Land Art

Knit One, Pearl One 8, 2011 - Autumnal Leaves in Ancient English Woodland by Ellie Davies Knit One, Pearl One 8 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

1985, The most exclusive fishing village in Italy, Portofino, on Italy's Ligurian coast. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 Complimentary dealer shipp...

'Baltic pine forest’ photographed in Klaipeda, Lithuania 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Printed on Hahnemühle...

From the Portfolio 'Winter' printed in the 1970's Beautifully printed by Ketchum. Dry mounted embossed border. Signed in pencil. Limited Numbered 8/20

Title and negative number together with Artist's studio stamp and signature on mount verso. Artist Reference Number NC-TB-1G. Printed later by Cole Weston from the original negative....

From the Portfolio 'Winter' printed in the 1970's Beautifully printed by Ketchum. Dry mounted embossed border. Signed in pencil. Limited Numbered 8/20

This plain air sketch, painted by the artist from the window of his studio in Stupino, is a vast landscape dominated by bright yellow trees embodying the essence of the golden hues o...

“This collection, a compendium of sensory and emotional experience, delves into the very essence of painting as a medium of expression. Each canvas is a testament to the mastery of l...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Columbia River - Tooth Bridge - September 18, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world per...

This photograph by David Halliday is offered by CLAMP in New York City. Swamp Tree 1999 Signed and numbered in pencil, recto; Also blindstamped, l.r. Toned gelatin silver print 2...

Views of Colombo -Sri Lanka- is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 Very good conditions. Caption in Italian, ...

Color photography printed in high quality on matte photographic paper. The dimensions are 30 x 45 cm. Claudia Ferreiro (Santiago de Compostela, 1996) explores memory and identity l...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Waterside Town II. Year: circa 1985, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Image Size: 20.5 x 25 ...

Drangarnir, Sea Arch Panorama, Faroe Islands - no. 21357 // Black and White Fine Art Panorama Seascape. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered ...

Cotswold View, Foxcote by Georgie Dowling [2021] original oil paint on canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm Sold Unframe...

Sundown by Ian Phillips [2022] limited_edition and hand signed by the artist Linocut Edition number 23/28 Image size: H:28.5 cm x W:41 cm Complete Size o...

Betina Samaia (b. 1964, São Paulo, Brazil) is a Brazilian photographer whose work explores the porous boundary between reality and imagination. Holding a degree in Psychology from th...

Betina Samaia (b. 1964, São Paulo, Brazil) is a Brazilian photographer whose work explores the porous boundary between reality and imagination. Holding a degree in Psychology from th...

Artist: Jerry Schurr, American (1940 - ) Title: Mt. Baker Year: 1984 Medium: Acrylic on Canvas, signed and dated l.l. Size: 41 in. x 78 in. (104.14 cm x 1...

“Remnants of Autumn” by Catherine Picard-Gibbs is a serene water scene, depicting the last days of autumn; when only the bones of the previous season are left. This highly gestural oil painting on canvas is painted in a palette of browns, oranges, ochres, and blues and measures 36 x 24 x 0.75 inches. The painting is framed in a walnut floater frame. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street Gallery...

Etching on watermarked Aqua-Fortistes cream laid paper, 7 x 12 7/8 inches (177 x 327 mm), full margins. Condition issues include minor uniform toning (worse at the sheet edges), hand...

Autumn Drift (The Last Picture Show) 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist ...

This charming painting, painted by the artist from nature, captures a dynamic rural landscape with a winding dirt path running through lush meadows near the village of Karmanovo in t...

Artist: Harry McCormick, American (1942 - ) Title: Annecy Year: circa 1990 Medium: Oil on Canvas, signed l.r. Size: 50 in. x 60 in. (127 cm x 152.4 cm) Frame Size: 57 x 67 inches

Contemporary surreal landscape painting by Texas based artist Wood Fancher Anthony. The work features trompe l'oeil, or "trick of the eye," cut paper figures of native Texas fish and...

"Ghosts of the Lake" OMO Valley, Ethiopia - 2023 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 / Edition of 6 - $10,500 50 x 75 / E...

coral brambles at the base of High Head, Truro 2004 Signed, dated, and numbered, verso Archival pigment print 6.5 x 6.5 inches (Edition of 11) $950.00 The first print in the edit...

Hand printed by artist. Part of a limited edition book and print set (Winter) Framed in a gorgeous wood frame with high quality plexiglass.

Vibrant sea. English school, early 1900's. Original watercolor painting on artists paper, unframed. Overall paper size: 7.75 x 11 inches. From a large private collection of English...

Title: Yellow Fields Medium: Oil on canvas Size: 12.25 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Heriberto Mora's style is described as "beautiful existentialism" as it reflects the human experience of navigating both the tangible and intangible aspects of existence. His use of ...

In creating this piece, I was mesmerized by the timeless dance of light and shadow amongst the leaves. It's a love letter to nature's majesty, an oil on canvas where realism meets ...

Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proofs Artist Poem on "The Brush of ...

Limited Edition Embellished Giclee on Canvas, AP 17/50 24 x 36 in. Signed by Artist, comes with Certificate of Authenticity Good Condition

Mountains (Strange Love) - 2003 40x60cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of Ste...

'Porto Venere No.2' Lerici, Italy 2024 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to with...

Betsy Podlach (American, born 1964) "Hudson River" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Betsy Podlach’s "Hudson River" is an expressive...

Penny Whent (American, born 1949) "Sycamores at Dusk" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. “Sycamores at Dusk” by Penny When...

"Louisiana Wetlands", by Kristin Moore, is a part of her 2024 solo exhibition, “Through the Bayou, Into the Garden”, at Ferrara Showman Gallery. Marking a transition from her previou...

John McNulty, Irish/American (1949 - ) - Lakeside Trees IV, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm)

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

Chris Forrest, American (1946 - ) - Wild Geese, Year: Circa 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 40, Image Size: 18 x 23 inches, Size: 23 in...

Penny Whent (American, born 1949) "Woodland III" 2021 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Framed: 13" x 13" x 1.75" "Woodland III" rad...

By the Water's Edge by Betty Ball is part of her Land and Sea series. It is Oil on Linen, 36x36. It is framed to 37.5 x 37.5 It is $3.050. It is a beautiful landscape and watersc...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Island...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

M Fine Arts is honored to announce the addition of Robert Baart to our roster of contemporary artists. Born in Lowell, Massachusetts in 1947, Baart’s work has stayed true to his New ...

Title: OlympicForest - 0812.1118.2019 Size: 18 x 24 in Medium: Archival Pigment on Canson Rag Edition of 8 Signed: Verso Print: $1950 unframed Walnut frame available From the series...

Title: Ahu Lani River - 0415.1844 Size: 18 x 24 in Medium: Archival Pigment on Canson Rag Edition of 8 Signed: Verso Print: $1950 unframed Walnut frame available From the series WIT...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Eve Nethercott, American (1925 - 2015) - Tree (P5.61), Year: circa 1960, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Eve Nethercott's adept...

Gabriela in the Forest - 2019 - 40x50cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative (not moun...

George Frederick Morse Hubbard Park, Crescent City, Florida, 1906 Oil on canvas 17 x 12 inches A landscape and marine painter from Portland, Maine, George Morse was a founding membe...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Robert Baart graduated from the School of the Museum of Fine Arts in 1969. A year later in 1970, Baart received the Clarissa Bartlett Traveling Scholarship for Alumni of the Museum s...