House Art

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

ABRAM ADOLPHE MILICH 1884-1964 Tyszowce, Poland 1884-1964 Paris (Polish) Title: Chateauneuf, 1957 Technique: Original Signed Oil Painting on canvas size: 65.5 x 81 cm / 25.8 x 31...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

A row of four verdant topiary trees mimics the shape and cadence of elegant windows in a home in the Sea Cliff section of San Francisco. The overall resulting image is a combinati...

This is a beautiful contemporary landscape photography of the Stupas in Bhutan, by a Singapore based award winning photographer, William Chua. His eye for capturing beautiful arresti...

The city that boasts the most Victorian Houses San Francisco and the best of them are the That Painted Ladies. The Color Purple . San Francisco Victori...

Terry Tomalty, Canadian, b.1938 St Urbain, Montreal Oil on board 12 x 16 in Signed lower left signed, titled and dated verso framed For our US custom...

ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 REALES ALCÁZARES DE SEVILLA signed and located "F Liger Hidalgo / SEVILLA" (lower right) oil on ca...

Andrew McIntosh is a Scottish artist originally from the Highlands and currently based in London. His paintings have the air of a Highland gothic mystery, but shot through with cosmi...

Harold Fletcher Trew Coastal Landscape with Houses oil on board 54.5 x 65 cm 21 1/2 x 25 5/8 in signed

Mykonos Windmill is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribb...

Untitled (Driveway) by Bill Owens presents a tranquil scene. A long driveway leads up to a house in a suburban neighborhood. Two trash cans sit in front of the garage. The garage doo...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

"Scotland 0109" Landscape Photography 24" x 18" Edition of 20 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a tube ...

Bronze sculpture by Jim Rennert Edition of 9 National Sculpture Society Fellow Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten ...

Funky Green Car in San Francisco Signed and dated on lower right, numbered on verso, Edition 2 of 15, Unframed, other size available, printed later, Print...

Juan Garaizabal is a Spanish conceptual artist born in Madrid, 1971. He has accrued international recognition for his monumental public sculptures. His illuminated Urban Memories str...

30" x 34" Unframed Original Oil on Canvas Hand Signed by Vladimir Shulakov

A Nelson White plein air painting. Frame Dimensions: 22 x 30 inches Artist Bio: Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and a...

Signed and numbered Silver gelatin print 20 x 24 inches Edition of 50 Primarily known for his social documentary photography of the north of England, John Bulmer (born 1938) was th...

Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum...

Archival Pigment Print COA Hand Signed by Michael Grecco

Unique silver gelatin contact print Provenance: The Estate of Dora Maar

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

David Burdeny Sassi Matera, Italy, 2022 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Medium: Painting Signature: Unsigned Marked on the back GM Photographic The Saturday Evening Post, August 16 1947, Page 89

Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

"Loblolly Pine #3, Decatur, GA #2" is a nocturne photograph of an urban tree featuring hues of black, blue, yellow and red. This listing is for a framed print. Additional unframed sizes are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker...

David Burdeny - Ca’Rezzonico, Venice, Italy, 2012 59 x 73.5 inches Edition of 5 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to l...

Bold Yellow Color. Signed and dated on lower right, numbered on verso, 1/15, other size available, unframed

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed s...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for an unframed photograph. Edition of 5. Framing options an...

Albert Rousseau, 1908 - 1982, Canadian Oil on masonite 18 x 24 in 46 x 61 cm Signed lower right ; Titled on the reverse framed

ATT Ad from the mid 1980's

MASSIMO LISTRI Massimo Listri, Castello di Rivoli III, Torino, Italy 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Fernanda Naman Desejos #6 Yves Saint Laurent 40 x 60 inches Edition of 9

AP Signed, titled, dated and numbered on artist label on verso. Digital c-print, 23 1/2 x 31 1/2 in. Acrylic face mounting included. Esteban Pastorino Diaz is a South American photo...

Signed by artist. Series: Houseraising Ira Wagner's 10-year document of raised houses on the New Jersey Shore explores how people live comfortably wh...

Painted en plein air, in Sag Harbor, New York. Situated in the People's United Bank parking lot, Butko looks over to the opposite side of Main Street. Beneath tall, fully bloomed trees, illuminated storefronts glisten after they close up for the day. Victor Butko was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art...

Edition of 25 Signed and dated in black ink on print verso by Peter Brown Paper size: 20 x 24 in., Image size: 16 x 20 in. Published: West of Last Chance (2008) Available in additio...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: Frontispiece for Planches de Salut, 19...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print 56 × 56 cm (22 × 22 in.) Edition of 3 Print only, Signed by the artist This photog...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

Artist Commentary: This mixed media painting includes the back of the Ranchos de Taos church that Georgia O'Keefe made famous in her painting. My painting ...

Artist Commentary: This impressionist melange of flowers and an arbor was photographed at Monet's garden at Giverny. Words that describe this piece: Monet, Giverny, garden, flowers...

Original Woodblock Print signed by the Artist with an edition number. 9/16

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the nurses' quarters in Riverside Hospital, which opened on North Brother Island in 1885. It is wher...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a destroyed art piece in a dormitory that was built in 1943 as Riverside Hospital’s Tuberculosis Pav...

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses ...

My work is all about sunlight, the play of light on objects, the varying degrees of contrast between light and shadow, and deep, saturated color. Long shadows cast by buildings, win...

From the series Cells

Ron Rizk’s paintings depict the intimate personal history of locales from his life. Ethereal and yet grounded in reality, the paintings tell the stories of very real places as seen ...

24"x30" photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...