) Unsigned On vellum 76 x 65 cm (c. 30 x 26 in) Authenticated with the blind stamp o...

Work : Original limited Edition Print of 40. The work is not framed. The Frame is for illustrative purposes only. Artwork will carefoully shipped and packaged flat in a sturdy cardb...

An original silver gelatin black and white photograph by Press Agency ROL, Paris, August 1928. The iconic Champs-Élysées in Paris is under construction. Features: Original silver gel...

This is an original 19th century duotone lithograph entitled "Cairo: The Aquaduct of the Nile from the Island of Rhoda" by David Roberts, from his Egypt and Nubia volumes of the larg...

This artwork "Landscape with Barn, California" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is sign...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11851 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Paper Size: 27.5 x 27.5 inches ( 69.85 x 69.85 cm ) Image Size: 18.5 x 23.75 inches ( 46.99 x 60.325 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...

An evocative original winter landscape by American artist Robert Wesley Amick (1879–1969), capturing the quiet beauty of a snow-covered grove in Colorado. Painted circa 1935, this at...

Title: Montsoreau Village Riverside and Chateau Loire Valley French Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 9.25 x 11.25 ...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

André MANTELET MARTEL (1876-1953) View Of The Pantheon, Descartes street, Paris Ve area, 1926 Charcoal on paper Signed, dated and located lower left 60 x 44 cm Provenance; former Jac...

Title: British Impressionist Watercolor of a Riverside Scene with Cottages and Boats By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

Armand Manago Guerin (French, 1913-1983) Notre Dame, Paris Oil on masonite Signed lower right 23.5 x 28.75 inches 34 x 38.75 inches, framed The painter known as Armand Manago Guérin...

This Game We Play #14 is a 30" x 40" C-Type Matte print from a Limited Edition of 5 by Franck Bohbot. A cool fall day in New York. Auburn leaves scatter the basketball court, whic...

Gabriele Bella (Venice 1730 – Venice 1799) attributed View of Venice with the Guglie bridge (or the Cannaregio bridge, as it was formerly called) circa 1750/60 oil on canvas, ...

Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...

Silkscreen, 1986 Edition : 53/175 Catalog : [Benavides 1016] Image dimensions : 50.00 cm. x 50.00 cm. (19.69 in. x 19.69 in.) Paper dimensions : 64.50 cm. x 65.00 cm. (25.39 in. x 25...

You definitely need this fantastic Mid-Century Modern serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its orig...

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Pompei Opera 03, Italy, 48x60in, Unframed 48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are av...

A superb impression from the artist's own collection. Etching with drypoint on watermarked FJ Head & Co. handmade laid paper, 10 3/4 x 9 7/8 inches (272 x 252 mm); sheet 18 1/8 x 14 ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in ...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

A captivating Dutch street scene, centred around an impressive redbrick archway. The composition showcases meticulous attention to detail, with each brick and tile precisely rendered...

'Ivy Bridge near Plymouth' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Textured surface, Contemporary art, Pastel color palette, Poetic architecture The painting captures the quiet elegance of Parisian rooftops, where beauty lingers in every line and s...

Town landscape by Bernard Labbe (French mid 20th century) original ink and watercolor on paper size: 11.75 x 8.5 inches signed, stamped verso Condition: very good and ready to be enj...

Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...

Artist: Owen Manning (English, 1721-1801) Title: "Loseley House, The Seat of James More Molyneux Esq." Portfolio: The History and Antiquities of the County of Surrey Year: 1804-1814 ...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

Dimensions with frame: 40,8 x 35 x 2,8 cm. Signed "B. Ciappa" in the lower left corner. This lively oil painting captures the bustle of a European city square. The composition is animated by a steady flow of pedestrians, elegantly dressed figures, and a horse-drawn carriage advancing through a reflective, rain-washed street. Executed in a fluid, impressionistic manner, the artist emphasizes atmosphere and movement over strict detail. Quick, confident brushstrokes define the architecture and figures, while the wet pavement subtly mirrors the activity, enhancing depth and visual rhythm. The soft, diffused light and muted palette, punctuated by touches of color in clothing, evoke a transient moment in urban life, likely inspired by late 19th to early 20th century Parisian scenes. The architectural framing on both sides guides the eye toward the center, creating a sense of perspective and dynamism. This work reflects the enduring appeal of Impressionist and Post-Impressionist cityscapes, where modern life, leisure, and movement converge. This painting offers both decorative charm and collectible value, ideal for collectors of European street scenes and Impressionist-inspired works. Paris street scene painting, impressionist cityscape, European city painting, Arc de Triomphe painting...

You really need to bring home this wonderful large serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...

A beautiful copy by an unknown artist, of the original painting "Wall Street - The Noon Hour" originally created in 1925 by the great American artist Felicie Waldo Howell (1897-1968)...