Figurine Art

Beautiful Pup Cup designed by Yoshitomo Nara. Brand new and comes with original packaging.

A pair of carved oak angels, circa 1700, with a lovely warm patina and faint traces of polychrome to the face and gilding to the body. The angels are both kn...

Angel Maya - Maya Angel This Mexican Wood Angel was made with Copal wood, wood carving technique gouges, machete and sandpaper, decorated with natural dyes and acrylic paintings with Zapotec symbols. At Cactus Fine Art...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. It's 27 inches tall, with a length of 16 inches and a depth of 13 inches....

Here for your consideration is a beautiful highly detailed bronze done in the forth quarter of the nineteen century after the work of Jean Boulogne, known as Giambologna. Boulogne’s sculpture was done in marble and was completed between 1579 and 1583. The sculptor of this bronze is Antonin Mercie, a well known French sculptor born in 1845. The bronze represents the Rape of the Sabine Women (Latin: Sabinae raptae), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists and sculptors, particularly during the Renaissance and post-Renaissance eras. Signed on base “Mercie” for Antonin Mercie.. In very good condition wirh original brown patina. The base which depicts rocks is bronze and has been painted a matt black. Provenance:: A Sarasota estate. Mercié, (Marius Jean Antonin Mercie...

The love story of Cupid and the beautiful princess Psyche. Godet’s mastery is evident in this figural group, especially Cupid’s pointed wings, the gaze, the drapery, curved body, and...

Fritz Heidenreich was a German porcelain sculptor and worked primarily with small sculptures and as a ceramist. Heidenreich worked for the porcelain manufacturer Rosenthal from 1919...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Introducing the breathtaking bronze sculpture by Jeremy Geddes featuring a cosmonaut, a stunning tribute to the wonder and beauty of space exploration. Jeremy Geddes is an Australian...

Bronze fountain sculpture of Cupid hold a fish. This beautiful bronze sculpture features intricate details and has a nice natural patina.

Three years after surprisingly winning the commission for the Paris Opera House—today known as the Palais Garnier—Charles Garnier entrusted one of the four major sculptural groups fo...

Ann Rothman Seal (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, Crayons, Watercolors ...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

The Odalisque is an original decorative object realized by Giuseppe Salvi in 1886. Silver-plated Bronze representing a young odalisque, Sign, place and...

S.Krtistol always been fascinated by the “TIGER”, it is an animal of great elegance with a strong character and an astonishing charisma. It is however, today, an animal in danger of ...

Christophe Fratin (Metz, 1801 - Le Raincy, 1864) Lion lurking Bronze with dark patina, 30 x 51 x 14 cm Signed "FRATIN" on the base and dated "1854" Bibliography: Michel Poletti, ...

Grand tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers...

Artist: Branko Bahunek, Croatian (1935 - ) Title: Woman with Dog Year: circa 1990 Medium: Bronze Sculpture, Signature 'BB' inscribed Size: 12 x 6 x 5 in. (30.48 x 15.24 x 12.7 cm...

Don Quixote (on horseback, holding spear); Unique original work, handcrafted, carved, chiseled, patinated, polished, and mounted on a pedestal by the artist. Artist statement: "For...

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

Tony Hochstetler's "Seated Frog Fountain" (2015) is an original handmade bronze sculpture that depicts a frog sitting on a rock. TONY HOCHSTETLER is a sculptor of unusual animals an...

Cuba Mambo is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. This sculptur...

The striking figure of a nude female, arms stretched above her head is the subject of this bronze sculpture by Canadian artist Richard Tosczak. Known for his beautiful figurative wor...

Elephant running with coiled trunk Roger GODCHAUX (1878-1958) Rare sculpture in bronze with a nuanced dark brown patina cast by SUSSE France circa 1930 height 14,2 cm length 24 cm ...

Antique Bronze Dog Portrait “La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”   Arthur Waagen (Germany, France 1833-1898) Circa 1860’s 11 x 8 x 4  inches (1 of 2. ...

Édouard Fortiny’s sculpture, "Vagabond", is a deeply emotive bronze piece that portrays a man from the margins of society. Standing at 28 cm, the sculpture captures the essence of a ...

