Doodle Art

ASHLEE SELBURG Basile Ink and pencil on paper 40 x 30 inches

Georg Tappert (1880 Berlin - 1957 Berlin), The Mother, 1918 (1964). Estate print from 1964. Linocut on Japan, 31.5 cm x 20 cm (image), 44.5 cm x 28 cm (sheet size), marked lower left...

Bob Cato, American (1923 - 1999) - Marsh Land from Nantucket Series, Year: circa 1970, Medium: Screenprint on Somerset, signed, titled and numbered in penci...

Bob Cato, American (1923 - 1999) - Cattails from Nantucket Seriers, Year: circa 1970, Medium: Screenprint on Somerset, signed, titled and numbered in pencil...

Marcel Jean, French (1900 - 1993) - Morphemes, Year: circa 1935, Medium: Etching, signed and numbered in pencil, Edition: 5/20, Image Size: 3.5 x 4.75 inches, Size: 5.5 x 7.5 in. (...

Amanda Joy Brown is a visual artist and educator based in Nashville, TN. Brown earned her MFA in the painting program at the Savannah College of Art and Design. During her time there...

Kevin Varner, American (1954 - 2019) - Recycled Foot is Brought to You by The Committee to Save Animal Fat. Year: 1987, Medium: Color Pencil and Ink on Paper, signed and dated, titl...

Kevin Varner, American (1954 - 2019) - The Discovery of Superconductive Trapdoor Economics. Year: 1988, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Ima...

Kevin Varner, American (1954 - 2019) - Intermission. Year: 1991, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: 12 x 18 inches, Size: 18 x 23....

Kevin Varner, American (1954 - 2019) - Influence of Pyramid Energy on Giant Bacteria. Year: 1991, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 24 x 18 i...

Kevin Varner, American (1954 - 2019) - The Inverse-Parallel Cornucopia-Arachibutyrophobia Syndrome. Year: 1990, Medium: Color Pencil and Ink on Paper, signed and dated, titled on ve...

Kevin Varner, American (1954 - 2019) - Brand X Toxic Waste on Easter Island. Year: 1988, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: 12 x 1...

Kevin Varner, American (1954 - 2019) - Mr. Space Head Lands in The Woods. Year: 1987, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Size: 22.25 x 18 in. ...

Kevin Varner, American (1954 - 2019) - Class Struggle in The Garden City of Nazca. Year: 1989, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: ...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Unique and original painting, in acrylic and mixed media on canvas. Signed, stretched on custom-made wooden base frame.

This is a one-of-a-kind original abstract cubist portrait by San Diego artist, Alexander Arshansky. Its dimensions are 16"x20"x1.5". It is unframed. A Certificate of Authenticity wil...

This is a one-of-a-kind original cubist portrait by San Diego artist, Alexander Arshansky. Its dimensions are 20"x24"x1.5". It is unframed. A Certificate of Authenticity will follow ...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x30"x1.5". It is unframed. A Certificate of Authenticity will follow ...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x36"x1.5". It is unframed. A Certificate of Authenticity will follow ...

This striking ink drawing by Anna Pennati captures the essence of modernist abstraction with bold, gestural brushwork that commands attention. Executed in deep black ink on textured ...

This striking ink drawing by Anna Pennati captures the essence of modernist abstraction with bold, gestural brushwork that commands attention. Executed in deep black ink on textured ...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Artist: Ian Hornak (1944-2002) Title: (Abstract Landscape) Untitled Year: circa 1965 Medium: Charcoal on archival paper Size: 11 x 14 inches Condition: Good Provenance: Estate of Ian...

André Lhote - Cubist Landscape - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Signed in the plate Unumbered as issued

20" x 36" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

11" x 11" Limited Edition Print on Paper of 25 Hand Signed by Esther Merikanskas

Acrylic paint on canvas Signed lower left

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil 57 from the edition of 120, at the low...

11.5" x 15" Unframed 2 Ink Linoleum Print on Paper Hand Signed by Iván Bautista

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Silkscreen on archival paper Size: 19.75 x 15.25 inches Condition: Excellent Inscription: Signed in permanent marker ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: And On the Third Day Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: AP Size: 20 x 20 in. (50.8 x 50.8 cm)

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Prague Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 in. ...

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Artist: Peter Max (1937) Title: Lady Thru Window Year: 1999 Edition: 166/300, plus proofs Medium: Lithograph on archival paper Size: 6.5 x 12 inches Condition: Excellent Inscription:...

Edition 8/24

Sonja Shomekaer is an artist and designer based in California. She creates large-scale drawings on paper that incorporate iconography of natural life. Here, Sonja weaves in an out of...

The aesthetic appeal of the collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometric...

"Ranunculus in Black and White" Oil on Canvas, 36x48 inches This captivating oil painting brings the ranunculus flowers to life through the contrasts of black and white. With an int...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 12"x12"x2". It is unframed. A Certificate of Authenticity will follow th...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16"x20"x2". It is unframed. A Certificate of Authenticity will follow th...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x24"x1.5". It is unframed. A Certificate of Authenticity will follow ...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x24"x1.5". It is unframed. A Certificate of Authenticity will follow ...

We are very happy to present the wonderful work of Gérard Blain, a passionate and talented artist. Gérard Blain, born in 1938, is an atypical artist. Coming from a modest family, h...

Prakash Karmakar - Landscape - 15 x 11 inches (unframed size) Ink on Paper , 2005 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for the Ben...

Kathleen Beausoleil lives and works in Fair Haven, NJ. Primarily working in oil paint, her works focus on what it means to be a social being. Beausoleil received a 2022 Fellowship fr...

Candle day. 1984. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Snow day. 1984. Paper, linocut, 25x34 cm imprint size 14x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction p...

Mikelis day. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Woodcut on paper, signed and dated '1912' bottom right Image size: 5 x 5 1/4 (12.75 x 13.5 cm) Mounted Here the artist's bold gouging of the material has created an evocative scene ...

Fracture. 1984, linocut, print size 47x58 cm; total 60x68 cm War theme. Tanks Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications...

The snow was blowing. 1973, Paper, linocut, print size 45x50 cm; total 60x58 cm artworks from the cycle "Story about Latvian rifleman" Dainis Rozkalns (1928 - 2018) Artist, graphic...

Swans. 1976., Paper, linocut, print size 52x51 cm; page size 80x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ma...