Hat Art

About the artist: Born and raised in Townsend, Massachusetts, Patrick has been drawing and sketching as far back as he can remember. Although always interested in art, it wasn't u...

Quality work attributed to the painter Peter Van Der Velde (Antwerp 1634 - c.1714)  Coastal view with fortified city and boats (city of Antwerp?) Oil pa...

American fashion editor Florence 'Flo' Pritchett Smith (left) and American fashion designer Lilly Pulitzer at a poolside luncheon, Palm Beach, Florida, 1961. Slim Aarons Lilly Puli...

Antique impressionist painting of Castillo De Los Tres Reyes Del Morro in Cuba. Oil on canvas, circa 1908. Signed. Displayed in a period giltwood frame. Image, 18"L x 12"H, overa...

Bijin-ga series XXIX (Nº 29) Title: Bijin Ôkubi Upper torso portrait of a Japanese beauty, depicted with a graceful hand gesture and an ornate headdress. Her soft round features contrast with the colourful sharp angles of the collars of her kimono. Her elongated oval face, straight nose and red butterfly lips are typical of the prototype of a beautiful woman, Bijin-ga. Her upper torso and face occupying the central section of the picture show a composition type that became known in time as Large-head pictures, or Okubi-e; compositions with which Utamaro became a model for generations of woodblock artists. This image is part of the Bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

A still life of a Ushanka, a Russian winter hat, fur trimmed with ear flaps. Personett's textured fur and wood table invites the viewers to feel as if they are in the painting. The frayed edges of the strings of the hat suggests this is a well-worn garment, loved for many years. Groupings of snowberries rest beside the hat, a delicate symbol of purity and resilience. Signed "Personett" lower right corner. Framed in a traditional black frame w gold trim. Framed dimensions: 17 x 15 inches Frame has some notable scuffs - but the painting is in excellent condition. Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters like Edward Munch...

Edition 4/200 Signed, dated and numbered in black ink on print margin by Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1931. He began photographing in 19...

Joan Miró, Untitled, from Les pénalités de l’enfer ou les nouvelles Hébrides, 1974 Vibrant, playful, and unmistakably poetic, this striking lithograph by Joan Miró exemplifies the a...

This mid-19th-century portrait depicts a seated lady rendered in the sober elegance characteristic of Victorian portraiture. She wears a black dress, modestly cut with long sleeves a...

A finely detailed 19th century American School landscape depicting a couple riding in a carriage with horses & driver, stopping to enjoy the view of the American Falls of Niagara...

William Blake’s oil painting asks us to perceive the powerful layers of history that shape both art and memory. In Blake’s painting is a man, but what Blake painted is an idea. Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. Artist, William Blake channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake Salud Johnny, 2023 oil on linen 76h x 36w in 193.04h x 91.44w cm WIL049 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

The Carlton Hotel A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. 30x30 inches / 76 x 76 cm paper size Estate Stamped Collection Ed...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

"John Wayne" original etching by Al Hirschfeld. Caricature portrait of John Wayne in "She Wore A Yellow Ribbon." Hand pulled from an edition of 200 plus 15 artist's proofs in 1982. H...

A contemporary cowboy is rendered with the gravity of a classical male nude. Surdo treats the body with the care of an Old Master while layering in the mythology of American masculin...

This beautiful one of a kind ceramic hand made NY Yankees cap is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconi...

This beautiful one of a kind ceramic hand made NY Yankees cap is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconi...

Siamese is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Siamese". The work is part of Suite Moeu...

Fox Hunting Scene, 19th Century John Frederick II HERRING (1815-1907) Large 19th Century English Fox hunting scene, oil on canvas by John Frederick Herring Junior. Excellent quali...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Malais is a  hand colored lithograph realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes d...

Beautiful vintage hand-painted oil over photographic image portrait. ca. 1950, measuring 16 x 20 inches, 17 x 21 inches framed. Studio hand-painted images over black and white pho...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Artwork sheet size 43.33 x 28.5 in. Framed. From...

Troisemmè Dame from 1919 is a gouache painting on paper, 12 x 9.5 inches, framed in a custom, closed-corner, Art Deco frame to 20.25 x 18 inches. Signed recto 'Erté' mid lower right ...

