Shirt Art

"Hopeful of the Dream City" invites viewers to delve into the depths of the young lady's aspirations. Her gaze is fixed on a distant horizon, eyes filled with a mixture of excitement...

Madame in the blossom garden is an original painting realized by Lucie Navier in the 1931. Original tempera on paper. Very good conditions. Colorful composition representing a f...

Edition of 50. Pete Townsend is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old scho...

Untitled (Traintracks) - The Last Picture Show - 2004 50x50cm. Edition of 5, and 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

11 x 14" vintage silver gelatin photograph of graffiti artist Keith Haring with just completed work, 1984. Comes directly from the Jack Mitchell A...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

The artwork "Sister Loveth" by Gobe Joseph is a stunning piece that captures the elegance and beauty of a lady standing in a relaxed pose. The artwork feat...

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

Edition of 10 More sizes available on request. Silhouette of a woman in black and white. Artist Statement: Art is the air that I breathe. I grew up in an artistic family, surround...

My library, My favorite spot in town, Where all my imagination meets. My place of timeless excitement and constant joy. I could travel the world from this point and could sail throug...

Afolayan Emmanuel's "Look Through My Eyes" is a captivating artwork featuring a woman in a seductive pose. The piece is a celebration of female beaut...

A black-and-white image shot on film in Paris, France in the 1980s, Roberta Fineberg’s subject is a young French-African girl with braids, ribbons, and bows that RF photographed in f...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Model In A Red Dress 1960 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane 1960. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archiva...

Turning (Zuma Beach) - 1997 43x59cm, Edition of 4/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 111.04. ...

"Frank Sinatra Recording Session" by Murray Garrett American singer and actor Frank Sinatra (1915 - 1998) gestures with his hands while singing into a microphone during a recording ...

Untitled (Olancha) - 2006, 38x37cm. Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. Artist...

After the Accident (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 1668. Not mounte...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 20x20cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certificate. Artist Inventory No. 1986. Published in Stranger than Paradise, Hatje Cantz (monograph) Stefanie Schneider: A Discovery on Polaroid. An essay by Eugen Blume How is it that the photographic works of Stefanie Schneider do not allow anything other than one single association, namely that of America? Because they were taken in America itself? That fact alone would not yet be a compelling argument. Many photographs of America possess a reckless ambivalence which allows even the different country of their own particular creator to seem so similar as to be confused with America itself. Does this ambiguity have something to do with the ongoing, accelerating Americanization of the entire world? Or is it simply connected with our personal clichés which we attribute to a country the size of North America as valid expressions of its very essence, thereupon negligently allowing it not only to dwindle down into any size whatever, but also to expand to a great extent, from Germany by way of Luxembourg right through to Japan? Now it is certainly true that the figures of Thelma and Louise in the desert do not represent an American reality, not even after their resurrection as Radha and Max in the series 29 Palms from 1999. Strangely enough, it is nature which allows this utterly artificial scene to grow into an American verity. The harsh sunlight in the barren landscape establishes the fundamental tone out of which the women emerge in excessive hysteria from beneath their colored wigs. It is inherently absurd to celebrate the feminine aspect in the middle of a mercilessly inhospitable environment. The image of the two women is a monument of resistance, the meaningful assertion of a lifestyle which stands in contradiction to each and every convention. The pictorial structure and the captured movement along the edge of the format are a means of blending the glaring luminosity with the plot in a manner which perhaps functions successfully only in the “simple” instant technique of the Polaroid. Stefanie Schneider’s pictorial narratives are striking in their formal elegance. She utilizes the chemical faults of the Polaroids, their tendency towards overexposure and double-images as a sovereignly controlled means of artistic design. The defects become, as it were, metaphorical levels which plumb depths lying far beneath the surface. The overly bright colors and schlieren seek out the uncanny; they provide a counterweight to a narration that is deliberately kept superficial. They tell of an invisible strand. They illuminate, in the truest sense of the word, underground processes. Although we are familiar with a series featuring American flags which could not indicate the site of its narrations any more clearly, nevertheless there remains a fundamental doubt as to whether the initially described association with America is identical with that which we deem to be America in a geographical sense. Although I have in the meantime been in America several times, in both South and North America, deep down I remain uncertain as to whether the New World actually exists. Columbus’ error of continuing to believe, even when having arrived on land, that he was encountering the India which was the actual goal of his journey has burrowed down deep into the European unconscious as a cultural convention. Peter Bichsel’s amusing story “Amerika gibt es nicht” (There is no America) still remains today an undeniable truth: America’s northern half is a film, not a continent. Everything which signifies the U.S.A. – from the Indians, whose most noble savages were invented in Europe, all the way to September 11th and the subsequent war in Iraq, the aliens and the revival of the dinosaurs, the terminators as governors and presidents as actors and vice versa, the electric chairs, the godfather Marlon...

Halston (1932-1990) Heroes Tour Olympic Tower, 2016 cardboard, paint, pencil, screw, and bolt 12 in. H x 9 in. W x 3 in. D Doug Meyer Studio is located...

'Untitled' by Stefanie Schneider (Oilfields) 2004, 60x60cm, Edition of 10, Analog C-Print, based on the Polaroid Certificate and Signature label artist Inventory Nr. 1215.05 Not mo...

