Shorts Art

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope USA. Illinois. Chicago. A washroom in the Chicago Airport, US actress...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

"Hold" is one of the newest paintings from Debbie Miller's iconic and beloved swim race series. Featured are two girls who seem to be waiting for the results of their recent swim ra...

"Betty Slade Dives" by Fox Photos England's champion woman diver, Betty Slade, doing a back dive from the springboard, during training at Wood Green baths. Unframed Paper Size: 40"...

Artist Comments
A man and a little boy stand on a wooden pier and fish in the bright midday sun. One holds his rod over the water while the other leans on the railing beside hi...

Art Shay photographed the community of Brooklyn, IL for Ebony Magazine, 1952. These photographs are the result of that experience. Brooklyn (popularly known as Lovejoy), is a village in St. Clair County, Illinois, United States. Located two miles north of East St. Louis, Illinois and three miles northeast of downtown St. Louis, Missouri, it is the oldest town incorporated by African Americans in the United States. It was founded by freed and fugitive slaves from St. Louis, led by "Mother" Priscilla Baltimore in the period of 1829 to 1839. Its motto is "Founded by Chance, Sustained by Courage". This photograph is framed. Art Shay Brooklyn Twins, 1952 silver gelatin print 14h x 11w in 19.25h x 16.5w in framed ASY15054 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

Signed lower right 'F. Sands Brunner' for Frederick Sands Brunner (American, 1886 - 1954) and painted circa 1930. A painting showing the artist's two daughters, Sibyl and Janet, fa...

Elton John, 1973

Stay On Target - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of the infamous scene in North By North West by ...

Carrie Mae Weems In the Halls of Justice Edition 3/25 Limited edition Signature Signed, verso Steeped in African American history, Carrie Mae Weems makes alternately searing and te...

Motorboats in Antibes, 1969 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Motorboats in Antibes' is a Limited Edition Estate ...

shipped in roll Secret Spot explores the theme of hidden desires and memories that often remain in the shadows of consciousness, waiting for the moment to be revealed. The artistic f...

'Beach Babe Kelly Grace' Grace Kelly on the set of To Catch A Thief, 1955. (Photo: AKG) mint condition Archival pigment print Measuring 12 x 16 inches...

Jim Jonson, American (1928 - 1999) - Tennis Match, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 28 in. x 21 in. (71.12 cm x 53.34 ...

Edition of 20 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a girl standing on the shoreline, sh...

Cats on the Sidewalk, 1984 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs ...

A wonderfully rich beach scene done in Zandvoort Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water with sailboats as kids play in the dista...

Signed in pencil on verso; stamped with photographer's copyright stamp on verso Gelatin Silver Print Paper: 16" x 20", Mat: 20" x 24"

Lobster and Crab Catch by Toni Frissell Local fisherman carry their fresh catch of Lobsters and Crab from sea. (Toni Frissell) Limited signature stamped edition print 60 x 40" inch...

Holidaymakers on the beach at Harbour Isle in the Bahamas, March 1973. Gorgeous print measuring 60 x 40" inches / ca 152.4 x 101.6 cm’s paper size. Estate Stamped Collection Edi...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

GEORGE BARRIS I4 FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 16 X 20 INCHES HAND SIGNED BY ARTIST This piece is an original photograph of Marilyn Monroe from the o...

This photograph of Marilyn Monroe was taken by photographer, George Barris, in 1962 on Santa Monica Beach in California. It is from a collection entitled "The Last Photos", which is ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the main group stand a second group of people talking...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Edition of 10 Portrait of John Foster at the beach in South of France. Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scen...

Army Of Me II - Oversize limited edition - Pop Art - Muhammad Ali by the London based contemporary pop art image creator and artist, BATIK. Measures 40 x 30" inches / 101 x 76 cm ...

C.Z. Guest 1955 - Slim Aarons Estate Stamped American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 – 2003) with a poodle and a Great Dane at her ocean-front estate, Vil...

Germany, in summer 1937 – Photograph by Karl Heinrich Lämmel In this candid and delightfully composed image by Karl Heinrich Lämmel, a woman sits on the bumper of a gleaming Ford V8,...

Skiing In Gstaad 1977 by Slim Aarons Slim Aarons Limited Estate Edition Christine Camerana, Caroline Stoop, and Christine Semenenko Warrender prepare for a day on the slopes in Gs...

Nevertheless 2012 Digital C-print (Edition of 5 + 2 APs) 40 x 30 inches $3,000 This work is offered by ClampArt in New York City.

shipped in roll “Dreamline” captures the moment a woman steps into a journey driven not by directions, but by desire. She’s not following a map — she’s drawing her own invisible lin...

Chromogenic print Signed and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: Born in 1970 in a suburb of Tel-Aviv...

Artist Comments
Artist Michael Wedge paints a surrealist composition where lightbulbs replace vegetables. "The activity and its meaning are left up to the viewer," says Micha...

Rare old black and white photograph on sepia paper, depicts three children watching Santa Claus from the window.

"Remember when we used to go to the beach? Before you were sick? I miss you..." (2023) by Andrew Cadima is an original handmade oil painting that depicts a portrait of a woman standi...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 14 x 11" archival pigment print 21 x 17 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

Backgammon By The Pool (1959) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a s...

This images sits on the paper size with a white border to matt over or to frame tot he edge . The image estimate is 26" x 38". on the 30" x 40" paper size . Eternally suspended in m...

Suzy Smith's "Calm Before the Storm" is an original, handmade oil painting that depicts a feminine figure, in a white and black striped swimsuit, holding a ...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

Dancing to the rhythm of the Gods in Santiago de Cuba… Ochun reborn… James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

Signed limited edition print of the Beastie Boys by Jake Chessum. Jake recalls ” This was from April 1994. I flew from London to shoot at Mike D’s ba...

Harbour Island, Bahamas 1967 - Slim Aarons Estate Stamped A couple relax at the beach on Harbour Island, Bahamas, 1967. 16 x 20" inches / 41 x 51 cm paper size Estate Stamped Co...

Christmas day on Santa Maria beach on the outskirts of Havana, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

Motorboats In Antibes Motorboats moored on the coast near the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, August 1969. Paper Size 24x20 inches / 60 x 50 cm Estate S...

Untitled, c. later 20th century Three black and white photographs Dimensions: 1. 8 5/8 x 6 3/4 in. 2. 10 x 7 3/4 in. 3. 7 1/2 x 9 1/2 in. Each photograph laid to mat board measuring...

"Mini Car Mini Skirt" by Michael Webb Brigitte Bardot during a break from filming, 'Two Weeks in September' in Whitehall, London. Leaning against a mini she is wearing boots, a belt...

What makes these two drawings of Beavis and Butt-Head distinctive is artist Rick Parker's highly graphic depictions. Parker was the lead artist on Marvel’s adaptation of MTV’s icon...

"Marilyn Monroe, 1962" Photography 24 x 16 in Edition 3/35 by Lawrence Schiller Silver Gelatin print Edition 3/35 Signed and numbered on recto by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

Slim Aarons Estate Print - Pulitzer On The Beach - Oversize Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons) silver gelatin print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white beach...

Football legend Pele kisses the World Cup Trophy on the beach near his home in Santos, Brazil in April of 2013. It was this opportunity to photograph Pelé that brought O'Neill briefl...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Vintage black and white photograph. 1970s. Copyright by Dufoto. Very good condition.

Vintage black and white photograph of Johann Cruyff while playing. Copyright Agenzia Giornalistica Italia. Very good condition.

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Emily ‘ who was captured on film in 19...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...