Figurine Art

• Signed and certified work This unique ceramic was executed in Vallauris in 1957 and is accompanied by a certificate of authenticity issued by Paloma Ruiz Picasso and Diana Widmaier...

Thelma Frazier Winter (American, 1903-1977) Woman and Child, c. 1935 Glazed stoneware, painted plaster 14 x 7 x 5.875 inches Thelma Frazier Wint...

Nana Williams’ "Porcelain Pattern Sphynx 2" is a captivating resin sculpture that merges delicate craftsmanship with intricate surface decoration. This 2024 original work is a resin cast, hand-painted with acrylic gouache, standing at 5.50 x 2 x 3.50 inches (13.97 x 5.08 x 8.89 cm). Inspired by the elegance of fine porcelain, the piece mimics the timeless beauty of blue-and-white ceramic motifs...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

American artist Scott Fraser's "Surf and Turf" is a masterful photorealist capturing of a small arrangement of children's toys,. Sized at 8 x 8.75 inches, this piece is framed at 12....

Antique sculpture of a female Moor with flowering cornucopia Venice, 19th century Carved, lacquered and gilded/silvered wood Total height 202 cm (column base 82 cm, figure 120 cm) ...

A delightful sculptural set of small musical cat figures in steel, "Musical Cats / Band of Musical Cats," mounted on a burl wood base with an ebonized profile. This piece depicts a w...

Bronze 67,5 cm signed restored Partina original Émile Louis Picault (1833–1915) was a French sculptor known for his dynamic bronze works, often depicting mythological, allegorical,...

Girl’s dream is a bronze sculpture by French contemporary artist Cécile Raynal, dimensions are 155 × 50 × 63 cm (61 × 19.7 × 24.8 in). Dimensions include white wood stand. The sculpt...

KAWS: HOLIDAY Companion — Grey & Black Complete Set (KAWS UK) KAWS’ signature character COMPANION is presented in its iconic upright standing pose, hands covering the face and m...

Cast in bronze, this contemporary figurative sculpture of an anthropomorphic dog is by Gillie and Marc. British and Australian artists, Gillie and Marc have been called “the most su...

This ceramic buste is made by Spanish artist Pedro Quesada Sierra. The Spanish sculptor, despite his only 39 years, is already a lot of laureate artist. In March 2018 he received, ...

Elkington & Co (British, 19th Century) Figure of a Royal Navy Seaman Bronze with warm brown patination on stepped wood base Stamped Elkington & Co 21 inches high including ba...

David Deming (American, 20th Century) Contortion Nude Bronze Signed on base 14 x 12 x 9 inches David Deming is a nationally recognized contemporary Ameri...

Annalee con cavallo is an elegant figurative bronze sculpture by Nando Kallweit. A female fibute leans her head against a horses neck in a moment of tender communion Edtion of 9

Poem that goes with this artwork: 'From My Point Of View' On his morning rounds the Master Goes to learn how all things fare; Searches pasture after pasture, Sheep and cattle eyes w...

Ver Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises...

a very fine Model Sculpture of a standing horse , finely rendered in patinated plaster, signed ‘MMM’ and dated 30 , w. rich burnished patina. Its quality and elegance are reminiscent...

Italian sculptor (19th century) - The Kiss. 15 x 20 x h 20 cm (base included), 12 x 17 x h 18 cm (base excluded). Carved white marble group. The group depicts two nude figures in ...

A powerful, life-size ram rendered in mixed media, this sculpture embodies strength, resilience, and quiet defiance. The textured surface evokes a raw, almost volcanic energy, while ...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

Robin has worked with clay since the age of eleven. Her sculptures have ranged in size from life sized sculptures to the diminutive porcelain pieces. She has been a resident artist a...

Provenance Acquired by the gallery directly from the artist EXHIBITIONS California Art Clubs 95th Annual Gold Medal Juried Exhibition April 2 - 23...

Bronze Numbered 10/10 36cm × 11.5cm × 18cm (incl. base) Ian Rank-Broadley is one of the foremost sculptors working today. His effigy of the late Queen Elizabeth II appears on all UK...

Edris Eckhardt (American, 1905-1998) Bust, 1933 Ceramic Signed and dated base 8.5 x 4.5 x 4.5 inches, including base Minor losses to paint on base. Born in Cleveland, Ohio January ...

A Roman marble portrait head fragment, dating from approximately the 1st to 3rd century AD. This piece features a male subject with classicized facial features and a textured, croppe...

Hannah Schelb I am a clown (When are you going to start treating me like a joke?) 2025 Ceramic, Glaze, Cone 5 Oxidation, Aluminum Wire, Kanthal Wire 34 x 12 x 14.5 inches (86.4 x 30....

Antique Bronze Dog Portrait “La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”   Arthur Waagen (Germany, France 1833-1898) Circa 1860’s 11 x 8 x 4  inches (2of 2. No...

Walter Sinz (American, 1881-1966) Zinnia, c. 1930 Plaster Signed on base 9 x 8 x 4 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fa...

