House Art

Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

Nestled Cottage Landscape by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on card , unframed double sided painting: 17 x 22 inches...

Title: Shere Surrey Village Cottages Trees Country Lane Watercolour Painting Artist: British School, 20th century Medium: watercolour on card, unframed Size: 7 x 10 height x width in inches Signature: unsigned from the images provided Inscription: inscribed verso “Shere Surrey” Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: good overall vintage condition. The sheet shows light age toning, minor handling marks and some surface wear. There is slight edge wear and minor corner wear visible. The painted surface remains bright, attractive and highly decorative. Description: A charming 20th century British School watercolour depicting a peaceful village lane in Shere, Surrey, as inscribed to the reverse. The composition shows a quiet country road leading past trees, garden fencing and traditional village houses, with cottages partially hidden among the foliage. The scene has a gentle English village atmosphere, combining architectural charm with soft natural greenery. The painting is particularly appealing for its calm, observational quality. The artist uses transparent washes of green, brown, ochre and soft blue to capture the trees, hedgerows, sky and village buildings. The central trees create a natural canopy across the composition, while the pale road draws the eye into the scene and towards the cottages beyond. Small details such as the gate, fences, windows and varied rooflines add character without making the work feel overworked. Shere is a highly attractive Surrey village subject, making this watercolour especially appealing for collectors looking for named English locations, Surrey landscapes, village scenes, country lane paintings...

Title: Provence House with Cypress Trees Pastel Pierre Neveu 1982 Artist: Pierre Neveu (French b.1929) Medium: Pastel on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed low...

Brian Blood (American, born 1962) County Farmhouse Provence, 2002 Oil on canvas Initial signed lower right Titled, dated, and signed inscribed on stretcher bar verso Canvas: 20in H...

Howard Behrens, renowned for his mastery of palette knife painting, captures the charm and vibrancy of the Italian Riviera in Portofino Villa. This captivating image depicts a sun-dr...

French Landscape signed by Louise Alix, French 1950's Impressionist gouache on artist paper, unframed painting: 8 x 10.5 inches provenance: from a large private collection of this a...

M.C. ESCHER (1898-1972) Ascendant and Descendant, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be differ...

Albert Goltyakov (1924-2016) Born in a family of workers. Studied at the Krasnoselsk Technical School of Artistic Metal Processing (1948-52), graduated from the LVMA Department of ...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France and went onto study at the Ecole Beaux-arts in Paris. She exhibited widely throughout France, her love of colour and capturing life in all its fun and colour comes through in her canvases. Title: Lavender Fields in Provence...

Title: Sidi Bou Said Coastal View Tunisia Watercolour Sketch Artist: Unknown artist (mid 20th century) Medium: Watercolour on paper Size: 7.75 x 11.25 inches (height x width) Signatu...

Christo and Jeanne-Claude The Umbrellas, Japan - USA (Hand Signed), 1991 Offset lithograph poster Boldly signed by Christo upper right 25 × 38 inches Unframed This rare vintage poster was published by Christo and Jeanne-Claude to promote and raise funds for Christo's famous Umbrellas Japan-USA project in the early 1990s. It is hand signed boldly in black marker "Christo" on the recto - upper right corner. This work was acquired from the Estate of Jacob and Aviva Baal-Teshuva, collectors, curators, authors, early supporters and good friends of Christo. Authenticity unconditionally guaranteed. ABOUT THE UMBRELLAS JAPAN-USA PROJECT: At sunrise, on October 9, 1991, Christo and Jeanne-Claude's 1,880 workers began to open the 3,100 umbrellas in Ibaraki and California, in the presence of the artists at both sites. This Japan-USA temporary work of art reflected the similarities and differences in the ways of life and the use of the land in two inland valleys, one 12 miles (19 kilometers) long in Japan, and the other 18 miles (29 kilometers) long in the USA. In Japan, the valley is located north of Hitachiota and south of Satomi, 75 miles (120 kilometers) north of Tokyo, around Route 349 and the Sato River, in the Prefecture of Ibaraki, on the properties of 459 private landowners and governmental agencies. In the USA, the valley is located 60 miles (96.5 kilometers) north of Los Angeles, along Interstate 5...

