Shirt Art

13 x 19" archival pigment color print of Rudolf Nureyev, Soviet-born dancer of ballet and modern dance, photographed for 'After Dark' magazine in New York City on Christmas Day 1975....

Ex Libris J.Valenzuela La - Rosa is an Artwork realized in early 20th Century by José Galiay. Woodcut B./W. print on paper. The work is glued on cardboard. Signed on plate on the ri...

13 x 19" archival pigment color print of Rudolf Nureyev, Soviet-born dancer of ballet and modern dance, photographed for 'After Dark' magazine in New York City on Christmas Day 1975....

11 x 14" vintage silver gelatin photograph of John Lennon and Yoko Ono photographed November 2, 1980, the last comprehensive photo session of...

ALEKSANDRA KALISZ Born in Gdynia in 1992. She currently lives and works in Portugal. She graduated from the Academy of Fine Arts in Gdansk in the studio of Professor Maciej Swieszews...

Hand carved sculpture by artist Isabel Ritter. Beautiful encased female sculpture. Stunning on a plinth or a shelf. About the Gallery: Folly & Muse was ...

Signed limited edition print of Kate Bush photographed by Brian Aris in London. Brian Aris limited edition prints, signed and numbered by Brian and carrying...

KAMILA GRUSZECKA ( born in 1989 in Kielce) studied under prof. Leszek Misiak at the Faculty of Painting of the Academy of Fine Arts in Cracow. She received her diploma in 2014. She w...

Signed limited edition archival print of Signed limited edition print of Devo posing for SoHo Weekly News, NYC, 10/78 by Allan Tannenbaum. Available in different sizes. Limited edit...

Boys - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1984. The negative was scanned creating a digital file which was the...

Into the Light (Stage of Consciousness) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

PAULINA KLIMAS (born 1992) A graduate of the Art High School Jacek Malczewski in Częstochowa. Honored by the rector of the Academy of Fine Arts in Wro...

Immerse yourself in the raw and unfiltered world of Larry Clark with this exclusive collection of four captivating photographs, showcasing outtakes scenes from the cult classic film ...

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

Portrait by Vernn Smith-  Vintage Photo is a black-and-white photograph that was realized in the 1960s. Good conditions.

"Boabdil" and "Princesse Loitaine" from "La Derniere Lettre Persane." Paris, Librairie Centrale des Beaux-Arts, 1920. Original pochoir prints with gold paint.

Vintage Portrait of Giorgio Gaber Photograph , hand dedicated lower center. 1980s. 20 x 29 cm <; 27 x 37 cm with frame. Good conditions!

Artist: Robert Indiana, American (1928 - 2018) Title: Gertrude Stein from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 150...

Prom, Holidaysburg High School PA, 1994 Signed, titled, and dated in pencil, verso (Total edition of 5) Vintage gelatin silver print 16 x 20 inches, she...

House wife's Chores I (Suburbia) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1671 Not mounted. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Gasoline IIb (Stranger than Paradise) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #270b Not mounte...

Melancholy (Haley and the Birds) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #16950 Not mounted. ...

Indian Summer VII (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

A figure study in oils on paper combines the organisation of space, characteristic of Japanese painting with western figuration signed

Fountain Head (Stay) - 2008 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5204 Not...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not...

Ranieri Grimaldi, Prince of Monaco is vintage photograph realized in the 1960s. Good conditions.

Pete Townshend – Smoking Joint, Twickenham, London, 1977 Guitarist and songwriter with British rock band The Who. Townshend’s trademark windmill action and smashing of guitar on s...

Big Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Schneide...

Artist: Ringo Title: 'See My Potato Sack (Marilyn)' Medium: Screenprint on Canvas Size: 16 x 12 Inches Edition: R-52 Year: 2000-2010 Notes: Hand Signed and Numbered by the artist on Verso. Stretched, Ready to Hang! "See My Potato Sack (Marilyn)" is a hand-pulled silkscreen and mixed media painting on canvas by Ringo (Daniel Funes) - protege of Andy Warhol's apprentice, Steve Kaufman. This piece is hand signed by the artist and Includes Certificate of Authenticity. This piece comes from the Andy Warhol Legacy Series. Daniel Funes (known professionally as "Ringo") is an American Artist, Photographer, Musician and protege to the late Steve Kaufman (Former Assistant of Andy Warhol ). At an early age, Ringo was part of charity founded by Steve Kaufman (Give Kids A Break), which was established to help troubled inner city kids...

