Hand Art

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 24×36 inches/61×91 cm Art-ID: TAL_9551 Aaron Knight is an American visual...

Black-and-white Portrait of Topmodel Gisele Bündchen with luxurious jewelry and cigarette, photographed by Michel Comte in Cannes for Vogue Italia 1999. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. In 1999, Star Photographer Michel Comte created a series of images capturing intimate moments with a young Gisele Bündchen in Cannes, France, for a Jewelry Campaign published in Vogue Italia. The highly praised artworks are now part of fashion and fine art history and are sought-after worldwide. This black-and-white portrait shows the supermodel with wet hair and smeared makeup as if she had just come back from a swim in the ocean. Her head is tilted back slightly, and the look she is shooting the camera is somewhat condescending yet challenging. With one hand, she is brushing her messy hair out of her face, showing off the cigarette she is holding to the viewer. The grungy and rebellious image is juxtaposed by the lavish jewelry the Model is wearing: Big chandelier earrings...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Summer 85 ' Young topless woman sunbath...

'When I Was A Virgin' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. by Sergey Melnitchenko Project works 2013-2018 About Sergey Melnitchenko : SERGEY MELNITCHENKO Born in 1991 in Mykolayiv, Ukraine. Member of UPHA – Ukrainian Photographic Alternative. Started photography in 2009 and for less than 10 years participated in more than 70 solo and group exhibitions around the world. Winner of Ukrainian and International competitions, including the “Photographer of the year” 2012, 2013 and 2016 (Kiev, Ukraine), “Golden Camera 2012” (Kyiv, Ukraine), one of 10 finalists of the Showoff section within the month of photography in Krakow 2013, shortlist of “Pinchuk Art Center Prize 2015”. “Leica Oskar Barnack...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Framed: No Condition: C: Several Signs of use and handling, some visibl...

Nude Portrait - Silver Gelatin Fibre Print - Oversized (Photo by Boyan Dimitrov/Alamy) A woman poses for a nude studio portrait. Additional Information: Unframed Paper Size: 3...

This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Heather' Naked woman with shiny skin swa...

In this series the artist documents how in the roar of the hills, these two bodies intertwine and connect with each other, forming mountains of desire. The harsh lights and shadows ...

Divine Nude No.9 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in 2 dimensions: *...

Head over Heels 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL201...

11 x 14" vintage silver gelatin photograph of Warhol Superstars Candy Darling and Dorian Gray (nude) for 'After Dark' magazine, 1971 Signed by Jack Mitchell on the print verso. Comes...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 36×24 inches/91×61 cm Art-ID: USA06_13121 Aaron Knight is an American v...

"Avant" Black & White Art Print 36" x 24" in Ed. of 25 by Yevgeniy Repiashenko Year photo was taken: 2020 Art Print Limited Edition of 25 Picture size: Height: 36" inch Width:...

Original vintage 1949 photograph by DON WHITMAN - Western Photography Guild - of popular celebrity Physique Model ED FURY. This is an early original gelatin silver print from the for...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A signed Certificate of Authority will be included with all photographs. A nude boy...

Mint Condition Dry Mounted to Mat Signed on Recto and Titled on Verso

Stretch - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1982. Unframed From the same photoshoot, the so-called 'Zip' print by...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Summer 85 ' Young topless woman sunbath...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Portrait of nude actress Brigitte Nielsen in front of a wall. From personality p...

Katia - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1989. The negative was scanned creating a digital file which was then pri...

Milan / New York: Electa Editrice / Rizzoli International Publications, 1982. A portfolio of twelve heliogravure plates with tissue guard-leaves, housed in portfolio and slipcover....

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A very sexy and beautiful naked woman is sitting on chair and smokes a cigarette in very ...

Two nude males lie on a bare wood floor. The angle of the photograph suggests that their bodies have melded into one. The artist uses traditional photography methods shooting the i...

Kate #10, 2002 by Leonard Freed is an 8" x 10" hand printed black and white photograph from his nude series. Signed by the photographer the gelatin silver print is stamped "vintage" ...

