Figurine Art

Bronze sculpture Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran....

Bronze sculpture Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran....

Bronze sculpture Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran....

Bronze sculpture Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran....

This bronze bust can be commissioned. It will take approximately 3 months to cast. The marble base can be ordered in white or black. Sensuous Woman Maquette is a highly polished bronze casting sealed with automotive clear coat-Glasurit. It never needs to be polished. It is the bust of...

Bronze sculpture, Edition 207 of 500 Giuseppe Palumbo's bronze sculptures are textural, warm, spirited works that capture the essence of each being he portrays. His anthropomorphic ...

A sculpture by Felipe Castaneda. "Mujer Peinandose" is a figurative sculpture, bronze by Mexican contemporary artist Felipe Castaneda. The artwork is signed on the lower back, ""F. C...

The implied movement of this organic abstraction is part of a series of the artist's sculptures titled Dancers. This piece is cast in aluminum and coated with color shifting paint w...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes an...

Hindu Birdcatcher A fine quality, a nineteenth-century bronze cast of the Hindu bird-catcher standing on an elephant skull and holding two birds in the air which are sitting on a bambu stick by Auguste De Wever (Belgian 1836-1910). Old cast probably by the Compagnie des Bronzes foundry signed...

Roofvogel met vis no. 2 Bird of Prey with Fish Bronze Sculpture Animal Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at th...

Vissen Pisces Fish Zodiac Sign Bronze Sculpture Constellation Astrology Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the pr...

Tweeling Gemini Zodiac Bronze Sculpture Contemporary Black Patina Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, w...

Inscribed with Artist's name and edition number. 5/30

Vrouw met Bontjas Woman in Fur Bronze Sculpture Contemporary Green Cigarette The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmos...

Unique terracotta sculpture Hand-signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolatio...

Op zoek naar Europa Looking for Europe Bronze Sculpture Mythology Bull In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculp...

PIERRE-EUGÈNE-EMILE HÉBERT French, (1828-1893) Thetis Patinated Bronze; Thetis, goddess of the sea and the leader of the fifty Nereides, mother of Ach...

DAVID LEVTINTHAL was born in San Francisco and received his MFA in Photography from Yale University. He has had numerous solo and group exhibitions at institutions including the Whit...

African Tribesman is a limited edition bronze sculpture.

Pair of Running Terrier Pup sculptures cast by Gorham Co. Founders in the 1920s. Signed on base; stamped ‘GORHAM CO. FOUNDERS’ stamped and numbered “OFCP” and “OFCB” respectively

Original sculpture etched/signed by the Artist on the bronze base. 1/25

Edition of 50 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her t...

CHARLES CARY RUMSEY, born in Buffalo, NY in 1879. His interest in sculpture appeared and was encouraged at an early age. The most significant encouragement came when the boy was taken by his parents to Paris in 1893. After graduating from Harvard in 1902, Rumsey returned to Paris where he took a studio in the Latin Quarter and enrolled and the Julian and Colarossi Academies. One professor, Emmanuel Fremiet, a specialist in equestrian statuary, devoted special emphasis to the study of the horse, and his training was to have a decisive influence on the young Rumsey. Apart from sculpture, horses were the great passion of his life. He was an excellent horseman and an 8 goal polo player with Meadowbrook Polo Club Long Island NY. Rumsey’s specialties included equestrian sculptures – portraits of polo players and prize horses, as well as of cowboys, cattle and horses as metaphors. He worked principally in bronze and stone, often employing mythology and historical themes articulated in private commissions for freestanding statuary and in public monuments. His 40-foot bas relief panels of Indians, horses and buffalos for the Manhattan Bridge and the heroic subject matter of Rice Stadium commission are examples. The estate of Charles Rumsey...

Midcentury sculpture depicting two hand blown cockatoos perched on a doré bronze tree on a glass base signed Zanetti.

Bronze #54 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life-si...

"Original Work By Josep Campeny y Santamaria" Statue of Josep Campeny y Santamaria who represents a Catalan worker, recognizable by his shovel, his caraco vest and his scarf on his h...

A fine modernist solid wooden sculpture of a nude couple embracing in the manner of Rodin by South African artist Herman Wald (1906-1970). Wald was born...

Tranquility is a limited edition bronze sculpture. Created with the lost wax casting process.

Lion is a limited edition bronze sculpture.

Matt Smith Notes from a Love Song (Cannon), 2022 Black Parian 24 x 17 x 11 cm 9 1/2 x 6 3/4 x 4 1/4 in. Parian is a fine, unglazed porcelain resembling marble. It is an unstable mat...

An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...

Cool, sultry, and uncompromisingly perfect - this portrait of Ken is a wonderful addition to any collection! Whether it makes its home in your offbeat sitting room, or as a centerpiece for a colorful hallway, it is sure to start conversations. Working with collections of vintage barbies, photographer Larry Torno...

Description Xu Ming (B.1983) Rabbit of the Moon No.2 Resin, electroplating 27 x 12x 12 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Antique Italian true pair of lions crafted in terra cotta, decorated, glazed and forever in repose.

Erté is largely credited with creating the look of the Jazz Age. The 'Roaring Twenties' is a phrase used to describe the 1920s, principally in North America, but also in London and P...

Terra cotta horse sculpture or object of art decorated in holiday attire under glaze. Signed made in Italy on the bottom.

David Levinthal is a central figure in American postmodern photography. Since the early 1970’s, he has photographed dolls and toys in settings that explore the fantasies, myths and e...

Unique terracotta sculpture Hand-signed by the artist Nili PINCAS was born in 1942 in Tel Aviv, in Israel. She studied at the Avni Art Institute of Tel Aviv in Israël and at the Eco...

Contemporary animal terracotta sculpture Unique Signed by the artist

Sculpture of a parrot with a strawberry and a toucan with a banana created in wood and decorated with tropical colors. Signed by the noted artist Leroy Ortega on the bottom.

DAVID LEVTINTHAL was born in San Francisco and received his MFA in Photography from Yale University. He has had numerous solo and group exhibitions at institutions including the Whit...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...

Artist: Unknown, Russian Title: Dolphin Medium: Bronze Sculpture with Patina Size: 35 in. x 13 in. x 8 in. (88.9 cm x 33.02 cm x 20.32 cm)

Julian Opie is a contemporary British artist known for his distinctive depictions of figures, portraits, and landscapes. The highly stylized treatment Opie gives his subjects—whereby...

2008, Edition of 12 resin fiberglass painted & varnished 59 1/10 × 63 × 39 2/5 in - 150 × 160 × 100 cm The artwork is signed by the Artist , carved with edition number and date under...

Step into the world of artistic elegance with our exclusive offer on the Muses suite by master sculptor Frederick Hart. Each bronze head, representing Dance, Music, Poetry, and Theat...

Artist Statement: My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigorous discipline...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

Original bronze sculpture by E.C. Wynne. Edition #26/50. Signed on bronze.

Pair of expressive, hand-painted, terracotta dogs with glass eyes from England.

Le Siffleur 85 is an original work of art by the French artist Idan Zareski. "Our feet are our roots, our roots are our heritage. They ground and anchor ...

Kissing couple is a limited edition bronze sculpture. Created with the lost wax casting process.

Edition #4/30 - Original bronze sculpture by Andrea Wilkinson. Signed on bronze sculpture.

Contemporary animal terracotta sculpture Unique Signed by the artist

Artist Statement: My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigorous discipline...