House Art

This is an award winning black and white image that speaks to a powerful sense of optimism and a sense of defiant exuberance, simple and clear in its posiive proclamation. Curator p...

To see our other views of London and our other architectural perspective drawings , scroll down to "More from this Seller" and below it click...

New Museum, Berlin 3 sizes 62.5 x 50 inches ed. of 10 75 x 60 inches ed. of 5 87.5 x 70 inches ed. of 5 signed and numbered on label, verso Paper is trimmed to the image: actua...

Mary Bradish Titcomb Village Green Signed lower left Oil on canvas 24 x 20 inches A native of Windham, New Hampshire, upon graduation from high school, Titcomb studied at the Massachusetts Normal Art School, before accepting a position as a drawing teacher in the public schools of Brockton, Massachusetts, where she remained for fourteen years before resigning, in 1889, to study painting at the School of the Museum of Fine Arts, Boston. Her instructors there included Edmund Charles Tarbell, Philip Leslie Hale, and Frank Weston Benson. In the 1890s she went to Paris to study with Jules Joseph Lefebvre and to travel. She then returned to Boston, taking studio space at the Harcourt Studios, where all three of her teachers kept space. In 1895 she became a member of the Copley Society and began exhibiting locally; from 1904 to 1927 she showed work in 29 exhibits at the Pennsylvania Academy of the Fine Arts. She began signing her name as "M. Bradish Titcomb" in 1905 to avoid prejudice against her gender. The same year saw her making a sketching trip to the artists' colony at Old Lyme, Connecticut, a center for the American Impressionists; this trip seems to have cemented her interest in the style. In 1915, Titcomb's Portrait of Geraldine J. – the mother of actress Jane Russell – was shown at the Corcoran Gallery of Art and purchased by President Woodrow Wilson; another portrait, of Frank P. Sibley, was reproduced in the Boston Globe. During this period her work was shown in a traveling exhibition with that of Cecilia Beaux, Lydia Field Emmet, Jean MacLane...

JOSEPH ARTHUR POWELL (1876-1961) A Watermill Watercolour Unframed 38 by 55 cm., 15 by 21 ¾ in. (mount size 54 by 70 cm., 21 ¼ by 27 ½ in.) Born in London he was the son of the su...

'Homestead II', from a sequence of photographs of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dre...

'Homestead I', is the first in a sequence of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dream in...

Lorna Patrick, American - Gray Gate, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: CLXV, Image Size: 24 x 36 inches, Size: 32 x 42 in. (81.28 x 106....

'Restructure (New South Wales)' is a color photograph of reflections on and through window glass of an abandoned tea house in rural New South Wales, Australia. The 24 x 36 inch photo...

Archival inkjet print Signed and dated in pencil, verso Also inscribed in pencil, verso 4.875 x 4.875 inches, sheet 4.375 x 4.375 inches, image This artwork is offered by ClampArt,...

By the time Maxfield Parrish painted his Italian Villa series in 1903, he was already acknowledged as one of America’s most successful artists. Edith Wharton was commissioned to writ...

'Deco Delight' depicts a San Francisco building facade with cool shadows cascading across an art deco building and golden light reflected in the window panes. The subtle and brillian...

Palm Springs Pool Side, photography by Richard Heeps at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs arc...

A truly striking acid bath etching showing an interior inspired by the house inhabited by the protagonist of Herman Hesse's novel, Steppenwolf. The interi...

Watercolor on board intended for a greeting card design, painted in the 1980s. Illegibly signed at lower right. Presented in an archival mat. Small light stain.

"Evening Shadows" by Victor Butko (1978, Moscow) is a contemporary neo-impressionist painting of Stonington Harbor, Maine, depicting a neighborhood along the harbor at dusk. The gold...

Richard Stalter The Neighbor's Barn Oil on board 8 7/8 x 12 inches Richard Stalter was born in Dayton, Ohio, on April 27, 1934. He developed an interest in art at a very early age,...

Early morning sunlight striking lone car and houses in Greenpoint Brooklyn. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. ...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 5 $9,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentali...

Clattergrove, spring [2021] Original Landscape Oil paint on canvas Image size: H:50 cm x W:60 cm Frame Size: H:65 cm x W:75 cm x D:4.5cm Sold Framed Please note that insitu images ar...

Winter in the village. oil on canvas and cardboard, 34x45 cm Winter landscape with old barn Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National...

Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...

Gottfried Seelos, antique oil painting, home of Walther von der Vogelweide. Signed and dated. According to an antique note on the back, the painting come...

"Woodland Landscape " by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right oil painting on board, unframed painting: 15 x 21.5 inches A fine "mid century" oi...

