City Art

Monte Carlo Hotel Pool, 1970 - Swimming Pool and City of Monaco Landscape by Sea by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Westin Excelsior, Lido in Venice, 1957 - Venetian Gondolas in Canals in Italy by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. We...

Up for sale is an original oil painting on canvas, depicting a charming Parisian street scene. The artwork is unsigned and comes unframed. Condition: The painting shows signs of age...

In this piece, the artist depicts his subject in an impressionistic way, capturing the busy streets of Paris from the 20th Century with much life. The artist mostly used oil with a p...

Venice by Etienne Auguste Krier ( French, 1875 - 1953) oil on board, framed framed: 10.5 x 7.5 inches board: 8 x 6 inches Provenance: private collection, Paris Condition: very good ...

Paris Night 2 is a unique drawing by French contemporary artist Guillaume Chansarel. The drawing is made with ink and acrylic on kraft paper, dimensions are 28 × 36 cm (11 × 14.2 in)...

Antique Spanish impressionist cityscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a silver leaf wood molding. Excellent co...

Title: Rambla de Barcelona Artist: Jordi Curós Ventura (1930-2017) Technique: Oil on canvas Dimensions: 28.7 x 23.6 in (73 x 60 cm) Support: Canvas Framing: Unframed Style: Expressiv...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

Paper Size: 11 x 17 inches ( 27.94 x 43.18 cm ) Image Size: 11 x 17 inches ( 27.94 x 43.18 cm ) Framed: Yes Frame Size: H: 12 x W: 18 x D: .75 in. Condition: A: Mint Additiona...

Otto Kuhler, 'The Gateway to the New World', etching (artist's proof), edition 16, 1926, Kennedy 25. Signed in pencil and annotated 'Japan Silk Paper - Trial Proof - Ltd. Ed. Del. et...

Antique American modernist street scene painting. Oil on canvas. Signed. In excellent original condition. Handsomely framed in a late 19th century fluted cove giltwood molding. E...

Joost Verhagen A Pyroclastic Nothing 100 x 140 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. We also ship worldwide in a wooden crate, ...

An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott ...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Paper Size: 10.25 x 39.5 inches ( 26.035 x 100.33 cm ) Image Size: 6 x 35.5 inches ( 15.24 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Frame size 76x92 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After s...

Peter Lik photograph signed and numbered “empire city”. In good condition measures 29x29. Comes with coa

JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...

Fred Becker, 'Public Building', wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. A superb, richly-inked impression, on cream wove Japan...

'Parisian Street Scene', watercolour on art paper, by Roland DuBuc (circa 1970s). This artwork is a delightful depiction of a Parisian street which scales the hill to the neighbourhood of Montmartre, the home of the basilica of Sacré-Cœur. DuBuc's artworks serve as a love letter to the city of Paris and are recognised by his incredibly charming style. The signed artwork is in good overall condition and has been newly framed with anti-reflective glass. Please enjoy the many photos accompanying this listing. Upon request a video of the piece may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Paris - Lithograph Print measurements 52x43 cm. Frame measurements 75x61 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...

Kawase Hasui, 'Rain at Shinagawa, Ryoshimachi' from the series 'Selection of Views of the Tokaido', woodblock print, 1931. A very fine, atmospheric impression, with fresh colors; the...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

Title: Old Alley Series I Medium: Oil on canvas Size: 24 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Christopher Clark's "Paris Rainy Cafe" is an original, hand made oil and acrylic painting that depicts a night scene of a bustling cityscape in France. Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult and Eddie Money...

