Hand Art

John Chamberlain at Kim Esteve’s bar, Sao Paulo, Brazil, October 1994 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 9 Certifica...

Bert stern Marilyn Monroe Blue classic Roses Mythical photo of the last seance (1962) Ink jet print by bert stern 2012 signed on both sides certificate signed by the artist in his l...

French actress and blonde bombshell Brigitte Bardot sits outside a luxury residence as she smiles at someone off-camera. Her trademark pale pink lipstick and contrasting dark kohl-...

Screen print in colors on Saunders Waterford hi-white paper. Hand signed, dated and numbered by the artist. Edition 33/100 (there was also 20 APs and 5 PPs). Published by KAWSONE, B...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #4, 2007 Chromogenic print Image 102.5 x 152.5 cm (40 1/2 x 60 in.) Sheet 114.8 x 164.4 cm (45 1/4 x 64 3/4 in.) Edition of 6, plus 2 ...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Bert stern Marilyn stretching beads No 21/72 Mythical photo of the last seance (1962) Ink jet print by bert stern 2010 signed on both sides certificate signed by the artist in his...

Teardrop I Sculpture Resin Human Male Nude Small Art Contemporary Classic Victor Veber is a French sculptor born in 1994 in Lyon. Classically trained and deeply inspired by both the...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography. As a photographer, Trenity uses his camera to capture the life and composition of still life around him. His photographs have a warmth to them that pulls the viewer into the scene as if they were present - a feature that has become characteristic of his photographic style. Trenity Thomas has been in various juried exhibitions, most recently, JONATHAN FERRARA GALLERY's 24th Annual NO DEAD ARTISTS International Juried Exhibition of Contemporary Art and the Louisiana Contemporary juried exhibition presented by The Helis Foundation at the Ogden Museum of Southern Art in New Orleans, Louisiana. His photographs have also received international attention when they were chosen for exhibition in photovogue, a prestigious collection of photographs curated by the Photo Editors of Vogue Italia. The artist says of his work... In this series of work, I am taking a step out of reality to create visual stories through photography. Consistently pulling ideas from my imagination and things that are in front of me allows me to create my own world...

“Unbreakable” is a tribute to the strength of the human spirit and the quiet courage of independence. The artwork portrays a man with a disability who earns his living through his ow...

"Salute" is a salute to the Black Power Salute used as a political demonstration by African-American athletes John Carlos and Tommie Smith during their med...

"Sisters (Circus)" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the art...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

Allan Tannenbaum "John Lennon with Yoko, NYC 1980" Silver Galtein Print Paper size: 13 7/8 x 10 3/4 Inches Image Size: 11 1/4 x 7 1/2 Edition Number: From the first edition of 200 Editions: First edition of 200 (C-print Colors, Silver gelatin print - Black & white) 1988 Second edition of 200 - Ink Jet Print (Giclee) - 2000 Third edition of 50 - C-Print & Silver gelatin print - 2007 - 2008 Signed, Numbered, Titled & dated in ink by the artist Condition: In Excellent Condition Provenance: All of our Allan Tannenbaum prints come from The Williams Gallery (via Williamam Back) which was the exclusive representative of Allan Tannenbaum from 1980 to 2006 About the John Lennon collection: In November 1980...

Original Abel Alejandre print 1 of 40.

16 x 10.5 inches - Edition 1 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

This piece is an original photograph from the original negative taken by Laszlo Willinger circa 1940 and printed in 1989. It depicts the iconic actress Katharine Hepburn during the p...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Image size: 17.5 x 11.5 in. Paper size: 20 x 16 in. AVAILABLE SIZES: 14 x 11 in., A/P 24 x 20 in., Ed...

11 x 14" vintage silver gelatin photograph of John Lennon and Yoko Ono photographed November 2, 1980, the last comprehensive photo session of...

Archival pigment print (Edition of 10 + 2 APs) Signed, titled, dated, and numbered, verso 17 x 22 inches, sheet size 12 x 18 inches, image size From the series "A Tale of Two Citie...

medium: sublimated prints on aluminum 2 panels; 56 x 43 inches each Edition of 3 Since he was a teenager, Neil Alexander has experienced the world through the lens of his camera...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Screen print in colors on Saunders Waterford hi-white paper. Hand signed, dated and numbered by the artist. Edition 51/100 (there was also 20 APs and 5 PPs). Published by KAWSONE, B...

No.119 captures a phantom ascent in the desert, blending surrealism with the raw textures of nature. Created using double exposure on 4x5 large format film, this haunting black-and-w...

