Building Art

Title: Original Watercolour Southwold Harbour Boats and Fishing Huts Scene By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 15 inches Condition: Good overal...

Lake scene. by Bernard Labbe (French, mid-20th century), stamped verso. Original watercolour/gouache painting on paper. Overall size: 10 x 15 inches. Condition: very good and ready t...

A unique original silver gelatin black and white photograph by Press Agency, Paris, 1925. International Decorative Arts Exhibition in Paris, October 1925, The Collector Pavilion. In ...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

A unique, original silver gelatin black and white photograph. The subway construction in Place de la Bastille, Paris, November 1928. Features: Original Silver Gelatin Print Photograp...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) framed: 41-1/2 x 59-1/4 inches ...

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...

Title: French Watercolor of Château de Chambord with Huntsman, Horses, and Hounds by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 14.25 x 20 (height x width) Condition: Very good Provenance: From the artists atelier collection, South of France Description: This vibrant watercolor captures the iconic Château de Chambord, a masterpiece of French Renaissance architecture...

Maroc Architecture Traditionnelle -18- is: Oil painting, acrylic and graphyte on canvas. Morocco is considered, in terms of its architectural heritage, to be one of the richest in the region. Indeed this variety lies in the multitude of influences that the country has known throughout history. Thus, each region is characterized by its own signature. And we wouldn't be surprised if you fell in love with its riads and kasbahs! Everyone agrees that Morocco is the crossroads of the Arab East and the Western Mediterranean, represented by Andalusia and that the different artistic forms of Arab-Muslim art...

Title: Historic Miniature Watercolor of Corn Street and The Nails in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.5 inches (height) x 2.75 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This detailed watercolor by Jack Grunwell captures Corn Street, one of Bristol’s most historically significant streets, featuring the iconic "Bristol Nails." These four ornate bronze tables, seen prominently in the foreground, were once used for business transactions between merchants and traders, giving rise to the phrase "paying on the nail." The grand Corn Exchange, built in 1741, dominates the background with its elegant Palladian façade, while the clock tower of St. Nicholas Market stands...

Title: Clifton Suspension Bridge and Bristol Cathedral Historic Miniature Watercolor by Jack Grunwell, 20th century British artist Medium: W...

Title: Historic Miniature Watercolor of Kingswood Castle Nestled Amongst Trees by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: ...

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...

This beautiful acrylic on canvas NY sky line by Wilfred will ship rolled in a tube (any frame store will stretch it for you). Born in 1954 in an artistic family in Shanghai, Wilfred ...

A beautiful mid 20th century French naive oil on canvas depicting the Eglise Saint-Pierre at Boussy-Saint-Antoine, on the outskirts of Paris. Superb example of mid 20th century Fren...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 9.5 x 12.5 inches condition: very good and ready to be ...

Carlota Rosales Martínez de Pedrosa was born in Madrid in 1872 and was the second daughter of the painter Eduardo Rosales, after the birth the Rosales...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...

Artist: Vahram Meliqsetyan Title: Armenian Church (Kecharis) Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 27.5" x 21.5" x 0.8" inch (70 x 54 x 2cm) Presentation:...

Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome". Signed on plate on lower-left margin "Piranesi F....

Title: Robin Hoods Bay Cliffside Cottages and Sea View with Fence Yorkshire 1983 By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 11 inches (height) x 14.75 in...

Listing includes framing with optium non-glare Plexi, free shipping, and a 14 day return policy. Also available for local pick up in New York City. Heaven's Vault, Villa Farnese, Caprarola (2014) by Karen Knorr 24 x 30 inches (27 x 33 inches framed) Archival pigment print Edition 1 of 5 Signed on artist certificate and acquired directly from the artist. Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...

Among the Catalan artists who have remained loyal to figurative techniques, several have successfully fixed their gaze on the architecture, streets and commercial trappings of the mo...

Title: Stormy Skies Over Marsh and Hills Laugharne South Wales 1967 Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 10.25 inches (height) x 15.25 ...

This is a high-quality reproduction of Villa Savoye, Four Elevations by Le Corbusier, printed on fine art paper with a cotton mat finish. The premium material enhances the architectu...

Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...

Gottfried Salzmann Rue de Rivoli, Paris, France (Collage, Cityscape, Iconic) Screen Print over Photograph Year: Circa 2010 Size: 11.22 × 7.87 inches (28.5 x 20 cm) Edition: 50 Signed...

Artwork # 1 of 5 sold in limited edition in perfect condition The water carrier - Thailand This photo was made in 1959, printed later, the negative was digitized during the artist...

Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...

