Plant Art

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2007 Title: The beginning of spring, ...

Title: British Impressionist Watercolor of Sunlit Garden with Flowers and Trellis By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dime...

Daniel Mansur Available sizes: 60 x 40 inches 100 x 150cm 71 x 47 inches 180 x 120cm 88.5 x 60 inches 225 x 150 cm Edition of 6 copies overall - Archival Pigment Print Signat...

Flowers - Giovanni Bonetti Italia 2010 - Oil on canvas cm. 60x60 Undisputed artist of still life, Giovanni Bonetti reveals his originality and shrewd mastery in this precious Flower ...

The modern and stylish still life with lilacs will become a wonderful decoration of any interior! The painting is 100% hand painted using high quality oil paints on canvas. The uniq...

"Life Long Friends Rooted In History" (2024) by Deb Komitor (United States) is a handmade landscape oil painting that is ready to hang. Deb Komitor was born and raised in Ohio and ...

'Fern Forest I' is an Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. Morgan Silk has been involved in cre...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. "Con...

Gorgeous late 19th-century snowscape titled "After the Snow," by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on the bottom right corner and titled on edge (the color differences in the signature letters are original to the painting prior to cleaning, and have not been modified or augmented). Unframed. Image size: 14.25"H x 20.25"W Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist, he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline) but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This, in turn, imbued his paintings of the rugged landscapes and seascapes of New England...

Jennifer J.L. Jones (b. 1971) Myths & Truths VI, 2024 Painting on Paper 16 x 16 in (40.64 x 40.64 cm)

Title: British Impressionist Watercolor of a Village Pond with Ducks and Cottage By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

French Landscape French Impressionist School, circa 1930's signed oil on board, unframed board: 6 x 9.5 inches provenance: private collection, France condition: very good and sound c...

Artist: Dali, Salvador Title: Love’s Labors Lost Series: Shakespeare II Date: 1971 Medium: drypoint Framed Dimensions: 21.75" x 18.75" Signature: Pencil signed Edition: 128/2...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2020 Style: Impressionism, Subject: Summer Field, Size: 18.5" x 1...

Water Lilies, 1881 Oil on canvas, 7 1/2 x 12 inches (19.1 x 30.5 cm) Framed dimensions: 16 1/8 x 21 1/8 inches Signed and dated lower left: Geo. Henry Hall '81 George Henry Hall was...

This painting feels like a memory the mountains themselves decided to keep — a quiet breath of dawn spilling over evergreen silhouettes. The sun, still sleepy, drifts above the peaks...

Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Title: "Mid Century French Original Pastel Painting of a Vibrant Hillside Cityscape" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 25(height) x...

Sunrise by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inch...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

"Diaphanous" is a captivating artwork that captures the beauty of a moment in time. Created by the talented artist, Akinboye Akinola Peter, this...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Spring Sketch Size: 19.5" x 27.5" x ...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Dylan Lloyd Island Path VIII Original Oil Painting on Canvas Oil Paint on Canvas Framed in a White Box Frame Image size: H 30cm x W 24cm x D 0.5cm Framed S...

Half Light 6, 2016 - Autumn Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this...

This painting is framed at 20 x 24 inches, and is ready to hang. About the artist: Daniel J. Keys was born on Oct. 7th 1985, in Fresno CA. Upon noticing a glimpse of artistic talen...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer recreated the images inspired by paintings and images from these eras, also finding inspiration from artists such as Leonardo DA Vinci, Albrecht Dürer, and others. Each image by photographer Dora Franco...

Leigh Ann Van Fossan's "Rain To The North" (2024) is an original, handmade oil painting that depicts a valley with a few houses in the distance and a storm brewing above. Van Fossan...

Vibrant landscape of reflections of Sierra Mountains reflecting on Tahoe Lake by J. Conover (American, 20th Century). Oil on artist board landscape pa...

Landscape painting with sunny fields and rainy clouds in the background. Studio painting done after the plain air on the location. :: Painting :: Impressionist :: This piece comes wi...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

'Ranunculus Butterfly no.2’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée prin...

"The Wild Flowers of Provence" — Abstract Oil Painting on Canvas by Natalya Mougenot Size: 29 × 29 × 3.5 cm (approx. 11.4 × 11.4 × 1.4 in) Medium: Oil painting on stretched canvas, r...

Cafe De Flore (1948) - Silver Gelatin Fibre Print (Photo by John Downing/Getty Images) Horse riding on Rotten Row, in London's Hyde Park, circa 1965. ...

'Spring messengers', Original oil painting on canvas 40 x 40 cm, 2025 Artist - Elena Mardashova

In this piece, I poured my love for nature and history into every brushstroke. Through the rich oil textures, I aimed to capture the enchanting mix of fading light and the quiet dign...

Title: British Impressionist Watercolor of Dusky Reflections on a Tranquil Lake by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 ...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 10 x 15 inches Delightful early 20th century Fre...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1801-1809 (Second series) M...

Oil on canvas mounted on wooden table, realized by Giovanni Gromo in 1980s. Not signed. Good condition.

Lilies and the Blue Vase Signed by British artist 'Arthur Pass' C.1995 signed, oil painting on board framed Painting framed H24.5 x W21 inches Elegant still life painting of flowe...

Title: Diverse Elements VI Medium: Oil on canvas Size: 23.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Experience the striking contrast of delicate pink peonies against a fiery, textured backdrop. This original oil painting combines bold, expressive brushstrokes with timeless floral b...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Mirando al Cielo 5 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper. This is a Limited Edition of 9 + 2 Artist Proofs in this size. Rosa Basurto is a self-taught...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Roses Size: 19.5" x 23.5" x 0.8'' in...

Pink Lily Pad Portrait by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, framed framed: 41 x 34 inches canvas size: 39 x 32 inches condition: overall ver...

"Autumn Sensation" by Michelle Condrat is an entrancing oil on board piece that reflects the dynamic beauty of the Uinta Mountains in Utah during the fall season. Measuring 12 x 24 x...

Screen print realized by Antonio Saliola in 1990s. Hand signed and titled in pencil. Very good condition.

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Couple Size: 26" x 34" x 1'' inch,...

This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

A copse of birch trees by a pond in rural Vermont. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang:...

Striking tropical acrylic painting on canvas of a beach with palm trees, flowers, sand and sky sprayed with sunlight and shade, executed in a bold modern technique. Signed John Kiral...

'Passiflora Cinnabarina' (Passionflower) Botanical lithograph of an Australian native plant with original hand-colouring , 1871, by Walter Hood Fitch (1817...

Artist Comments
A vast shore stretches toward a calm blue sea, basking in the warmth of the summer sun. Wispy grasses in the foreground add contrast to the softness of the scen...