Hand Art

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars. "Big B Signs Up...

"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor Print size 40x40 Inches Artwork finished size 42x42 Inches Limited edition of 20 Artist proof 2 Medium: This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Fabien Mara Stephanie Seymour and Linda Evangelista / Chanel, 1990 Silver gelatin print 40 x 60 cm Edition of 11 Signed, numbered, and dated Fa...

Another Day in Paradise (The Last Picture Show) - 1999, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" Unframed Limited Edition of 150 30" x 40" Unframed Limited Edition of 75 About the Artist Richard Beland is a music photographer based in Toronto, Canada. His extensive body of work, which dates back to 1986 and includes live performance photographs as well as studio portraits, celebrates popular music’s depth and eclectic breadth. From photographs of Coldplay to those of The Tragically Hip...

11 x 14" vintage silver gelatin photograph of Warhol Superstars Sylvia Miles as Hollywood has-been Sally Todd and Joe Dallesandro as hustler Joey Davis in Andy Warhol's "Heat" - Marc...

The Secret of Muhammad Ali by Al Satterwhite is a limited edition black and white photograph of professional boxer Muhammad Ali. Ali is holding an envelope with handwriting reading "...

John Lennon at Abbey Rd Studios London during the recording of Sgt Pepper's Lonely Hearst Club band, 1967. Sitting leaning on the console desk wearing a flower in his left lapel, a s...

Fred Hughes was Andy Warhol's business manager for more than 25 years. During his time with Warhol, Hughes ran The Factory and was also the publisher of Interview Magazine. He was th...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

No Edition Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Vintage gelatin silver print 14 x 11 in. Earlie Hudnall, who is one of the most notable African ...

"Louis Vuitton LVB1" Photography 40" x 40" inch Edition of 4 by Giuliano Bekor Grenades series Title of artwork: Louis Vuitton LVB1 Year: 2023 Print size: 40x40 Inches trim bleed A...

C-Print, signed, titled and edition ‘3/15’ (recto), and certificate of authenticity (verso), 37cm x 56cm (image size), (59cm x 75cm framed). (Provenance: in the collection of the art...

Divine Nude No.6 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It ...

AP from an edition of 50, signed by Terry O'Neill. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries and private coll...

Marilyn Monroe the last setting nude on the bed 2009 double hand signed and dated COA hand signed perfect condition

Through David Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. We recognize our sh...

Ted Williams Billie Holiday 1948 (printed later) Silver gelatin print 40 x 60 inches Estate stamped and numbered edition 25 with certificate of authenticity Billie Holiday on-stage...

Black and white candid capture by celebrity photogarpher Larry Barbier Jr. of actor Harrison Ford relaxing at home with his dog, circa 1967. Harrison Ford s an American actor. Regar...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

This is a series of black and white nude photographs that began with analog photography between 1992 and 2005, followed by a transition period to digital photography. Erkaya is curre...

Marilyn Monroe’s status as an enduring figure of glamour made her one of the most famous figures in American history. Of all the images shot of the incomparable movie star, the most iconic were those taken by famed photographer, director and author, Lawrence Schiller. This example is among the best and most famous of his Marilyn tribues, capturing a topless Monroe filming a pool scene...

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...

Vintage black and white photograph realized in 1970s. Copyright by Giornalfoto. Very good condition.

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Jeff Robb Portal 15 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please ...

This is a series of black and white Nude abstract contemporary art photography (13 in series). We present this series of the human form - that which has inspired artists from time im...

A photograph by Andy Warhol. "Truman Capote" is a Polaroid by American pop artist Andy Warhol. The artwork is numbered FA05.01327 and AWL231. Andy Warhol...

"Inside" Black & White Photography Ed. of 18 36 x 36 in by Yevgeniy Repiashenko Inside Photography Edition of 18 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 2016 ...

Leonard Freed's stamped vintage (verso), 14" x 11," gelatin silver signed and hand-printed by Freed, Kate Standing, is from the Kate series, 2002. A photographer herself, model Kate ...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Untitled, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All prices a...

Albert WATSON (*1942, Scotland) Helena Christensen, New Orleans, 1991 1991 Silver gelatin print Image 61 x 51 cm (24 x 20 1/8 in.) Edition of 10, plus 2 AP Print Only Albert Watson...

A photograph by Andy Warhol. "Giorgio Armani" is a Polaroid, Polacolor by American pop artist Andy Warhol. The artwork is numbered FA05.01847 and AWL024. Andy Warhol — who famously s...

Albert WATSON (*1942, Scotland) Sade 'Love Deluxe', 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Al...

New York City Ballet dancers John Clifford and Brian Pitts, photographed for 'After Dark' magazine, 1970. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Signed b...

Mikael Siirilä Helsinki, Finland, 2020 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

Untitled, 2024 by Ricky Cohete From The Leather ands Skin Series Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 Unframed The artist explores the intersection b...

This striking black-and-white photograph captures Carmen in NY enveloped in a flowing, white gown, creating a graceful, sculptural form. Her head is elegantly tilted to the side, fra...

Photographer Fernando Natalici James White, aka James Chance shot at The Mudd Club, NY 1979, the epicenter of the 70s New York downtown art scene. James Wh...

Mikael Siirilä Helsinki, Finland, 2020 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil on sheet verso. Size 15 x 22 cm...

Open edition Signed and dated in pencil on print margin by George Krause Gelatin silver print, 14 1/2 x 19 in. Printed 1997 George Krause is an American photographer, born in Philad...

Karen Shahverdyan „Under Cover III“, 110 X 80cm, oil on canvas,

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

As a New York based photographer, Spencer Nichols negotiates the balance between traditional and contemporary ideals. Born in Denver, Colorado (1998), and then raised in San Diego, C...

In his new photographic art series, Erkaya revolts against individual and social de-sensitization. In order to address the memory and to increase awareness, he uses “gas” against eve...

New York City, 1953 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availabl...

Ed. of 25, includes black frame with white mat. Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of compo...

Blue Jeans 2017 - 2018 Archival Pigment print 36 x 24 in. Ed of 10 Unframed Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic ...

Jeff Robb Aria iii, 2018 Lenticular Photograph 26" x 20" Editions 1/15 $6,500 *Additional sizes available Provenance: From the artist's studio Additional Information: Available in...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ice cream pirelli calendar girls sex sexy erotic erotica nudes boobs...

Writer and performer Lily Tomlin made her name in the NBC comedy show Rowan and Martin’s Laugh-In as Ernestine, the telephone operator with an answer for e...

Autumn Days - 2020 60 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji Instant Film Negativ...

Screen print in colors on Saunders Waterford hi-white paper. Hand signed, dated and numbered by the artist. Edition 33/100 (there was also 20 APs and 5 PPs). Published by KAWSONE, B...

"Light Slide" Nude Photography Edition of 15 47x32in by Yevgeniy Repiashenko "Light Slide" by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 15 Picture size: Height: 47" inch Width: 32" inch * * * NOT framed - ships in a tube * * * This is an archival pigment print on photo paper with 1" float border (not included in listed image dimensions). Prints are signed and numbered by the artist on verso and come with a certificate of authenticity. ABOUT THE ARTIST Yevgeniy Repiashenko is a well-versed photographer working in such genres as dynamic dance and sculpture, portrait, and fashion...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Divine Nude No.26 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in only one dimen...

'The price of Love' 2020, Edition 1/7 plus 2 Artist Proof. Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Ar...