Slim Aarons Catherine Wilke, 1980, Printed Later C print Estate stamped and numbered edition of 150 with Certificate of authenticity Catherine Wilke joins the topless sunbathers a...

Edition 25 A nude male model is standing in in the shade of a blind. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has dev...

Vignette of a dancer creating shapes and folds in the sunlight. Rocket's favorite lighting source. The harsh lights and shadows in the warm Florida weather led Ricky Rocket to explo...

Edition of 3 More sizes on request. A naked model with a cat mask is lies on a bed and is holding a cigarette. Tyler Shields is an American Photographer, screenwriter, director and...

"Melanie" Nude Black & White Photography 42" x 30" in Ed. 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin f...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then prin...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

Sexy Scot from the Getty Archive The original James Bond, Scottish actor Sean Connery, lounges on a chintzy sofa with a cigarette as he converses with someone off camera. This por...

"Embrase" Black & White Photography 24" x 24" in Edition 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by t...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Freddie Mercury of Queen riding on the shoulders of Darth Vader taken by photographer Tom Callins. This famous shot has never been available before and is exclusive to our collecti...

Oracles provide wise, insightful counsel and were thought to be portals through which the gods spoke directly to people. In Bruno Surdo's "The Oracle", the central female character ...

"Untitled (Nr. 0732)" Nude Photography 18" x 24" Edition 2/20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid ...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

16 x 20" vintage silver gelatin photograph, multiple exposure female nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Ar...

Still Life - 2018 Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2018-427. K...

"Featherstep III" Nude Photography 20" x 16" inch Edition 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist....

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Katia - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1989. The negative was scanned creating a digital file which was then pri...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell's artist’s statement on this project: For five decades in New York City I photographed established and emerging creative and performing artists for major publications. The Numbered Nudes photographs are a development, and expansion, of my dance photography...

This exquisite lithograph by Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A young man looks out of his window with plant. This impression is printed on Ha...

11 x 14" vintage silver gelatin photograph of Adult film star Cal Culver (AKA Casey Donovan) photographed in 1972 for 'After Dark' magazine. Signed by Ja...

Hand signed by the artist on the back and certificate Format 40X50 cm inkjet print on baryta cardboard paper / 2021 Edition numbered /30 ex 1980 euros

All that glitters ain't gold, 2017, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL201...

The Organization of Solidarity of the Peoples of Asia, Africa and Latin America (OSPAAAL) created by Fidel Castro, organizes international conferences. This beautiful poster was mad...

16 x 20" vintage silver gelatin photograph, multiple exposure female nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Ar...

BRUCE OF LOS ANGELES - classic mid 1950s gelatin silver photograph of popular physique model ROBERT KENDALL by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Los Angeles. This is an original photograph from the beefcake "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Ed. of 5, includes signed signature label. Additional sizes available upon request. Celebrating the beautiful unpredictability of both the natural landscape and of the human body, ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sofa ‘ Nude and masked model on a lea...

Nude Figure with Breast & Hand, Platinum Palladium Print on Wove by Contemporary British Artist, Malcolm Pasley (Born 1956) Art measures 14 x 11 in...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Through her artistic, social and curatorial projects, Spirit also takes on technology and social media censors, who assume that the unclothed body of a human, especially of those who identify as female, is pornography that must be controlled. Her artwork asserts that a woman is her own muse. Archival pigment print on Hahnemühle Photo Rag. Press FORBES: Savannah Spirit Wants to Trigger Your Trump VICE: Erotic Art Fights Trump with Scenes of Female Pleasure BULLETT: The Art Show Fighting Fascism with Erotica HUFFINGTON POST: Artists Are Resisting Trump's Misogyny with Erotic Art DAZED: The Erotic Show Taking on Donald Trump Archival pigment print on Hahnemühle Photo Rag. Published: City Journal Huffington Post The Color Theory Expert Snap The Nation Global Yodel THE magazine Live Mag! The Villager Ravelin D/Railed Magazine Open Letr Style: This photograph combines a feminist eye and modern feminism with classic vintage pinup...