KAWS: HOLIDAY United Kingdom Brown (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in their original packaging - published by All Rights Reserved to commemorate the debut of KAWS’ sculptural hot-air balloon — one of the world’s largest at 42 meters tall, flying over the English country-side of Bristol. Figure comes individually housed in a standout KAWS designed hard case. Medium: Painted cast resin vinyl figures. Dimensions: 12 inches in height. New, unopened; excellent condition. Stamped on the underside from a sold out edition of unknown. Includes artist card as pictured. A great wall or shelf set that would look fantastic displayed either in or out of the case. KAWS UK Holiday (further background): The sculptural hot-air balloon KAWS: HOLIDAY UK...

Expressive ceramic bust with high-fire glazes, oil-painted head and forged iron glasses exploring identity, learning and the aging body. This expressive ceramic bust belongs to Os A...

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

Sculpture Don Quixote (on horseback, holding spear); Unique original work, handcrafted, carved, chiseled, patinated, polished, and mounted on a pedestal by the artist. Artist state...

18th/19th Century Italian Infant Hercules Wrestling a Snake Alabaster 18 x 18 x 6 inches 40 lb. In Greek mythology, the infant Hercules (Heracles) is famously depicted wrestling wit...

19th Century Neoclassical Grand Tour Bronze of a woman holding oil lamp with a bird. European Bronze on a marble base unsigned. H 13-1/2 in. W 5-1/3 in.

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Richard MacDonald has always been intrigued by opposites, and his mastery allows him to sculpt both delicate, archetypal femininity and bold, athletic masculinity. In Origins, he u...

Cheek to Cheek 2 by John Born Stoneware clay, terra sigillata, black wash John Born's work primarily involves creating functional and sculptural ceramics. His pieces often reflect t...

Bronze Numbered 1/10 66cm × 26cm × 36cm (incl. base) Ian Rank-Broadley is one of the foremost sculptors working today. His effigy of the late Queen Elizabeth II appears on all UK an...

Salvador Dali "Nobility of Time" from "The Sculpture Collection" Conceived in 1977, first cast in 1984 Bronze and green patina Edition: 194/350 Inscribed "Dali" Dimensions: 60 x 38...

This is a wooden sculpture of a man by the African Senufo tribe in Africa.

Charles Schreyvogel (1861-1912) New York / New Jersey Artist Image Size: 12" x 18.50" x 5" Medium: Bronze Sculpture 1903 "The Last Drop" Charles Schreyvogel (1861-1912) New York / Ne...

William Mozart McVey (American, 1905-1995) Rumination Cast bronze with brown patina Signed on back foot 8 x 4 x 3 inches William McVey (12 July 1905-31 May 1995) became Cleveland's ...

Paul Duval’s engaging sculpted figures capture an emotional moment in time. One in a series of table-top pieces, the Quebec artist uses paper mache, wire and steel to create unique characters expressed through their colour, posture, and gesture. This figure of a woman, clothed in a long royal blue...

Man Ray (Emmanuel Radnitsky, called) Hollywood : Mr and Mrs Woodman, 1970 Original gelatin silver print Handsigned on the back Authenticated with the artist stamp "Epreuve originale...

Cornucopia pays homage to the great goddesses of abundance and fortune, with a modern twist – rather than showing the bounty of the earth overflowing from the horn, this Cornucopia o...

"Jacques Atelier" by Richard MacDonald captures the expressive essence of the mime—a timeless symbol of vulnerability, artistry, and silent storytelling. Cast in bronze, the figure i...

Italian sculptor (18th century) - Venus at the Bath. 27 x 22 x h 45 cm. Full figure in modelled terracotta. The sculpture depicts a seated Venus on a rocky support, caught in the ...

Shared Secrets is a wall sculpture paying tribute to those who like reading and enjoy me-time moments. Edition Size: 25. Sculpture for wall easily hung with 2 screws/nails. BIOGRAP...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Mark Morrison (1895-1964) Monkey, ca. 1940 Carved New Hampshire granite 8.5" by 5", height is 16.5" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Education: ...

Beth Carter is a visual artist based in Bristol, UK and an Academician at the Royal West of England Academy, UK. Her bronze sculptures and charcoal drawings often integrate the human...

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

ROMAN MADONNA “Sedes Sapientiae” Auvergne Around 1175/80 Pine wood Polychrome remains Height 40 cm This depiction of the Madonna is a masterfully carved, extremely early figure made...

A beautiful street art, abstract Mannequin Bust decorated by artist Angel Ortiz. Here we find this stylish bust figure with the artist signature tag...

Carter’s work often morphs the human figure with animal, creating mythological creatures and extraordinary fictional compositions. Her work explores themes of duality, transformation...

Gene and Rebecca Tobey Original Ceramic. In good condition measures 27 inches

Original Linda Smith ceramic cat.

Wooden sculpture depicting Saint Catherine of Alexandria Provenance Lower Rhine or Southern Tyrol Late 15th century (circa 1480) Linden wood (single trunk, hollowed back), trac...

Auguste Rodin 1840-1917 French L'Éternel Printemps (The Eternal Spring) Bronze with brown patina Signed "Rodin" (on base), with Barbedienne foundry mark Perhaps one of the most w...