Title: British Impressionist Watercolor of Mediterranean Garden with Steps and Flowers By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Jon Carsman's rendering of a quaint late 19th century or early 20th century home highlights his mastery of American Realism. Identifiable not by naturalistic quality or adherance to ...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Title: Attainville French Village Church Landscape Watercolor Rural Houses Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 20.2...

Provençal Riverside Village Landscape, French Post-Impressionist Oil c.1930 French School, circa 1930s signed oil on board, unframed Board: 25.5 x 32 inches Double sided work with f...

Artist/ School: French School, circa 1930's, inscribed verso. Title: Provencal Landscape Medium: oil painting on board, unframed, board: 15 x 18 inches Provenance: private colle...

The French Town on the River by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 13 x 16 inches condition: the painting is in very sound and p...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

This painting captures a quiet yet emotionally charged moment where symbolism gently emerges from everyday life. A woman embraces a black cat whose direct gaze creates an immediate p...

Artist Comments
The expressionist landscape painting depicts houses overlooking a pond in the northeastern United States. Inspired by the works of English painters Keith Vaugha...

French Village, Impressionist Landscape, Oil Painting, Signed By French artist Caroline de Piedoue, 21st Century Signed by the artist on the lower right hand corner Oil painting on c...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Deco District to the modern skyline of our days. Stripes, circles, squares, and reflections show only some details of important buildings but they all have the power to raise emotions and unexpected shapes and volumes inside us. A final touch is reserved for nature skin from the ocean to the tropical vegetation. You need now to make an effort of imagination to discover and compose all pictures and eventually frame it in your own mind. Artioli captures beauty through his camera, creating artistic, painterly images by intentionally moving the camera during long exposures. These images represent 'the impression' of a world in constant movement. From Miami Skin Series Miami Beach Art Deco...

Kunsthistorisches Museum Wien, Neue Burg, Vienna 2014 C print Signed and numbered edition of 5 Mounted and framed The photographer is based in Florence, and is fascinated how his ar...

Title: Historic Miniature Watercolor of Historic Toll Bridge at Bathampton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This evocative watercolor by Jack Grunwell captures the Bathampton Toll Bridge, a charming historic landmark nestled along the Kennet and Avon Canal near Bath, England. Bathampton, a picturesque village, is known for its scenic waterways, Georgian heritage, and tranquil rural charm. Grunwell’s use of warm golden hues for the tollhouse and the reflective shimmer of the water creates a sense of nostalgia and serenity. The architecture, with its distinctive red roof and Georgian-style windows, showcases the character of 18th and 19th-century buildings that once served as essential river crossings for travelers and traders. Bathampton is steeped in history, with connections to Jane Austen, the Kennet and Avon Canal, and the grandeur of Bath’s Georgian architecture. This scene perfectly encapsulates the timeless beauty of the English countryside, making it an ideal piece for collectors who appreciate historic British landscapes, waterways, and heritage architecture. Key Features: Historical Significance: Depicts Bathampton’s Toll Bridge and historic tollhouse, an important local landmark. Rich Color Palette: Warm ochres, deep greens, and soft blues create a beautifully balanced composition. Architectural Charm: The traditional riverside building with Georgian influences adds to its period authenticity. Tranquil Setting: A peaceful riverside view, ideal for lovers of English countryside art...

The French Chateau French School, early 20th century signed oil on canvas, unframed canvas: 22 x 30 inches Provenance: private collection, France Condition: very good condition with...

Title: Tea Time Medium: Oil on canvas Size: 39 1/4 x 31 1/2 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

Mediterranean Catalan Farmhouse Landscape, Post-Impressionist Oil Painting Artist: Ramon de Capmany i de Montaner Medium: Oil on canvas Dimensions: 46 x 61 cm / 18.1 x 24 in Signatu...

3 CAS is a painting by Spanish contemporary artist Ramon Enrich. Acrylic on canvas: 45.2 x 31.5 inches / 115 × 80 cm Sold framed. Framed dimensions: 46.4 x 32.6 inches / 118 x 83 cm ...