'Reno' 1979 by Alain Le Garsmeur Signed Limited Archival Pigment Print A group of Reno City Casino Staff on a break, Nevada, USA in 1979. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2024 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1970s 1970 70s Vegas Worker Uniform Casino Nevada Gamble USA Car Vintage Parking lot...

Entro Organizzazione, PSI - Vintage Photograph is a black and white photograph realized in the 20th century. Hand-written on the rear. Good conditions.

Lady Diana and Prince Harry is a vintage black and white Photograph realized in the 1980s. Good conditions. The description on the rear.

The 1975 exhibition poster "Le labyrinthe collectif d'intervention poétique dans chut ! chut ! chut ! ou l'indicatif néant" by Roman Cieślewicz is a striking visual representation of...

Giulietta Masina and Gianni Bisiach - Golden Period of Italian Cinema is a vintage black and white photograph realized in the 1980s. Good conditions. Giulietta Masina is considered one of the best Italian actresses best known for her performances as Gelsomina in La Strada directed by her husband Federico Fellini. Her portrayal of an innocent woman served as the emotional focal point for some of Fellini’s best films. Masina began acting in student theatre productions when she was in her teens. Although she enrolled as a student at the University of Rome in 1938, she continued to devote a good deal of time to acting in university plays and on the radio . In 1939 she made her professional debut in an Italian translation of Thornton Wilder...

Jill Soukup's "Bone in Blue" is an original, handmade oil painting that depicts a white horse with a backdrop of 4 dark horses and a blue sky. About the artist: Jill Soukup was bo...

Rudolf Kosow’s On Road is a hauntingly poetic exploration of light, transition, and the unknown. A solitary figure stands at the edge of a glowing precipice, his gaze lowered towards...

Time Traveller (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory N...

Isletas Family by Alain Le Garsmeur Banana plantation workers outside their homes, Isletas banana plantation, Honduras, Central America, 1981. Paper size 20 x 24 inches / 50 x 60 cm Printed in 2022 - produced from the original transparency Archival Pigment Print and limited edition per paper size offered. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Galerie Prints is proud to share with you this extraordinary body of Alain Le Garsmeur's insightful and beautifully captured photographic work, from the late 1970s and early 80s. Alain Le Garsmeur (1943 - ) is an award-winning editorial documentary photographer for publications which included Figaro Magazine,
The Independent, Newsweek, and The Observer
as well as The Sunday Times. Born in France, he later moved to London where he studied at The Ealing College of Art Photography School. He soon became an assistant to great photographers such as Helmut Newton, Guy Bourdin, and Donald Silverstein, working in both Paris...

Vintage Photo. The British Actor Stewart Granger.

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Lonely Hearts (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 16346. Not mounted. In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...

Vintage Photo. "La fotografica" photo reportage agency - Torino By Studio Gherlone. Good condition.

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Farewell (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...

Sergey (Sentenced for Murder): Juvenile Prison for Boys Russia 2009 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in...

Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...

Candidate for U.S. Vice Presidency Acknowledges Ovation is a black and white photo realized in 1944. In acknowledgement of the ovation accorded senator Harry S. Truman by cheering delegates a the Democratic Party...

Michael Jordan was so excited to celebrate with his fellow teammates, he arrived at the party missing one of those famed "Air Jordan" shoes! Photographer Richard Shay caught him in this shot from 1997 while celebrating the team's 5th Championship win. This A.P. photograph is matted and framed in a simple black frame measuring 20.25h x 16.25w inches. Richard Shay MIchael Jordan "One Shoe Left at United Center" Celebrating 5th Championship Win, 1997, 2023 archival pigment print 16h x 12w in 40.64h x 30.48w cm A.P. RSY009 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Vintage Photo. The Italian former actress, television and radio presenter, and lyricist Enrica Bonaccorti. Photo by ADN Kronos.

Izar Portrait Color Photography on Dibond Back Lady In Stock Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). They met in 1986...

Model In A Red Dress 1959 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane by Toni Frissell 30 x 20" inches / 76 x 51 cm paper size Archival pigm...

Mr. and Mrs. Harry M. Warner is an original b/w photograph about Hollywod '40 realized by De Wan Studios. On the back "Mr. and Mrs. Harry M. Warner shown in th...

Vintage Photo. The Italian Actor Marcello Mastroianni receiving a slap on the set of a movie. Good condition.

Portrait of Ray Bradbury Vintage Photo by Mizuno, is a black and white photograph realized in 1996. Good conditions.

Carl Sagan by Randy O'Rundke- Vintage Photo is a black-and-white photograph that was realized in the 1980s. Good conditions.

Carl Sagan by Randy O'Rundke- Vintage Photo is a black-and-white photograph that was realized in 1991. Good conditions.