This original artwork is accompanied by a Certificate of Authenticity. - All of my works are hand-painted by me, using the best professional grade oil paints made by Blockx ( ) a...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Title: Historic Miniature Watercolor of Gatehouse of Bristol Cathedral c. 1156 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: ...

Medieval Cathedral - Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Downton Abbey’s going off the air. I’m not through yet, it’s just not fair. Nothing before that show ever had That kind of class, that degree of flair. Life without my week...

This artwork depicts a cozy corner of the ancient German city of Aschaffenburg. A winter day with such a rare phenomenon for Europe as snow. Snow falls and covers the old paving ston...

New age design in Charles de Gaulle airport in Paris, France. Barry Cawston's photograph captures a modernist architecture bathed in serene ambient light. A glowing spherical lamp, ...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: City View Size: 14" x 11" x 0.2'...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

5186 NYC skyline lithograph

Stonehouse In Evening Light by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on loose canvas, unframed board: 12.5 x 18.5 inches cond...

'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...

Cityscape, Original oil Painting, Ready to Hang Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Ca...

Pennsylvania Station (1930) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Sun rays streaming through the windows...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort. Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper. Visible watermark verso Small printer crease in the bottom right below the caption plate. Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Pugin, Augustus Charles & Rowlandson, Thomas (after). College of Physicians, from Ackermann's "Microcosm of London." London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His ...

James Roy Hopkins Interior of Église Saint-Sulpice, Paris, 1908 Signed and dated lower left and inscribed "Paris" Oil on canvas 17 3/4 x 14 3/4 inche...

Sunrise Tunnel (2022), oil painting on canvas, earth tones and pastels, outdoor greenhouse, farm landscape, silos and green hills in background, skyscape, sunrise colors "Sunrise Tunnel" by Delilah Ray...

Notre Dame Cathedral by Maurice Falliès (French, 1883-1965), an artist who specialised in Paris street scenes. His work was recently shown at the Musée...

Title: Historic Miniature Watercolor of St John’s Gate and City Wall in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Title: Jiangnan IV Medium: Oil on canvas Size: 12.25 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

ULPIANO CHECA Spanish, 1860 - 1916 VENICE CANAL signed & located "U. Checa" Venezia (lower left) Also dedicated: "A Marguerite Pinédo affectueusement" ...

The Washington Monument (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) The Washington Monument seen from Lincoln Memorial Washington DC USA, ...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Ireland. The vaulted ceiling arches above, while below a warm, golden light fills the room, illuminating bookshelves and cultural artifacts. The room is flanked by white marble busts of philosophers, writers, and great minds who have shaped the intellectual landscape of the Western world, adding a sense of gravitas and continuity to the space, and bringing public cultural heritage into private space in the rich, glowing tones of aged brown wood, leather and gilt. Reinhard Görner is known for invoking an atmosphere of awe, meditation and contemplation through crisp, richly detailed scenes of grand historical and cultural narratives. This effect is enhanced through aesthetically striking compositions, which might include stunning symmetry, portals through a series of doorways, and other careful choices of perspective and scale. Housing about 150,000 volumes, this library is not only the largest in Görlitz, but also the most significant regional library between Dresden and Wrocław. Rich in history, it stands at the crossroads of Germany, Poland, and the Czech Republic, serving as a beacon for historical research and knowledge transfer in the region. Lit by a warm, timeless glow, the scene leads you through multiple carved archways of antique wood, along well-trodden wooden floors, a testament to the intersection of history, knowledge, and architectural elegance. Established in 1779 by twenty representatives from Görlitz's educated bourgeoisie and enlightened nobility, this library is a symbol of the Enlightenment movement, focusing on human reason and research across all fields of study. Today, it's open to the public and widely regarded as one of the most spectacular libraries globally. Görner's photography celebrates libraries as both shelters and places of escape. This particular photograph is part of his quest to explore the most beautiful and solemn reading rooms around the world. Görner aims to convey how architects play with shadows, light, proportions, and rhythms to create spaces that breathe beauty and silence. Starting from his work with architect Sir Norman Foster in 2005, Görner has meticulously documented libraries' cathedral-like atmospheres across the globe. His photographs seek to convey the impact of architecture on our awareness of life, showcasing spaces that tell stories and refer to a time when aesthetics and spatial awareness were intertwined. Embrace the tranquility and beauty encapsulated in Görner's art and allow it to transport you to the grand arches and timeless serenity of The Long Room, Trinity College Library. Perfect for art collectors, architecture enthusiasts, and advocates of intellectual history, this piece serves as a gateway to explore the spirit of great builders through Görner's distinctive lens. 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

French painter Work on wood Silver wood frame 37 x 27 x 3 cm

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...