This artwork vividly captures the serene beauty of a countryside landscape. The foreground bursts with vibrant red and green hues, showcasing a field of blooming flowers interspersed...

Artist Comments
A corridor in a public space hosts a series of windows. Their rhythmic repetition adds a sense of movement, while the harmonious color scheme of beige, grey, ...

Untitled (Amish Farm) Watercolor, c. 1940 Signed by the artist lower right: Wm C Grauer (see photo) A masterpiece Modernist American watercolor. Condition: Excellent Sheet/Image size...

Rebecca Skinner’s “Faded Footsteps” is a 20 x 30 inch color metal print of a symmetrical blue wrought-iron double staircase in an abandoned school. Arched sunlit window and peeling p...

Julius Shulman Case Study House #22. Pool. C print 16 x 20 inches Shulman's studio stamp and signature on verso. Signed by Julius Shulman with Certificate of Authenticity authoriz...

The painting you described is a beautifully textured artwork that captures a tranquil lakeside scene. In the background, a charming cabin with a blue roof is nestled within a dense f...

Oil on canvas mounted on cardboard. Good condition except for some minor losses on edges.

"Estremoz Castle, Summer" is a bright and breezy plein air oil painting of a hilltown in Portugal. One of four paintings Dalessio did of the castle in four seasons. Framed Dimensio...

This peaceful New England landscape by Bernard Corey shows a quiet farm as winter begins to turn into spring. With soft colors and careful brushwork, Corey captures the calm beauty o...

Charming winter landscape in cool colors of a snowy farm scene in the mountains by an unknown artist. Signed "Fiiak" or "Fijak" "Kirk" and dated '81 lower right. Unframed. Image size...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

Marein Konijn On a Late Summer Day 12 x 10 cm (Framed, included in price 17 x 15 cm) Large monumental landscapes without color, small landscapes with countless shades of green, figu...

Very nicely painted American school Trompe L'oeil still life painting. Finely executed with great detail. Signed. Framed. Ready to hang!

landscape oil painting on linen on homasote board, unframed 13.75 x 18.25 inches Harry Orlyk is celebrated for his ability to capture an rural country landscape with impressionistic...

A wonderful impressionist-style coastal landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much fee...

French Landscape signed by Louise Alix, French 1950's Impressionist oil on artist paper, unframed painting: 12.75 x 16.5 inches provenance: from a large private collection of this a...

The Stone Cottage, Provence French Impressionist, mid 20th century signed oil painting on board, unframed board: 9.5 x 13 inches condition: very good provenance: private collection, ...

Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...

Artist Comments
Bathed in quiet light, a weathered farmhouse radiates a sense of history and solitude. The faded clapboard siding, rusted tin roof, and simple lines stand resil...

Rebecca Skinner’s “Stairway” portrays a rusty iron staircase in an abandoned, decaying building with peeling paint, arched windows and moody natural light — atmospheric urban decay g...

This evocative winter landscape by Oscar Lycke captures the quiet poetry of northern Sweden. A frost-laden weeping birch dominates the foreground, its delicate branches shimmering in...

Decorative Motifs - Chinese Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph...

Artist/ School: French School, early 20th century Title: British House In Hendon Medium: oil painting on board, unframed and inscribed verso painting: 5.5 x 8.25 inches Provenan...

Charming early 20th century winter landscape of a grist mill in the snow by an unknown artist (American, 20th Century), c.1900-1910. Unsigned and unframed. Image size: 16"H x 20"W.

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Notes on the Old National Gallery and Sleeping Beauty: The Old National Gallery (Alte Nationalgalerie) is the original home of the Nationalgalerie, whose collections today are divided between the New National Gallery, the Hamburger Bahnhof – Museum for Contemporary Art – Berlin, the Friedrichswerder Church, Museum Berggruen and the Collection Scharf-Gerstenberg. The idea of establishing a cultural and educational centre across from the Berlin Palace...

Old Stone Bell Tower Among Trees in the French Countryside Pierre Neveu (French, b. 1929) Signed. Medium: watercolour on board. Size: 10.25 × 14.5 inches Provenance: from the artist’...

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...