Figurine Art

"The Rape of the Sabine Women," veined alabaster, large sculptural group with classical subject, Volterra manufacture, 18th century. The so-called Rape of the Sabine Women is a scu...

Expressionist stoneware head sculpture featuring kintsugi gold repair, exploring material transformation, individuality and the expressive potential of ceramic form. Testa 6 is a un...

Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

Loek Bos On a Bicycle Bronze Sculpture Hight bronze 17 cm The first works we encountered by artist Loek Bos were his sculptures of cyclists—captured individually, in pairs, and as ...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

MAN RAY (Emmanuel Radnitsky, known as) (1890–1976) Mr. and Mrs. Woodman (Shared Joy), 1970 Photograph: Original silver print Artist’s signature stamp on the reverse On silver paper,...

Patrick Nevins (American, b. 1977). "Lion Fish," 2026. Oil on panel. 5 x 5 in (12.7 x 12.7 cm). Signed by the artist, lower right. Sold unframed; the panel has painted black edges an...

Great Arms Raised Standing Figure I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 132 × 27 × 25 cm (52 × 10.6 × 9.8 in). The sculpture is signed ...

Dimensions: 32 W x 44 H x 11 D cm Weight: 6,7 kg Material: Bronze, patina, metal Edition: AP 3, signed on base Condition: Excellent, certificate Free worldwide shipping in a branded ...

After Fernando Botero – Bull, animal bronze sculpture, exquisite reproduction, great patina! Bronze Sculpture Edition A thru Z This beautifully executed bronze sculpture is an Aft...

Elegant hand-carved bicolor jade sculpture from the Oriental tradition, depicting two court ladies beneath a flowering tree. The figures are crafted in translucent light green jade, ...

Dimensions: 27 W x 53 H x 12 D cm Weight: 4,5 kg Material: Bronze, patina, metal Edition: 5/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

This contemporary figurative bronze tabletop sculpture featuring a dogman is by Gillie and Marc. Fanciful and fun, Gillie and Marc’s art is designed to be accessible. Their popular ...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Dimensions: 26 W x 38 H x 23 D cm Weight: 7,6 kg Material: Bronze, patina Edition: 2/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a branded ...

Mimi Gross (American 1940-) Jewish Orthodox Scholar 1983 Aluminum and Paint Assemblage Hand signed, numbered 130/135 Dimensions: 24 X 12 X 9 inches From a great art collection of ...

"Industrial Worker" Mid-20th Century Modern Gay Male Realism European Bronze Ernst Seger (German, 1868-1939) Industrial Worker Bronze Initialed and dated "36" on the verso 16 3/4 x...

Horse XV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 71 × 60 × 17 cm (28 × 23.6 × 6.7 in). The sculpture is signed and numbered, it is part of ...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

Dimensions: 18 W x 52 H x 11 D cm Weight: 9,3 kg Material: Bronze, patina, metal Edition: 2/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

Sculpture Don Quixote (on horseback, holding spear); Unique original work, handcrafted, carved, chiseled, patinated, polished, and mounted on a pedestal by the artist. Artist state...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

The sculpture “Cleopatra” is an embodiment of feminine beauty, inner strength, and mystery. The figure of a woman kneeling with her face raised conveys a state of deep emotion, freed...

Franz Iffland (1862 Tempelhof - 1935 Berlin), Javelin thrower, after 1910. Olive-black patinated bronze with cast plinth mounted on a white-veined black marble base (7 cm high). Tota...

Artist: Salvador Dali (1904-1989) Title: Piano surréaliste Year: 1984 Medium: Bronze Edition: 350, plus proofs Size: 26.3 x 15.7 x 12 inches Condition: Excellent Inscription: Incised...

This 15th century bishop - sculpted ca AD1460 - has a smile on his lips and a benevolent presence. He is also something of an Adonis - one tends to forget that in the medieval churc...

A vintage decorative bust of the Roman co-emperor Lucius Verus, modeled after the famous 2nd-century original in the Louvre. This piece features his iconic thick, curly hair and deta...

