Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Maurice Bonin
Autumn Cypress Landscape Etching

About the Item

Beautiful etching in stunning colors of Cypress trees by Maurice Bonin (American, 20th Century). Titled "Autumn Cypress" and signed "Maurice Bonin". Unframed.
More From This SellerView All
  • "Sharing" Multi Layer Screen Print on Paper
    Located in Soquel, CA
    Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...
    Category

    1980s American Impressionist Figurative Prints

    Materials

    Paper, Ink, Screen

  • Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
    Located in Soquel, CA
    Palm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...
    Category

    1920s American Impressionist Landscape Prints

    Materials

    Paper, Ink, Drypoint

  • "Covered Bridge Near Columbia" California - Woodblock Landscape on Tissue Paper
    Located in Soquel, CA
    "Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...
    Category

    Mid-20th Century American Impressionist Landscape Prints

    Materials

    Ink, Tissue Paper, Woodcut

  • "Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
    By Gordon Cope
    Located in Soquel, CA
    "Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...
    Category

    1950s American Impressionist Landscape Prints

    Materials

    Screen, Paper, Ink

  • Flower Song Landscape
    By Michael Schofield
    Located in Soquel, CA
    Flower song, a beautiful landscape lithograph in soft tones by Michael Schofield (American, b. 1947). Presented in a wooden frame. Signed "Schofield" lower right and numbered "165/35...
    Category

    1970s American Impressionist Landscape Prints

    Materials

    Paper, Ink

  • "St. Nicolas du Chardonnet" Etching in Ink on Paper
    Located in Soquel, CA
    "St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
    Category

    1910s American Impressionist Landscape Prints

    Materials

    Paper, Ink, Drypoint

You May Also Like
  • D. P. Weier Monoprint Oil Landscape "Birch Forest"
    Located in Detroit, MI
    SALE ONE WEEK ONLY “Birch Forest” is a monotype oil. The process is the simplest form of printmaking in a way because the artist does not etch or carve into a plate. Instead, a mono...
    Category

    20th Century American Impressionist Landscape Prints

    Materials

    Paper, Oil

  • Earl Horter, (European Fountain)
    By Earl Horter
    Located in New York, NY
    Signed in pencil. A European town square with fountain and tower.
    Category

    Early 20th Century American Impressionist Landscape Prints

    Materials

    Etching

  • Tapestries II
    Located in Clinton Township, MI
    Floral design extraordinaire! This is a lithograph of an original watercolor signed by Palo Verdes, California artist Dian Clapp Bartz.
    Category

    Late 20th Century American Impressionist Landscape Prints

    Materials

    Lithograph

  • Near Amalfi
    By Howard Behrens
    Located in Clinton Township, MI
    This giclee on canvas called "Near Amalfi" by Howard Behrens is embellished and signed by the artist. It is numbered 11/25. Framing options are available.
    Category

    Mid-20th Century American Impressionist Landscape Prints

    Materials

    Giclée

  • New York Bouquet
    By Childe Hassam
    Located in Fairlawn, OH
    New York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right (see photo) This lithograph is inspired by Hassam's oil painting of the same title...
    Category

    1910s American Impressionist Landscape Prints

    Materials

    Lithograph

  • Old Houses in Amsterdam
    By T.F. Simon
    Located in Fairlawn, OH
    Old Houses in Amsterdam Drypoint, 1909 Signed and dedicated in pencil lower right. "A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10" Simon...
    Category

    Early 1900s American Impressionist Prints and Multiples

    Materials

    Drypoint

Recently Viewed

View All