'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...

In the world of art, few creations are as emotionally charged and resonant as Olajire Olalekan's poignant masterpiece, "Don't Let Me Go." This extraor...

Vintage black and white Associated Press photo of the french singer Gilbert Bécaud. Good conditions.

Abolhassa Banisadr - Historical Photo is a vintage photograph realized in the 1970s.  Good conditions.

Heather (The Girl Behind the White Picket Fence) - 2013 80x78cm, Edition of 5, plus 2 Artist Proofs. analog C-Print, hand-printed...

A love song (The Girl behind the White Picket Fence) (The Girl behind the White Picket Fence) - 2013 20x20cm, (ask about a larger sized edition) Edition of 10, Archival C-Print, ba...

Self Portrait (Strange Love) - 2005 40x40cm, Edition of 10 plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Signature label and certificate. Artist Inventory No. 6153....

David Bowie With The Spiders - Limited Edition Mick Rock Estate Print David Bowie with the Spiders, 1973 (photo Mick Rock). All prints are numbered by the Estate. Edition size var...

Saint-Tropez 1971 by Slim Aarons Slim Aarons Limited Estate Edition Two young women, one wearing a kaftan, stepping onto a yacht on the waterfront at Saint-Tropez, France, August...

16 x 20" vintage silver gelatin photograph of Hollywood Star Warren Beatty in 1978. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes directly from the Jac...

Morning Glory (The Girl behind the White Picket Fence) 2013, 80x80cm, Edition 1/5. Analog C-Print, hand-printed by the artist. Certificate and Signature label. Artist Inventory # 164...

Haley and the Bird Man (Haley and the Birds) - 2013 105x100cm, Edition of 5, analog C-Print, hand-printed by the artist on Crystal Fuji Archive Paper, matte surface, based on a P...

American Icon - Robert Redford by BATIK pop artwork featuring a portrait of the late film star, producer and director and male sex symbol Robert Redford. signed & limited edition. ...

Sometimes I wonder, was it even there - that past life? If there are no photos, there is no evidence. In this artwork, I've captured a moment suspended in time, where nostalgia meets...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound explo...

Julia (2011)
 - from the series 'I am not promising a wonderful World' 50 x 75 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mount...

"Naughty But Nice" by Christopher Simon Sykes Guitarist Keith Richards looks elegantly wasted during the Rolling Stones Tour of the Americas, 1975. ...

The following is an account of the 1851 Goodwood Cup from the Sporting Magazine: We have now arrived at the event of the day par excellence ...The Goodwood Cup, value 300 sovereign...

Andy Warhol Smiling with Eyes Closed (Between his Friend and JudiJupiter) Studio 54, NY, NY July 1977 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inch...

Untitled (Olancha) - 2006 38x37cm. Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. Artist I...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

This artwork captures the essence of a time gone by, blending contemporary style with nostalgic Americana. A solitary figure in a loose white shirt and wide-legged jeans confidently ...

Ghost Story - 2020 Edition of 10 plus 2 Artist Proof, 20x25cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certif...

This artwork presents a vivid poolside scene, blending luxury and introspection through two central figures. The composition contrasts serene blue skies, palm trees, and a sparkling ...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Road Trip (In the 80's) - 2016 20x20cm, Edition of 10, Digital C- Print, based on a Polaroid. Certificate and signature label. Artist inventory number: 19470 Not mounted. Stefan...

Signed, limited edition print of Oasis, Liam and Noel Gallagher by Jill Furmanovsky. Taken in London, September 1995 during a break in filming the Wonderwall video Signed and numbe...

Signed limited edition fine art print of Mick Jagger, taken in LA by Norman Seeff in 1972. I art directed the EXILE ON MAIN STREET album package. Mick was very hands-on and the final decision maker. One afternoon, we asked him to hand-write the liner notes, which we pasted on to layout. We created the album package design right there in that moment. - Norman Seeff. This Mick Jagger print...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

Paranoia is the first chapter of a larger work that explores some of the recurring themes in the artist's work: disenchantment, melancholy, and his own personal idea of ​​beauty. The...

Portrait of Elsa Morante is a black and white vintage photo, realized in 1950s. The photo depicts Elsa Morante, an Italian writer , essayist , poet and translator , among the most i...

The Chemical Brothers - signed Limited Edition Oversize print Band Press Shoot October 23 2001 London (photo Kevin Westenberg) unframed signed and numbered by the artist. limited to an edition of 3 Printed 2020 This Size 60x40''/ 152x101 cm About the Image: The Chemical Brothers are a British electronic music duo composed of Tom Rowlands and Ed Simons, originating in Manchester in 1989. Along with the Prodigy...

Kevin Vivers Strike Out Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has be...

Dread minus lock plus identity, meaning deadlock as an identity that symbolizes spirituality Our hair is unique and distinct like our skin color. You can call it a symbol. It is mor...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of the actress Raquel Welch. From personality portraits and advertising campaigns to ...

Signed limited edition print Robert Plant of Led Zeppelin at a Runaways show in LA 1978. Plant pictured here with Cherie Currie and Joan Jett of The Runa...