Retrorsum Bookend Bronze Sculpture Nude Boy Classic Contemporary In Stock Wim van der Kant, born in Kampen in 1949, is a sculptor known for his refined, realistic bronze sculptures....

Bill Nebeker (b. 1942), Chasin' the Wind, Patinated Bronze. Measures 9x8. 30 made only

"Frank/Navajo" by Denny Haskew Figurative Bronze Native American Bust 11x7x7" ed/25, ideal size for an office shelf, or desk top. ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians...

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

A fine later casting of the famous Frederic Remington sculpture "The Scalp", cast in the 1970's or 1980's. Description: After Frederic Remington, American (1861 - 1909) - The Scalp...

3 Monumental Standing Figures is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 320 × 150 × 130 cm (126 × 59.1 × 51.2 in).   The sculpture is signed a...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Mafalda is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 20 × 26 × 33 cm (7.9 × 10.2 × 13 in). The sculpture is signed and numbered, it is part...

Dimensions: 32 W x 32 H x 13 D cm Weight: 8 kg Material: Bronze, patina, metal Edition: 4/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

Leni is a giver of gifts. She is often partnered with Leo. Both are elegant figurative bronze sculptures by Nando Kallweit. Leni was made using a lost wax, or Cire Perdue, bronze ...

Dimensions: 35 W x 30 H x 10 D cm Weight: 4 kg Material: Bronze, patina, metal Edition: 3/4 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a bra...

KAWS: HOLIDAY United Kingdom Black (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in their original packaging - ...

Amici is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-in...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers Bronze with gilt socle base 9 x 3.75 x 2.75 inches Provenance: Removed from a private residence at the Pierre Hotel Di...

Dimensions: 36 W x 38 H x 13 D cm Weight: 8,2 kg Material: Bronze, patina Edition: 3/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a branded b...

Dimensions: 40 W x 45 H x 10 D cm Weight: 5 kg Material: Bronze, patina, metal Edition: 5/6 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a bran...

Roch Smith creates unique figurative sculptures that are designed to engage the viewer in a thoughtful and meaningful dialogue. Hand forged in bronze, Smith has created this compel...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

KAWS: HOLIDAY United Kingdom Brown (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in their original packaging - published by All Rights Reserved to commemorate the debut of KAWS’ sculptural hot-air balloon — one of the world’s largest at 42 meters tall, flying over the English country-side of Bristol. Figure comes individually housed in a standout KAWS designed hard case. Medium: Painted cast resin vinyl figures. Dimensions: 12 inches in height. New, unopened; excellent condition. Stamped on the underside from a sold out edition of unknown. Includes artist card as pictured. A great wall or shelf set that would look fantastic displayed either in or out of the case. KAWS UK Holiday (further background): The sculptural hot-air balloon KAWS: HOLIDAY UK...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

Kaws x Disney Pinocchio & Jiminy Cricket, 2010 Pinocchio size: 26 x 12.7 x 11.4 cm. Jiminy Cricket size: 5.7 x 2.5 x 2.5 cm. Stamped Signature to the underside of the feet. Produced ...

Canadian artist Roch Smith's distinctive visual language ignites our collective imaginations. Smith is known for his playful approach to important themes. He often uses humour to en...

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

Carved stone capital. Italy, 16th-17th century. 30 x 25 x h 25 cm. Entirely carved in stone, some breaks and losses. The lawful provenance of the object has been verified and conf...

Dimensions: 12 W x 29 H x 14 D cm Weight: 5,5 kg Material: Bronze, patina, metal Edition: 1/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

A fine & large antique French Art Deco bronze of a Native American scout or brave, by René-André Varnier, circa 1920. This very fine and dynamic antique patinated bronze sculpture de...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

Alan Cottrill (American, Ohio, b. 1952) Nude Female Torso, 1994 Bronze mounted to green marble base Signed, dated and numbered 14/20 verso of leg, with foundry stamp 17. in. h. x 6 i...