Doodle Art

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Cavaliers sous les arbres (Riders Beneath the Trees), from the folio Lettre a mon peintre Raoul Dufy (Letter to My ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled L'Orchestre (The Orchestra), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Etudes, «Histoire de l'Electricite» (Studies, “History of Electricity”), from the folio Lettre a mon peintre Raoul Dufy...

"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph after Jean Cocteau (1889–1963), titled El Cordobes (The Cordobes), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coctea...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Curro Romero, from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), originates...

This exquisite lithograph after Jean Cocteau (1889–1963), titled La superstition (Superstition), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Co...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Hissage de Forme Mobile (Hoisting the Mobile Form), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Fleury, Les Deux Tuer (On the Road to Fleury, The Two Killed), from the album Fernand Le...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le 100 de Marine (The 100-Millimeter Naval Gun), from the album Fernand Leger, Dessins de Guerre 1915-16...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldat assis (Seated Soldier), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, W...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Etude pour La Partie de Cartes (Study for The Card Game), from the album Fernand Leger, Dessins de Guerr...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun, La place d'Armes (Verdun, The Parade Ground), from the album Fernand Leger, Dessins de Guerre 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Aux alentours de Verdun (Around Verdun), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernan...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La cuisine roulante (The Rolling Field Kitchen), from the album Fernand Leger, Dessins de Guerre 1915-16...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La cuisine roulante (The Rolling Field Kitchen), from the album Fernand Leger, Dessins de Guerre 1915-16...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le Sapeur (The Sapper), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War Draw...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats dans un abri (Soldiers in a Shelter), from the album Fernand Leger, Dessins de Guerre 1915-16 (F...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise et son peuple (Moses and His People), from the album Le Message Biblique, Marc Chagall (The Biblical Message, Marc...

This exquisite lithograph after Marc Chagall (1887–1985), titled Mozart et Moussorgsky (Mozart and Mussorgsky), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ce...

This exquisite lithograph after Marc Chagall (1887–1985), titled Pelleas et Melisande (Pelleas and Melisande), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Cei...

This exquisite lithograph after Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This radiant and lyrical composition celebrates Maurice Ravel’s ballet Daphnis et Chloe, one of the musical masterpieces represented in Chagall’s monumental ceiling design for the Palais Garnier. Daphnis et Chloe captures the pastoral romance of Ravel’s ballet through a symphony of color and form, as lovers, nymphs, and mythic symbols float amidst a celestial landscape. Chagall translates the musical sensuality and poetic grace of Ravel’s score into a visual harmony that radiates joy, movement, and tenderness. The composition exemplifies Chagall’s genius for merging sound and image, myth and modernity, into a timeless meditation on love and creation. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Bouquet Noir et Bleu (The Black and Blue Bouquet), from the album Chagall, originates from the 1957 edition published...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Christ a l’Horloge (The Christ at the Clock), from the album Chagall, originates from the 1957 edition published by M...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Village (The Village), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, a...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Couple a l'Arbre (The Couple at the Tree), from the album The Lithographs of Chagall, Volume II, originates from the ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Jeu des Acrobates (The Game of Acrobats), from the album The Lithographs of Chagall, Volume II, originates from the 1...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

Medium: Pen & Ink, Colored Pencil & Graphite on Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for CBS-TV`s `Step on the Gas` starring Hans Conried,...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Ink on Illustration Board Caricature of Bob Keeshan in the title role of `The Captain Kangaroo Show` on NBC-TV, with Hugh Brannum as Mister Green Jeans...

Medium: Pen & Ink, Colored Pencil on Onionskin Overlay/Car Signature: Signed Lower Right This piece is on 14.00" x 22.00" cardstock, with an image that measures to 9.50" x 14.00." C...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1962-66 CBS-TV WWII South Pacific Comedy `McHale`s Navy` w Ernest Borgnine, Tim Conway & Joe Flynn. On 22" x 14" illustartion board. Appeared on the cover of the July 7, 1963 New York...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left 10.50" x 8.00" image on 15.00" x 11.00" board. Ink on Illustration Board of NBC-TV Host Dan Seymour, for Sept...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right On 15.00" x 20.00" illustration board, with image that measures to 11.25" x 13.75." Includes original clipping...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Left On 13.50" x 20.00" illustration board with the image measuring to 9.00" x 13.25." Caricature by George Wachsteter (1911-2004) of Morey Amsterdam as featured host of the 12th annual `Elliot Murphy`s Aqua Show` at the Flushing Meadow Ampitheatre, on Long Island. This edition of the spectacular water-themed musical review commenced June 19, 1956 and featured tumblers `Wells and the Four Fays`, plus the Forseitz-Mendes troupe of wire walkers...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Left Ink on Illustration Board of Arthur Godfrey as a Talent Fisherman for CBS, with a net of performers slung over...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Dans le village (In the Village), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of ...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage du Midi (Southern Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of t...

Artist

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L`Ecuyère (The Horsewoman)" Unsigned, signed in the plate (printed signature) lower right Year: 1960 Medium: Lithograph on white wo...

The Salvador Dali Les Chevaux Bleus (Blue Horses) etching with hand coloring was published in 1967 by Pierre Argillet, Paris. The total tirage is 335 on various papers. This etchin...

Kenny Scharf Worldz End (Night) 2023
 1 color silkscreen with enamel ink, flocking on Rising 4-ply museum board 54 x 70 inches (137 x 178 cm) Signed and numbered edition of 33 Color...

Kenny Scharf Worldz End (Day) 2023
 1 color silkscreen with enamel ink, flocking on Rising 4-ply museum board 54 x 70 inches (137 x 178 cm) Signed and numbered edition of 33 Colorfu...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...