"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor Print size 40x40 Inches Artwork finished size 42x42 Inches Limited edition of 20 Artist proof 2 Signed and numbered by the artist. Comes with COA issues by the artist. Medium: This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Edition of 7 Portrait of a young boy. Surma ethnic group, Ethiopia This artwork is offered by IMMAGIS · ART PHOTOGRAPHY, one of the leading galleries for contemporary Fine Art Phot...

Ornette Coleman, Harmolodic Recording Studio, NYC is a black and white portrait of the American jazz saxophonist, trumpeter, violinist and composer. Ornette poses with his hands held...

Vintage offset lithograph postcard published by Nouvelles Images SA Editeurs. Printed in France. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profi...

American singer and actor Frank Sinatra (1915 - 1998) gestures with his hands while singing into a microphone during a recording session in a studio at Capitol Records, early 1950s. ...

8 x 10" vintage silver gelatin photograph of Film noir actress Veronica Lake at a cocktail party at Jack Mitchell's Manhattan apartment, with Andy Warhol, Candy Darling and Paul Morr...

Belief This painting, Belief, distills Bruno Surdo’s larger concerns into a single, commanding image. The seated elder figure, cropped so that the face is only partially visible, bec...

Edition of 25 Signed, titled, dated, numbered, print date and copyright by Al Satterwhite Archival pigment print Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 ...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of British singer and s...

But I Love You (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certific...

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Listing is for UNFRAMED print. Inquire within for framing. Edition 4 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

David Bowie - Limited Edition Mick Rock Estate Print David Bowie backstage, 1973 (photo Mick Rock). All prints are numbered by the Estate. Edition size varies according to print s...

This publicity photo of Oprah Winfrey and famed choreographer Michael Peters was for a fantasy sequence with two of the stars from the hit musical "Dreamgirls". Oprah had been heard saying this was the best thing since 64 Crayola Crayons and that she cried tears of joy upon hearing the news that this would become a reality. She became a "Dreamgirl" for the day but the metaphor of her "dream" life is what is so intriguing about this photograph. This piece is matted and framed in a simple black frame measuring 16.25h x 20.25w inches. Richard Shay Oprah Rehearses Dream Girls with Michael Peters, 1984 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY003 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

JOHN Yuyi (*1991, Taiwan) Tinder Match 2, 2016 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 2/6 John Yuyi (*1991, ...

Cuba Gooding Jr. and Tom Cruise at Annabel's, London, 7 February 2015 They'd both been shown the money. Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Pr...

Ai Weiwei in his studio, Beijing, 12 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed and ...

11 x 14" vintage silver gelatin photograph of Conductor, Pianist & Composer Michael Tilson Thomas, and his partner/manager (now husband) Joshua Mark R...

Edition of 5 Portrait of the young Supermodel Eva Herzigova with her Java Phython. Fashion and fine art embrace each other in the photography of Jacque...

8 x 10" vintage silver gelatin photograph of dancers Lar Lubovitch, Jeanne Solan, Sally Trammell & Ernest Pagnano performing at New York's Public Theate...

This artwork masterfully depicts a solitary figure with meticulous attention to detail. The subject is positioned in a semi-crouched stance, with hands thoughtfully covering the face...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

This exquisite heliogravure after Man Ray (1890–1976), titled Joan Miro, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, M...

Tête de Cochon, Les Halles at Rungis, France, June 1984 This photograph was made in conjunction with a portfolio project about the massive displacement of th...

Princess Bianca, 1985 - Portrait of Royal Princess Wearing Pink Jumpsuit in Snow by Slim Aarons 16" x 20" Digital C-Type Print. Limited Edition Estate Stamped Print. Edition of 150....

'Atame', 2017, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-178 Kirsten Thys v...

Miles Davis by the highly acclaimed photographer, Don Hunstein taken in New York City 1969 When photographer Don Hunstein shot this portrait of Miles outside Davis's home on West 77...

Previously unpublished shot of Miles Davis working on an art piece at his New York home in 1969, by Don Hunstein. Available for the first time as a fine art print. Estate stamped li...

David Bowie - Limited Edition Mick Rock Estate Print David Bowie in purple suit, backstage, 1973 (photo Mick Rock). All prints are numbered by the Estat...

Original mixed media sculpture by Melissa Meier

8 x 10" vintage silver gelatin photograph of superstars Joe Dallesandro and Sylvia Miles in Andy Warhol's 'Heat', 1971 This is a print that was published ...

Chris Smith (b.1937) Everlast silver gelatin fibre based print 30 x 20 in. / 48 x 34.5 in. / 66 x 46 in. signed and numbered printed later This work is available in the following si...