Hat Art

Rare, signed artist proof print of David Bowie and Elizabeth Taylor by Terry O'Neill David Bowie and actress Elizabeth Taylor meet for the first time at George Cukor’s house in Beve...

Lithograph on papier vélin, realized in 1839. Signed and dated in the plate. Image dimension: 16x33 cm. Printed by Gihaut Frères, Paris. Good overall; moderate scattered foxing (...

The Bride And Groom Cats On the Roof is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publishe...

Oil on canvas, signed and dated '1879' bottom right Image size: 38 x 59 1/2 inches (96.5 x 151 cm) Ornate Orientalist style gilt frame Carl Werner Carl Friedrich Heinrich Werner wa...

Adriana Verelst Portrait of Lady Lempster 1683-1769 Oil on canvas, unsigned Image size: 49 ½ x 40 ⅓ inches Contemporary-style gilt frame The sitter is identified as Lady Sophia Osborne, Baroness Lempster (Leominster) (1661 - 1746), the daughter of Thomas Osborne, First Duke of Leeds, and Lady Bridget Bertie. Her first marriage was to Donogh O’Brien, Lord Ibracken in 1679, who passed away in 1682. She then married William Fermor, First Baron Leominster, in 1691, gaining her the title Baroness Leominster. She and William had five children, including Thomas Fermor, First Earl of Pomfret. The portrait is dated 1685, indicating that this identification was added after the creation of the portrait. During the early 18th century a highly romanticised view of country life reached its peak. Many members of the nobility, particularly women, chose to have their portraits painted in shepherdess costume, a break from the conventional norms of formal portraiture. This style developed from 17th century Roman pastoral landscapes by artists like Claude Lorrain and Dutch three-quarter length portraits of shepherds and shepherdesses. These works aimed to evoke themes of Arcadia, poetic escape and landed virtue, with their subjects depicted wearing fashionable and expensive clothing, inconsistent with actual farm work. A knowledge of Latin and Greek pastoral poetry signified education and refinement, desirable qualities for a woman to possess. Life in the country was perceived as peaceful, contemplative and free of hardships, and to be painted in this pastoral style was to create a tangible expression of power and wealth, creating tension between the aristocratic fantasy and the reality of rural life. Lady Lempster has opted for such a depiction. She is shown seated, wearing a white silk gown, head tilted slightly to one side and with a shepherd’s crook and wicker hat adorned with flowers in her lap. She sits on a bench, in front of a large tree, an expansive view visible on the right behind her. So ingrained was this style that the crook and hat alone would be enough to suggest Arcadia to the viewer. There is an interesting contrast between the female sitter and the woman artist who painted her. The shepherdess costume was used predominantly in portraits of women sitters, with the aim of expressing virtues such as purity and appropriate education rather than a distinct, individual personality. Portraits of men however, depicted sitters in settings, costume and surrounded by objects that signified their profession and accomplishments. Adriana Verelst was a woman with a career of her own, able to support herself and defying expectations of the time, the conformity of Lady Lempster’s portrait emphasising Verelst’s own unconformity. Adriana Verelst Adriana Verelst (c. 1683–1769) was an English portrait artist, and daughter of the portrait painter Herman Verelst. Her exact date and place of birth are unknown, though her parents were from Vienna. Verelst is a prime example of how women artists were often misrepresented or even erased from the cannon of art history. There have been questions surrounding her biography with the view that her sister, Maria Verelst and fellow portrait artist, did not exist and could be Adriana Verelst herself. Contemporary evidence of Adriana’s birth, marriage, career and death exist, however, she has not been included in later art histories. In contrast, there is no contemporary documentary evidence for the existence of Maria Verelst, though she is named in later publications. The name Maria Verelst first appeared in Matthew Bryan’s Dictionary of 1816 and it has been argued that his use of the name was a misinterpretation of ‘M’ being an abbreviation for Maria rather than ‘Mademoiselle’. The date of birth and location in Antwerp was given by J.B. Descamps in 1753, though there is no archival evidence of a birth or baptism for Maria in Antwerp at this time. In 1762, Horace Walpole made the link between Maria and Herman Verelst, an Anglo-Dutch painter, as the father of the artist. As Herman had fled from the siege of Vienna in 1683, biographers resonated that with a birth date of 1680, Maria must have been born in Vienna. Biographers also stated that Maria was trained by her uncle, Simon Verelst, a renown painter of flowers and still lifes. The first reference to 1744 as the date of Maria’s death was in 1859 in Mrs. Ellet’s Women Artists in all Ages and Countries, though no source is given for this date. It has been argued that Maria Verelst is in fact Adriana, claiming that earlier biographies used ‘M. Verelst’ as Mademoiselle in reference to Mademoiselle Adriana Verelst. If these were in fact two separate women, they would have been sisters. Maira’s grandfather, Pieter Hermansz Verelst...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Portrait of a man wearing a bowler hat by Ca...