Artist Comments
This painting vividly captures an old, abandoned farmhouse in disrepair, its weathered wood a testament to time. Beside it, a rickety outhouse leans, equally ...

Guy C. Wiggins paints an idyllic winter scene of a horse and buggy moving along a wintry road flanked by barns in his artwork entitled, “Winter on Killingworth Hills.”

This painting has an interesting backstory. Borias is a French locality of the Livradois-Forez, between Augerolles and the Brugeron. The artist was painting this artwork, when the ...

Very rare Albumen Print by Charles Marville. Original. Titled and annotated '112' and '41' on back. Made circa 1863.

Chateau Saint-Martin 1986 - Slim Aarons Estate Stamped Breakfast on the verandah of the Chateau Saint-Martin, a luxury hotel in Vence on the Cote d’Azur, France, 1986. The building ...

Boschereccia Palazzo Hercolani, Bologna, Italy 2022 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on labe...

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Notes on the Old National Gallery...

Represented by George Billis Gallery in Westport CT.

"Stone House and Windmill" by W.A. Slaughter is a rare original oil on canvas painting measuring 24x36 in. The sun is going down on the Texas Hill country creating shadows among a sm...

Lemuel Wiles The Cedars, 1869 Signed and dated lower right Oil on canvas 12 1/8 x 20 1/4 inches Lemuel Maynard Wiles (1826–1905) was an American landscape painter associated with t...

Patrick Maxcy's "Refuge" is an original, handmade acrylic painting that depicts a night time landscape of a wooden birdhouse on the ground among sproutin...

14" x 18" Unframed Original - Acrylic on Canvas Hand Signed by Andre Philibert

Jose Barbera (Spanish, b. 1948) Title: "Los Techos Tejados" Medium: Oil on Canvas Dimensions: 45" x 45" (canvas) Markings: Signed LR Frame size 61 x 61"

View of a Village Square Vukmanovic Stefan Belgrade 1924 – 1995 Degernau Serbian Painter Signature: Signed bottom middle Medium: Oil on panel Dimensions: Image size 45 x 60 cm Biography: Vukmanovic (Vucmanovic) Stefan was born in 1924, in Belgrade, former Yugoslavia. He was a Serbian painter of landscapes and town scenes. Vukmanovic studied at the Munich Academy of Fine Arts with the master teacher and artist Charles Crodel (1894 – 1973). He was a member of the Munich Secession. In this statement of principles, the artists declared their intentions to move away from outmoded principles and a conservative conception of what art was. Throughout the 1930s, many political ideologies (Marxism, Socialism, Capitalist Democracy, Communism and Fascism) were engaged in struggles for dominance, and epitomised the political atmosphere of the era. Surrealism art...

Countryside. 1950s, cardboard, oil, 26x37 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at s...

Title: Seine Valley French Farmhouse Landscape Pastel Drawing Rural France Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel and coloured pencil on artist paper, unfra...

Laimdots Murnieks (1922-2011) Painter Laimdots Murnieks studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Painting Department of the Latvian Art...

Pequi Tree Miniature is a sculpture, created from the most recent work by Ai Weiwei, Pequi Tree, 2018-2020, and produced at a 1/100 scale. The sculpture is...

Oil on canvas mounted on cardboard. Very good condition.

Massimo Listri State Hermitage Museum, St. Petersburg, Russia, 2018 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 in...

'Morning Sequence (Modernism)' - oil on canvas is 40 x 60 inches, meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style....

Photo of Temple of S.Croce  - Florence is a vintage black and white photograph realized in the Mid-20th Century. Good conditions.

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: At the park of Nymphenburg castle in the West of Munich, Germany 1930s. Keywords: Deutschland; Deutsches Reich; 3.; III.; Drittes Reich; Bayern; Hauptstadt der Bewegung; Architektur; Gebäude; Innenstadt; 1930er Jahre; Germany; 3rd; Bavaria; architecture; building; inner city; 1930s; Schloß Nymphenburg...

