Shirt Art

Vintage black and white photograph depicting Diego Armando Maradona wearing the Napoli shirt. Very good condition. Copyright by Olympia Foto Martinuzzi.

Lost Shadow by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1990 Screenprint, signed and numbered in pencil Edition of EA 55 Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)

Signed limited edition print by photographer Pat Pope of Morrissey. Taken in 1997 for the August edition of Melody Maker and shot in London, England. The Melody Maker feature was tit...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Indian Summer VII (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

Gasoline IIb (Stranger than Paradise) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #270b Not mounte...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Vintage black and white photograph depicting Diego Armando Maradona wearing the Napoli shirt. Very good condition.

Sunny St Louis by Alain Le Garsmeur A fashionable African American church member poses with sunglasses for the camera as she leaves a Baptist C...

11 x 14" vintage silver gelatin photograph of artist John Willenbecher at an exhibition of his work in 1969. Comes directly from the Jack Mitchell Ar...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

'Etalon' Oil on canvas / stretcher 80 x 80 cm June 23 Signed 4,900 euros Originaire de la région parisienne, Sylvie Ajacques est née avec la passion du dessin et de la peinture. Un...

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Waiting (29 Palms, CA) - 1999 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 99...

Henry and Athena - Henry's Memory Sequence (Stay) - 2006 featuring Ryan Gosling and Elizabeth Reaser 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of actress Raquel Welch. From personality portraits and advertising campaigns to maga...

House wife's Chores I (Suburbia) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1671 Not mounted. ...

Paper Size: 28.5 x 20.25 inches ( 72.39 x 51.435 cm )?Image Size: 19 x 12.25 inches ( 48.26 x 31.115 cm )?Framed: No?Condition: B: Very Good Condition, with signs of handling or age?...

Fountain Head (Stay) - 2008 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5204 Not...

"Black Damsel" is a stunning piece of art created by Nigerian-American artist, Joshua Salami. This artwork, which was created in 2022, is a powerful repr...

Showboat (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22875. Signature label and Ce...

Artist/ School: Jill Jackson (British, contemporary) Title: Blue Denim Shirt Medium: oil on board, unframed Painting : 16 x 12 inches Provenance: all the paintings we have by t...

Forrest Gump Edition of 25 signed and numbered by the artist A tourist at the Cape of Good Hope in South Africa takes a photo and wears a T-shirt with the slogan from Forrest Gump. ...

Big Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Schneide...

This is an 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An e...

11 x 14" vintage silver gelatin photograph of dancer and choreographer Peter Martins, 1983. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack...

Time Traveller (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory N...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

Backcasting (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invento...

Signed by the artist and numbered 49/50 lower left in pencil. Color lithograph on mauve Wookey Hole handmade waterleaf paper. This print features the encounter between an alluring ...

Another Monday Morning (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory nu...

11 x 14" vintage silver gelatin photograph of graffiti artist Keith Haring with just completed work, 1984. Comes directly from the Jack Mitchell A...

Madame in the blossom garden is an original painting realized by Lucie Navier in the 1931. Original tempera on paper. Very good conditions. Colorful composition representing a f...

Vintage black and white photograph realized in 1970s. Copyright by Agenzia Giornalistica Italia. Very good condition.

Photographer Michael James O'Brien documented with beautiful and unique images the final part of Matthew Barney's lyric opera cycle about a tragic love story set in romantic Budapest...

Uncertainty (Haley and the Birds) - diptych - 2013 100x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Polaroids. Certificate and Signature l...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. It sh...

Spirited Bystander, 2018 Oil on canvas (Signed on reverse) 27 9/16 H x 19 11/16 W in. 70 H x 50 W cm In his paintings, Radu Rodideal speaks about the co...

Russian River, 1992 Edition 2/10, 29.5x37cm including white frame, 25x33cm (image area). Analog C-Print, hand-printed by the Artist, based on the original Polaroid. Certificate a...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of great importance in his work as a ...

Linda Stein, Gender Scrambling 799: Strong, Levin, Beckenstein Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Vic...

Suspicion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory...

Rapscallion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invento...

Conductor (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory...

Predisposed (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invento...

11 x 14" vintage silver gelatin photograph of John Lennon and Yoko Ono photographed November 2, 1980, the last comprehensive photo session of...

ABOUT THE PIECE: The Colorsafe paintings are an exploration of the use of color and pattern. They are constructed from 'vintage' catalogs of the late 1960s / early 70s, a particularl...

My Green Undies I (Strange Love) 2005, 27 x 33 cm, Edition 2/10, digital C-Print, based on an i-sight video chat. Signature label and certificate. Not mounted. A piece of Stefanie ...

Tripping (Stranger than Paradise) - featuring Marc Forster and Greg Lauren - 1997 - 29 Palms, CA Edition 3/5, 44x59cm. Analog C-Print, printed by the artist, based on the Polaroi...

Hand-coloured litho depicting the American jockey, Tod Sloan (1874-1933) from the Men of The Day series #750 since bespokely framed 1899 Print Sz: 9 1/2"H x 13 1/2"W...

16 x 20" vintage silver gelatin photograph of Hollywood Star Warren Beatty in 1978. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes directly from the Jac...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

Screen Print Idol Oversize Signed limited edition - Pop Art - Frank Sinatra by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 40 x 30" inches / 101 x 76 cm paper size Edition 2/15 limited to 15 only this size. signed and numbered by the artist. certificate of authenticity provided. unframed. (Framing and Other Sizes available - please enquire) In 1938, a 23-year-old Frank Sinatra was arrested in Bergen County, N.J. on charges of seduction and adultery. According to the FBI reports, "On the second and ninth days of November 1938 at the Borough of Lodi" and "under the promise of marriage" Sinatra "did then and there have sexual intercourse...

Tart to the Taste, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evoke a m...

Vintage black and white Associated Press photo of the french singer Gilbert Bécaud. Good conditions.

"Hopeful of the Dream City" invites viewers to delve into the depths of the young lady's aspirations. Her gaze is fixed on a distant horizon, eyes filled with a mixture of excitement...

Edition of 50. Pete Townsend is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old scho...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...