A family of lions having green patination depicting a male lion feeding two cubs; mounted on a naturalistic base - signed and applied entitled plaque "Lion 1st Gibier" Paul Edouard Delabrierre...

Emile Andre Boisseau (French, 1842-1923) "Ense et Aratro" [By Sword or by Plow] Patinated Bronze Sculpture, retailed by Tiffany & Co., late 19th century, the standing warrior holding...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

Jacobo and Maria Angeles. Owl #24. Oaxaca, Mexico. Weight: 1.6 lbs., height: 7 in., length:4 in. width: 3 in. Copal Wood

Hybrid II by Polly Little (2022). Plaster and acrylic paint.

Artist: Anthony Quinn, American (1915 - 2001) Title: Spirit of Zorba Year: 1984 Medium: Bronze Sculpture, signature, date and edition inscribed Edition: 49, AP Size: 16.5 x 9.5 x 8....

This bronze sculpture, from 1996, is a powerful rendering of a horse rearing. It is not uncommon to see stallions rearing; it is a tactic that can be used to dislodge a predator, to...

Ettore Ximenes (Italian, 1855-1926) "The Pilgrims" Patinated Bronze Sculpture, late 19th century, depicting a male pilgrim holding a staff carrying his female companion down a rocky ...

Fine art pigment print 40cm x 50cm Limited Edition of 100 Signed and embossed by the artist

Large catalan Virgin of the Annunciation in polychrome wood. Our Virgin is represented in the phase of the Conturbatio, Mary expresses her amazement a...

Wonderful miniature bronze cast figurative sculpture of a young barefoot shepherd girl holding a staff by R. Hobold (German, 19th c). The girl is dressed in a flowing peasant dress a...

Elephant running with coiled trunk by Roger GODCHAUX (1878-1958) Sculpture in bronze with a very nuanced brown patina Signed on the base "Roger Godchaux" Cast by "Susse Frs Edts Par...

Emma Maiden has exhibited her sculptures throughtout the UK since the mid-1990s, with shows including The Fine Art Society, London; the RWA Bristol; West Wales Arts Centre, Fishguard...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Bronze

Paul Ludwig Kowalczewski (1865 Mieltschin - 1910 Berlin), Field worker with rake, around 1900. Brown and brown-greenish patinated bronze with cast naturalistic plinth mounted on a wh...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 47 1/5 × 31 1/2 in - 100 × 120 × 80 cm The artwork is signed by the Artist , carved with edition number and date und...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate (see photo) Kuhn’s sculptures were collected...

This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...

Upper Italy 2nd half 12th century Maple Original version Height 67 cm

This is a one of a kind original sculpture by San Diego artist, Cheryl Tall. Its dimensions are 6" x 12" x 8". A Certificate of Authenticity will follow t...

MATHURIN MOREAU French, (1822-1912) Signed ‘Math.Moreau’ 36 in. x 14 1/2 in. Notes: Fine Quality Patinated Bronze Group of a Mother and Child

Mathurin Moreau 1822-1912, was a French sculptor in the classic academic style. His father was also a sculptor and his siblings. Mathurin first received a medal at the Salon in 1848,...

The Kiss by Alfred PINA (1887-1966) Bronze group with a brownish dark green patina signed on the base "A. Pina" cast by "A. Valsuani" (foundry stamp) France circa 1927 height 51,5...

Bronze sculpture of a horse carrying lady Godiva Limited Edition of 8

Ann Rothman Female Tightrope Acrobat (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, C...

Sitting Madonna Central Italy/Tuscany or Marche Around 1420 Poplar wood carved Original version Height 31 cm Charming Madonna sculpture from the heyday of the Soft or International...

"Untitled" is a bronze sculpture by Bill Nebeker. Signed on reverse base "Bill Nebeker CA 6/30". The full size is 23 1/2 x 18 1/4 x 8 1/2 inches. Bill Nebeker is an American artist ...

"Lichtenstein's Woman: Sunlight" is a direct reference to the iconic Roy Lichtenstein's 1996 painted and patinated bronze sculpture simply entitled "Sunlight". Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's sculpture. Sandy Kaplan Lichtenstein's Woman: Sunlight ceramic, glaze 17h x 11w x 7d in 43.18h x 27.94w x 17.78d cm SAK013 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...