Nice Market by Robert Savary (French 1920-2000) signed lower right oil painting on canvas, unframed canvas: 19.75 x 19.75 inches Superb Post-Impressionist oil painting by the very well listed and highly sought after French painter, Robert Savary (1920-2000). The painting shows the famous Cours Saleya in Nice....which is the location for the famous flea market that happens there every week, as well as the fish and flower market too. Just yards from the blue sea of the Mediterranean, I can heartily recommend it! Incidentally, we bought this painting from a private home in Nice. Figurative artist, Robert Savary is part of the New School of Paris . He was a student of Maurice Brianchon at the National School of Fine Arts in Paris, and won the prize of Casa de Velázquez in 1948. Savary won the Prix ​​de Rome in 1950. He taught in 1957 at the Regional School of Fine Arts Rouen (which he became the honorary director) while living in Paris and spending summers in Collioure, in the South of France. He was appointed Painter of the Navy in 1987. For more than forty years, he is part of the group of exhibitors invited by Maurice Boitel...

Artist/ School: Alfred Quertant, French circa 1930's, signed lower right Title: The Old Town, Nice Medium: oil on panel, unframed Size: painting: 46...

Leon Bibel, 'Archway', color serigraph, 1939, edition 25. Signed, dated, titled, and numbered ' /25' in pencil. A rich, painterly impression, with fresh colors, on buff wove paper; ...

The Bridges of Venice Study 2, Italy - no. 18213 - Black and White Fine Art landscape photography. Bridge on a quiet morning in a small canal in Venice, Italy. Archival pigment ink ...

"Empire State Building 2, New York City, USA" Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

The Old Town, Nice France Tony Minartz (French 1873 - 1994) watercolor on artist paper, unframed painting : 17 x 12.75 inches Provenance: private collection in the South of France Co...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

"Paris" Josine Vignon (French 1922-2022) ...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to ...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 12.25 x 17.75 inches ( 31.115 x 45.085 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Dancing on Ice, New York City, USA 2016 - no. 11787 Black and white fine art cityscape - landscape photography. Ice Skating, Central Park, New York City, USA. Archival pigment ink pr...

This black-and-white photograph offers a glimpse of the University of California, Berkeley, campus during the 1960s. The iconic Sather Tower, also known as the Campanile, stands prou...

Snow covered Central Park Study 3, New York City, USA - no. 11838 Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition ...

Josep Marfa Guarro (1928-2014) Barcelona Spain Oil Oil on canvas glued to cardboard. Oil measures 23x28 cm. Frameless. Josep Marfa Guarro (1928-2014) Josep Marfa Guarro was a Cata...

Black and white candid capture of model Twiggy getting into a car with a man holding an umbrella overhead. Twiggy, is an English model, actress, and singer. She was a British cultur...

A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

'Beverly Hills Hotel' by Slim Aarons Beautiful 1950's cars parked outside the iconic Beverly Hills Hotel on Sunset Boulevard in California, 1957. Typically 'Slim' this photograph ...

Robert SAVARY Paris : On the Way to Montmartre, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Japan paper 37 x 58 cm (c. 16 x 23 in) Excellent condition

La Place de Furstenberg French School, mid 20th century titled verso, signed front and back oil on canvas, framed framed: 26 x 31 inches canvas: 21 x 26 inches provenance: private c...

Snow covered Central Park 1, New York City, USA - no. 11869 Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity includ...

Commonly referred to as the Snow Moon because of snowfall typical in February, the bright orb illuminated the night sky in New York City. The Snow Moon was the second full moon of 20...

Black and white fine art cityscape photography. Fifth Ave, East 39th St, New York City with a view of the Empire State Building. Archival pigment ink print, edition of 9. Signed, tit...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Work on canvas Frame in plaster and molded and gilded wood 67 x 59.5 x 6 cm

A modern urban scene brought to life in oil on canvas: a confident young woman walks her happy Golden Retriever along a city street lined with skyscrapers reflecting the sunset. The ...

An original work by Yvonne Jacquette (1934-2023) Chinatown I, San Francisco, 1983 Pastel on paper Signed lower right: Jacquette Titled verso Sight: 19.5 x 23 inches Framed: 27 x 30....

ABOUT THIS PIECE: I love walking through Central Park and to watch the seals play at the Zoo. I imagined a scene where one of the New York harbor seals is ...