Oil on canvas Canvas size: 14 x 18 inches Framed size: 19.5 x 23.5 inches Signed lower left

Malika is a bright and provocative painting that narrates the story of an extraordinary female character who thrives in the spotlight. With her undeniable talent and charisma, she c...

woman in straw hat with eyes closed

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, Image size: 11 x 16 1/2 in. Paper size: 16 x 20 in. Jesse Alexander was considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander was involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One...

Del Monte Roundup Savin' Stampede Bronco is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

This painting by Thomas Percy Earl, titled Precipitation, captures the renowned racehorse Precipitation, a celebrated champion in the world of equestrian sports. Known for his skill ...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 19 x 15 x 19 Medium: Bronze Sculpture "The Guardian" Western John Bennett (Born 1952) John Bennett was designated Te...

A wonderful three quarter portrait of a boy in a straw hat peeling a piece of fruit, probably an orange, by Italian artist Eugene Von Blaas (1843-1942). Von Blaas was born to Austria...

Portrait is an original Pencil drawing on paper, realized by an anonymous artist in the Mid-20th Century. With another drawing on the rear. Good conditions.

Signed by Artist in Lower Right The Saturday Evening Post, April 14, 1928, cover illustration Literature: Arthur Leighton Guptill, Norman Rockwell, Illustrator, New York, 1970, p....

© Michael Putland Bob Marley Bob Marley at the Island Records office, London, July 1975. Bob Marley was a legendary Jamaican singer, songwriter, and global icon known for populari...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

Dimensions with frame: 45,5 x 55,5 x 8 cm Signed "E. Briante" in the lower right corner. This vibrant coastal painting depicts fishermen at work in a sunlit harbor with the iconic Faraglioni rock formations rising dramatically from the sea in the distance. Several boats cluster along a stone quay in the foreground, where figures prepare nets and equipment, capturing a lively moment of maritime life along the Italian coast. Executed in oil with confident, impressionistic brushwork, the artist conveys the brilliance of Mediterranean light through shimmering turquoise water and warm reflections dancing across the painted hulls. The composition balances intimate foreground activity with an expansive seascape, leading the eye toward the monumental limestone stacks that define the horizon. Additional vessels glide across the calm bay, reinforcing the sense of a working harbor while adding depth and movement. The distinctive silhouettes of the Faraglioni anchor the scene geographically and visually, providing a dramatic backdrop to the everyday labor of the fishermen. The painting reflects the enduring tradition of Italian marine...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...

On offer is a timeless expression of social realism, in the style of the late American artist Ben Shahn. You sense the couple has shared a lifetime. Still standing close together, th...

Artist: Mr. Brainwash Title: Playing Cowboy Medium: Screenprint in colors on archival paper Date: 2020 Edition: 26/85 Sheet Size: 44 3/8" x 32 1/2" Image Size: 40" x 28" Signature: H...

One of the photographers at Mauritius Publishing based in Berlin was Nolte. His work is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of industry and products from this time. The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Blick auf die Vordersitze und das Armaturenbrett des Volkswagen Käfer, oder KdF Wagen, im Modell mit Faltdach, Deutschland 1930er Jahre. View to the front seats and the car dashboard...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Loved": Sometimes there is a transformation and it feels so painful. It's the process of losing som...

Vintage b/w photo of President John Fitzgerald Kennedy and his wife Jacqueline Bouvier, realized in the mid-1950s. Hand signed by Kennedy, and dedicat...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Issey Miyake from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on...

