Countryside Art

This complete set of seven etchings and drypoint is hand signed in pencil by the artist "L. Ury" at the lower right margin of each print. It was printed circa 1920 in a limited edit...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Cui Cui', 2005 C–type print 30.5 × 25.4 cm (12 × 10 in.) Edition of 6 Print only, Signed by the artist This photograph belon...

CROW VALLEY JFG EXHIBITION STATEMENT: Last summer, I was awarded a residency based in Briant, a small village located in the Brionnais region of France. I spent a week in Paris befo...

Combining the organic with the technical, Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) depicts a plough against a background of graphing squares. The plough appears as if in wate...

Oil painting landscape of a house and shed near a hillside.

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Colin Hunt (b. 1973) is a Brooklyn, NY-based artist working primarily in egg tempera and watercolor. His recent series of landscapes of the Avebury stone circle outside of London are...

Cover of The Saturday Evening Post, October 21, 1953 Image of children carrying a rowboat Date: 1953 Medium: Oil Paint Dimensions: 33.00" x 26.50" Signature: Signed Lower Left

Watercolor on paper

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

"A Village High Street" by Sir Herbert Tripp. Sir Herbert Tripp c.b.e 1883-1954 was a painter poster artist draughtsman illustrator and writer. Regular exhibitor Royal Academy. Assis...

Signed and dated (at lower right): Randall Exon 2016

French painter and photographer Ayline Olukman takes us on an excursion in "Bilboard" when she is visiting the American West Coast. The road trip turns into a woman's private experie...

Signature: Signed , dated lower right, Edition 2 /15 Printed later, unframed, other size available, Printed on Hahnemühle Fine Art paper Can a street photograph be a grab shot and...

This image is signed, dated and numbered 2/15 lower right recto. Other sizes are available. The work is unframed and printed later. Can a street photograph be a grab shot and precise...

Medium: Oil Paint Contact for exact dimensions.

Signature: Signed Lower Right

"Drift 10" Landscape Photography 20" x 30" Edition 8/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Signed and numbered by the artist Comes...

An acrylic enamel on linen painting by contemporary artist Timothy Tompkins. Rolling Meadow is executed primarily in lush oranges, reds and green and depicts a fall field of grass and trees with a blue mountain range in the background. The inspiration for Timothy Tompkins's paintings stem from an interest of engagement with the tropes and language of the medium’s historical movements such as pop, still life, and history painting. The paintings are grouped into series by subject, and frequently show variations on a similar theme. Tompkins's ideas about art-making express a combination of concepts: the material nature of painting and how the viewer perceives its surface, the history of painting as a medium, abstraction, memory, representation, and technology. Using commercial sign...

16" x 24" Unframed Limited Edition Lithograph of 75 Hand Signed by Artis Reigo

Ernst Müller-Scheessel Charming painting in gouache depicting a young family and their small children in a village setting in Germany. Signed by the artist in the lower right corner...

A painting by Gregory Sumida. “Geese” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed in the lower left...

"Something And/Or Nothing? - Triangle" is an abstract photograph with hues of green, yellow, and black. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason, and Francis Alÿs...

"Something And/Or Nothing? - Square" is a figurative landscape photograph with hues of green, yellow, and black. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason, and Francis Alÿs...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Archival pigment print Paper size: 22 x 26 in., Image size: 19 1/4 x 24 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 11 x 14 in. $1400 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Photographer Jerry Siegel was born and raised in Selma and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” was publis...

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

Signed, titled, and dated in print verso.

"Drift 10" Landscape Photography 20" x 30" Edition 1/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube Signed and numbered by the art...

"Day at the Beach" by Henni de Korte measures 20x24 and is available for $7,500. It's a beutiful day at the beach as families set up colorful umbrellas and chairs next to their tiny ...

Edition of 25 Signed and dated in black ink on print verso by Peter Brown Paper size: 20 x 24 in., Image size: 16 x 20 in. Published: West of Last Chance (2008) Available in additio...

David Burdeny Blue Ponds 02, Shark Bay, Western Australia, 2015 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options. SALT pushes the preferred m...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

A watercolor by Gregory Sumida. "Tree Trunk and Barn" is a watercolor on pressed board executed in earthy browns, yellows, whites and blues and depicting a bare branched, tree trunk ...

This piece can be framed for an additional $1,500. 4" white border

Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...

A painting by John Christopher Smith. "Thrashing Machine" is a modern painting, oil on board in browns and blues by John Christopher Smith. The artwo...

David Burdeny Pink Pools, Hut Lagoon, Western Australia, 2015 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

David Burdeny VELD 18, Noordoostpolder Flevoland. The Netherlands, 2016 Archival Pigment Print Signature Label Price for Print only. Ask us for framin...

Artist Commentary: On the cusp of spring, the California Oak trees are just beginning to shoot out leaves in this protected inland valley! Words...

French Landscape with Sign, Oil on Canvas Painting by Robin Wallace 1897-1952, circa 1937 Additional information: Medium: Oil on canvas (unframed) 16 x 20 in 40.6 x 50.8 cm

This is by the stage designer, Walter Kubbernuus, for the opera Katyusha by Franco Alfano. After Tolstoi. See attached image of the writing of the verso. Monogrammed Lower Right. ...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

Balthasar BURKHARD (1944–2010, Switzerland) Col de la Croix (Landwirtschaftsgebäude im Neuschnee), 2003 Silver gelatin print 19.5 x 30 cm (7 5/8 x 11 3/4 in.) Edition of 10 Balthasa...

Original oil painting on panel by artist Seth Winegar. Framed.

A drawing from The New Orleans Drawing Project, ten years of on-site drawing trips to post-Katrina New Orleans, by Jeffrey Marshall (b. 1969). Jef...

Limited edition photograph #1 of 5, 40"x60" C-print photograph, signed and editioned by the artist. This color photograph depicts a graphic composition of shredded paper bales. Bou...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Nipple, 2024 Inkjet on Hahnemuhle Photo Rag Baryta 44 x 29 cm (17 3/8 x 11 3/8 in.) Edition of 3 plus 2 artist's proofs Signed by the a...

Karla HIRALDO VOLEAU (*1992, French-Dominican) The one tree, 2019 Inkjet on Hahnemuhle Photo Rag Baryta 44 x 32 cm (17 3/8 x 12 5/8 in.) Edition of 3 plus 2 artist's proofs Signed by...

24"x30" edition of 3, signed on reverse by the artist, unframed Ashok Sinha is a New York-based photographer whose large scale landscape photographs picture uncommon perspectives. W...

20"x30" color photograph, limited edition of 5, signed by the artist. A yellow ochre field, scored with rows of parallel lines creates the background fro this abstract landscape pho...

Limited edition C-Print photograph. Signed and numbered on the reverse: 1/5 (30"x45") The deep, clear blue of the sky beautifully compliments the browns and oranges in the mixed so...

28"x40" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...

40"x50" signed editioned photograph (edition of 5) in excellent condition. Presented framed and mounted. A serene view depicting a ranger's hut along the banks of a river in Gabo...

Contemporary figurative painting

Original oil painting signed by the Artist on lower right corner.

Cascina San Pietro, 1982, rif. 435 Etching inches 13.5 x 25.1 (mm 347 x 637). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Cascina Salicina, 1983, rif. 481 Etching inches 9.5 x 19.3 (mm 243 x 490) Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Limited edition of 90. M...