Spanish Village Street with Blossoming Tree Mediterranean Oil Painting Landscape Artist: Rafael Duran Benet (1931-2015) Title: Spanish Village Street with Blossoming Tree Medium: Oil on panel Dimensions: 53 × 64 cm / 20.9 × 25.2 in Signature: Signed lower right Date: c.1980 Framing: Unframed Condition: Good overall condition with minor signs of age consistent with time. Surface stable and well preserved. Style: Post-Impressionism, Mediterranean Landscape Description Beautiful original oil on panel by celebrated Catalan painter Rafael Duran Benet depicting a peaceful Mediterranean village bathed in soft natural light. Whitewashed houses, terracotta roofs and a flowering tree create an intimate architectural composition that perfectly captures the timeless charm of rural Spain. Executed with energetic yet controlled brushwork, the painting displays Duran Benet's remarkable sensitivity to colour, atmosphere and perspective. The cool blue mountains on the horizon contrast beautifully with the warm façades and earthy tones of the village, while the blossoming branches frame the scene with freshness and movement. Rafael Duran Benet is admired for his evocative landscapes inspired by Catalonia and the Mediterranean coast. His paintings combine strong chromatic harmony with expressive post-impressionist handling, making them highly decorative while retaining genuine artistic quality. Works depicting traditional Spanish villages remain among the artist's most sought-after subjects, appealing to collectors of Mediterranean, Spanish and European twentieth-century painting. This piece would complement both classic and contemporary interiors and represents an excellent example of modern Catalan landscape painting. Biography Rafael Duran Benet (Terrassa, 1931-Barcelona, 2015) was a distinguished Catalan painter and nephew of the renowned artist and critic Rafael Benet. He trained under the sculptor Manolo Hugué and developed a highly personal artistic language rooted in the Mediterranean tradition. Throughout his career he became known for his luminous landscapes, coastal scenes, village views, gardens and still lifes. His vibrant palette, expressive brushwork and ability to capture Mediterranean light earned him recognition among collectors of modern Spanish art. His works are represented in numerous private collections in Spain and abroad. Artistic Inspiration This composition recalls the poetic Mediterranean landscapes of Joaquim Mir, Josep Amat and Ramon de Capmany while maintaining Rafael Duran Benet's unmistakable personality. The quiet village street, flowering tree and subtle mountain backdrop celebrate the beauty of everyday Mediterranean life through a refined post-impressionist vision rich in colour, light and atmosphere. Rafael Duran Benet, Spanish landscape, Mediterranean village, Spanish village painting...

Meticulously rendered stone archways lead to a stone path meandering into a lush landscape in Carol Pylant's stunning architectural painting entitled "La Prima Pietra". The pristine space suggest inner solitude and peace. This calm continues through the archway and into the rich green landscape beyond the walls. The artist often combines imagery from her travels to Italy, Spain and throughout Europe with memories of elsewhere. The artwork is framed in a heavy black wooden frame with a silver inset adding to the richness of the piece. It measures 36.5 x 42.5 inches framed. Carol S. Pylant La Prima Pietra oil on panel 30h x 36w in 76.20h x 91.44w cm CSP037 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Karl Hagedorn (1889 - 1969) The Villa Malcontenta, Venice Watercolour and ink 33 x 50 cm Signed and dated 1958 lower right (dated August 23rd to reverse). A watercolour of the Villa Malcontenta in Venice, nestled between willow trees. The River Brenta flows serenely in the foreground. Villa Foscari is a patrician villa in Mira, near Venice, northern Italy, designed by the Italian Renaissance architect Andrea Palladio. It is also known as La Malcontenta ("The Discontented"), a nickname which - according to a legend - it received when the spouse of one of the Foscaris was locked up in the house because she allegedly did not live up to her conjugal duty. Karl Hagedorn was a painter and illustrator. He was educated in Berlin, and at the Manchester School of Technology, Manchester School of Art, and Slade School of Fine Art (where he later taught), before training in Paris under Maurice Denis. Hagedorn showed regularly at the Society of Modern Painters in Manchester, and then (from 1913 onwards), at the Royal Academy and the New English Art Club. He became a British citizen in 1914, and served in the British Army during World War I. During World War II, he sold pictures...

36 x 50 cm, 14.2 x 19.7 in. (unframed) Inkjet Print on Hahnemühle Photo Rag Paper Edition of 15 The photographer Matthew Billings is a Berlin-based photographer and video artist who...

Landscape with figures in a cottage signed by W.Greaves oil on canvas, framed dated 1909 framed: 10 x 19 inches canvas: 9 x 18 inches provenance: private collection, UK condition: ve...

Early photograph of Old Brulatour Courtyard in the French Quarter of New Orleans. Attributed to Joseph Woodson "Pops" Whitesell. Silver gelatin photograph. Circa 1920. Renowned Pho...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

Historical Photo -London With Arrol Johnston of 1902 is a black and white vintage photo, realized in the early 20th century. Good conditions and aged with folding. It belongs to a ...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

An early painting by influential San Francisco Bay Area modern artist Lucien Labaudt. Works by Labaudt do not show up often in the open market, and this work is in fine, original con...

Steps descend to a rocky stream in the lower portion of this impressionistic oil painting by Andre Beauce, while rustic farm buildings occupy the upper ha...

Summer view of a winding path from a valley near Cahors in SW France. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: ...