In 1936, Alfred Landon and Frank Knox were the Republican candidates for President and Vice President. They were defeated in a landslide by Franklin Roosevelt. Clyde Singer captures ...

I am Human Watercolor, ink on paper 49"x42" framed Keith Carrington Keith Carrington’s experiences have led him to express his talents through the fluid a...

"In the Wildflowers" is an oil painting where the artist's passion meets serene natural beauty. This piece blends impressionism with realism, capturing a tender moment with soft colo...

Lisa Jack Barack Obama, Occidental College, No. 34, 1980 Signed, dated, and numbered on the reverse Gelatin silver print 12 x 17 3/4 inches Edition 4/75 Provenance: M&B, Los Angeles...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Portrait Surrealism, T...

Del Pelo Pardi - Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical albumen including photo reportages of historical events and ...

Original black and white photography by artist Jack Ludlam. Framed. Edition 1/3.

Wim Wnders is a vintage black and white photograph realized in the 1970s. Good conditions.

RAMÓN CASAS Spanish, 1866 - 1932 CORRIDA signed "R. Casas" (lower left) oil on canvas 15 x 18-1/8 inches (38 x 46 cm.) framed: 23-1/4 x 26 inches (59 x 66 cm.) PROVENANCE The artist...

Trevor James Original Painting On Canvas “fisherman Sorting Fish”. In good condition measures 46x36

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Medium: original lithograph. This impression on thin China paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 9 7/8 x 6 3/8 inches ...

This beautiful one of a kind ceramic hand made KC Chiefs hat is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconic ...

Carmen Del'Orefice in Dior 1957 Archival pigment print Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity The entire Gleb Derujinsky Collection available exclusively at IFAC Arts on 1stdibs. Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970 Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion Photography...

Date: 1944 Medium: Oil and Graphite on Paperboard Sight Size 14.00" x 11.00", Framed 22.00" x 19.00" Study for cover of The Saturday Evening Post, May 27, 1944 Norman Rockwell disc...

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Charcoal and Oil on Canvas Unique Available for display at Taylor Fine Art

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

Black and white photograph of 2 figures in cowboy apparel at a horse auction.

Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...

Stella, Joseph. STUDY OF A MAN WITH A HAT AND OVERCOAT. Blue, red and black crayon on tan wove paper, c. 1920. 6 7/8 x 4 3/4 inches; 173 x 120 mm. Signe...

Franklin Eze 1993 - Current Untitled, 2025 Fabric and Acrylic on canvas 129.5 x 127 cm 51 x 50 in

Sometimes it happens. Two random people met, but at first glance it is clear that this meeting is not accidental. And that this acquaintance will be continued. And about the relation...

Mina Karwanchi Alcicornis, 2022 Porcelain 23 x 18 x 18 cm 9 x 7 1/8 x 7 1/8 in

Original color film photography by artist Jack Ludlam. Editioned. Framed.

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled The Terminal, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Ye...

Man with Birds by Earlie Hudnall is a black and white photograph depicting a man sitting in the trunk of his car, feeding the flock of pigeons surrounding him. Gelatin Silver Print ...

Sun Bonnet by Lu Haskew Watercolor 16x12" image size, archivally matted and framed behind glass. Figurative Portrait of a young woman ABOUT THE ARTIST: Lu considered it a must to ...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2012 Style: Impressionism Subject: Waiting, Size: 18" x 14" x 0.8'' ...

"Market in Paris" is a European townscape and market Scene by American Impressionist painter Albert Van Nesse Greene, featuring towns people at a busy outdoor market. The painting i...

Vintage Photo. John Wayne in a scene from the movie "The Sons of Katie Elder" (1965).

"I Stand Before You As Myself" is striking portrait that centers on identity, presence, and self-possession. The subject confronts the viewer directly, their gaze steady and unflinch...

Untitled (Three Cowboys on Horseback) depicts 3 cowboys riding horses out in a Western landscape. The figures are silhouetted by the harsh sunlight. One of the cowboys is swinging hi...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...