This evocative painting, exemplifies the artist’s mastery of genre scenes and his sensitivity to the rhythms of everyday life. Executed with fluid and assured brushwork, the piece ca...

All Fine Art Photographs are limited edition, signed and numbered. Lifetime Edition Gelatin Silver Print 34" x 24" Edition of 50 + 10 Artist Proofs Your certificate of authenticity...

Linda Stein, Profile Solid 383.050 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.050 is from Linda Stein's Profiles series--drawings, col...

High Roller by Arthur Steel ALEXANDRA PALACE 1966. Mr Arthur Bird tries to get a return on his investment at the Casino. All prints are hand signed lim...

Josiah Bolth says of his work... My work gestates in the space between the dreamworld and our experience of history, memory, and propaganda narratives. From this soil new symbols ar...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

General of the Emperor’s Guards is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "General des garde...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

A delightful mid-19th century portrait of a fashionable Victorian lady, dressed in a delicate lace bonnet and a fur stole. A ruby brooch fastens her collar, adding a subtle touch of ...

The Throw (B&W) 2018 ARCHIVAL PIGMENT PRINT Unframed Sizes: 30 x 45 in (76.2 x 114.3 cm) - Edition of 10 + 2 AP (Artist Proofs) 13 x 20 in (33.02 x 50.8 cm) - Edition of 8 + 2 AP (A...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil on Canvas Signed 1967 "Dry Camp" Mr. G...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (02158) 23...

signed and number in pencil on verso

Magnificent work by Pietro Gabrini, very striking due to its size and luminosity. Signed and dates P. Gabrini 78. Very good condition. All of our works are covered by our own guaran...

Mid century portrait of a girl in bonnet by listed artist Helen Mae Enoch Gleiforst (American,1903-1997), circa 1950. Unframed. Signed "Gleiforst" lower left corner. Image size: 20"H...

Date: 1944 Medium: Oil and Graphite on Paperboard Sight Size 14.00" x 11.00", Framed 22.00" x 19.00" Study for cover of The Saturday Evening Post, May 27, 1944 Norman Rockwell disc...

This is an Robert Stephen Simon original oil painting on canvas “Joe DiMaggio”. In good condition some crackling due to age. Measures 24x18

Digital C-print Signed and dated on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampArt, ...

'Montgomery Clift' Oversize Limited Edition silver gelatin print A gorgeously insightful portrait of the first rebel of Hollywood and greatly respe...

At the top of the composition, Marco presents a powerful image of a nun cradling a child, an emotional and compassionate symbol of the event’s purpose. Below, the tension of the bull...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Marlboro (B&W) 2023 ARCHIVAL PIGMENT PRINT Unframed Sizes: 40 x 60 in (101.6 x 152.4 cm) - Edition of 15 + 2 AP (Artist Proofs) SILVER GELATIN PRINT Unframed Size: 11.3 x 17 in (28...

This is a unique screenprint over structured paper collage by the artist Andy Warhol. It was realised in 1986 and is part of a series of unique collages created in preparation for an...

"In the beginning, there was the absence of the universe itself. Chaos reigned, woven from confusing threads of discord. In the continuous and undefined darkness—which was not night—...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper Dramatic street scene with a man wearing a trench coat and hat by Robert J We...

Oil on canvas Signed and dated, l.l. This painting is offered by ClampArt, located in New York City. Price includes framing. About the artist: Artist and Composer Mark Kostabi was b...

This stunning oil painting depicts a man in vintage clothing standing somewhat perplexed in front of the strange sight of a giant broken egg shell with it's yolk content leaked on th...

Signed, titled, and dated on verso. A leading Peruvian artist, Ernesto Gutierrez, was born in Lima, Peru, in 1941. His father was a Spaniard and his mother a descendant of the Incas...

Legout Gérard was born in Saint-Lo Normandy, France on the 24th October 1856 and died in Paris on the 14th August 1924. He began his career as a banker, but around 1890 he discovered Concarneau and moved there in 1903 and in the same year became a full time professional artist. He was a member of ‘Le groupe de Concarneau’, a loosely joined network of like-minded friends and painters, most notably Henri Alphonse Barnoin...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Queen Elizabeth II is a is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments...