Shorts Art

Thierry Noir Achtung Baby, 2021 Signed, titled, and dated 'THIERRY NOIR 2021 ACHTUNG BABY' on the reverse Enamel and urethane paint on Trabant 601 bonnet in Duroplast 85.5 x 125.5 x ...

Signed lower right 'F. Sands Brunner' for Frederick Sands Brunner (American, 1886 - 1954) and painted circa 1930. A painting showing the artist's two daughters, Sibyl and Janet, fa...

Artist Comments
"What could be more relaxing than the gentle sounds of the outgoing tide as it recedes from the shore, leaving behind little pools of water?" asks Faye. Throu...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Mitzy Renooy Step by step 80 x 40 cm Frame included in price, size with frame: 85 x 42 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art ac...

Stay On Target - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of the infamous scene in North By North West by ...

Untitled, from Women are Beautiful Portfolio, by Garry Winogrand is a black and white gelatin silver print of two women in matching outfits, walking through a park with people staring as they pass by. Edition of 80 Signed, numbered and misc. notations by Garry Winogrand Gelatin silver print Paper size: 11 x 14 in., Image size: 8 3/4 x 13 in. Printed 1981 From the Women are Beautiful Portfolio Garry Winogrand was an American photographer from New York. He is known for his extensive documentation of American life.. Winogrand was the recipient of the various Guggenheim Fellowships and a National Endowment for the Arts Fellowship. His work is included in the George Eastman Museum, Museum of Modern Art, the Whitney Museum of American Art and the Center for Creative Photography...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Listing includes free shipping for an unframed print in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Artist Comments
Artist Michael Wedge paints a surrealist composition where lightbulbs replace vegetables. "The activity and its meaning are left up to the viewer," says Micha...

'Beach Babe Kelly Grace' Grace Kelly on the set of To Catch A Thief, 1955. (Photo: AKG) mint condition Archival pigment print Measuring 12 x 16 inches...

Carrie Mae Weems In the Halls of Justice Edition 3/25 Limited edition Signature Signed, verso Steeped in African American history, Carrie Mae Weems makes alternately searing and te...

Crabbing In The Hamptons 1956 by Toni Frissell Family and friends enjoy crabbing a a beach in The Hamptons, Long Island's play spot. Oversize 30 x 20" inches / 76 x 51 cm paper si...

Windstorm is a gelatin silver print from On the Acropolis, a portfolio of 25 photographs by Tod Papageorge made on the Athenian Acropolis in the summers of 1983 and 1984. The image d...

Delve into the provocative world of Larry Clark with this exclusive collection of three striking photographs, featuring outtakes scenes from Supreme photoshoots. Each photograph, mea...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Nevertheless 2012 Digital C-print (Edition of 5 + 2 APs) 40 x 30 inches $3,000 This work is offered by ClampArt in New York City.

The painting shows two tennis players which is one of the official sports of the Olympic Games. The tennis match has a spectacular character and dynamics well captured in the paintin...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ben 2 ‘ who was captured on film in 1989...

The twelve paintings in the exhibition are imaginary film stills based on on a Science Fiction screenplay, titled Regression, that was supposedly developed in the 1950s.  The film wa...

Motorboats in Antibes, 1969 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Motorboats in Antibes' is a Limited Edition Estate ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

Army Of Me II - Oversize limited edition - Pop Art - Muhammad Ali by the London based contemporary pop art image creator and artist, BATIK. Measures 40 x 30" inches / 101 x 76 cm ...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Backgammon By The Pool (1959) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a s...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

Dancing to the rhythm of the Gods in Santiago de Cuba… Ochun reborn… James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

Elton John, 1973

Untitled, c. later 20th century Three black and white photographs Dimensions: 1. 8 5/8 x 6 3/4 in. 2. 10 x 7 3/4 in. 3. 7 1/2 x 9 1/2 in. Each photograph laid to mat board measuring...

"Chihuahuas" by Keystone A small dog's eye-view of two chihuahuas and their owners waiting for judges at Cruft's all-champion dog show. Unframed Paper Size: 20" x 24'' (inches) Pri...

"Betty Slade Dives" by Fox Photos/Getty Images England's champion woman diver, Betty Slade, doing a back dive from the springboard, during training at Wood Green baths. Unframed Pa...

World Series Win, New York City, 1954 by Leonard Freed, is a 14" x 11" gelatin silver later ("lifetime") print, signed on verso (back of print) by the ...

Sud America Reportage- is a Vintage b/w Photo realized in the 1960s by Mario De Biasi. Good conditions with aged margins Stamped on the rear. Good conditions.

This is an authorized reproduction of Moving In, a powerful and socially significant work by Norman Rockwell. The image depicts a scene of children of color moving into a predominantly white neighborhood. As movers unload furniture from the truck, an African American boy and girl stand nearby, while across the way, two Caucasian boys and a girl watch...

'Are you gonna leave me?' (Till Death do us Part) - 2008 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory ...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

Brent and Jorge, 90s queer portrait photography, black and white by Victor Carnuccio. Brent and Jorge 1992 Signed, titled, dated, and inscribed, verso; Also studio stamp, verso Ge...

Germany, 1936 – Photograph by Heinz Pollmann In this charming moment captured by Heinz Pollmann, a young boy gazes up in awe at a confident Fox Terrier perched proudly atop the folde...

"Mini Car Mini Skirt" by Michael Webb Brigitte Bardot during a break from filming, 'Two Weeks in September' in Whitehall, London. Leaning against a mini she is wearing boots, a belt...

"Betty Slade Dives" by Fox Photos England's champion woman diver, Betty Slade, doing a back dive from the springboard, during training at Wood Green baths. Unframed Paper Size: 40"...

While "Composition for Film" evokes notable associations with masters of painting and poetry known precisely for their ability to evoke slow time, intimacy, poetry, and introversion ...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy graffiti with as much accuracy as possible, including the texture of the walls where the stencils were on and the windows on the buildings here in Los Angeles. Most were recreated “in situation”, without any photo shop. Only two works “The Maid” and “The Lovers” required minimal photoshop. Nick is English as is Banksy but based in Los Angeles so finding brick walls or a sash window was fun to find for the shoots. All photographs are printed to order and signed, with a certificate of authenticity signed by Wallspace. They are printed on 20”x16”paper with a border included - be aware that images may not all be exactly the same size as the imagery has different layouts. The paper size will be framed to the same size. The paper is a heavy weight fine art paper Entrada. fine art print...

Sunbathing Skier (1956) - Silver Gelatin Fibre Print (Photo by Don/Three Lions/Getty Images) circa 1956: With the temperature at around 80? a skier reclines on her propped-up skis ...

Signed Lower Right by Artist The Saturday Evening Post Cover, September 23, 1944 A proponent of simplicity as a virtue, Stevan Dohan...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the main group stand a second group of people talking...

ABOUT THIS ARTIST: Thanassis Krikis was born in Kastoria, Greece. He studied fashion design and illustration at Parsons School of Design in New York.
 He is also a St. Martins Colleg...

Loading Zone is from Julie Blackmon's ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used to...

shipped in roll Secret Spot explores the theme of hidden desires and memories that often remain in the shadows of consciousness, waiting for the moment to be revealed. The artistic f...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

George Platt Lynes Photograph #1 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photogra...

Dancing to the rhythm of the Gods in Santiago de Cuba… Ochun reborn… James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

"Hold" is one of the newest paintings from Debbie Miller's iconic and beloved swim race series. Featured are two girls who seem to be waiting for the results of their recent swim ra...

Christmas day on Santa Maria beach on the outskirts of Havana, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope USA. Illinois. Chicago. A washroom in the Chicago Airport, US actress...

'Life In The Bahamas' 1967 Slim Aarons Limited Estate Edition Print A woman sitting in a hanging chair while having a drink in a bar in the Bahamas, in April 1967. A group of drink...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5 + 1 AP) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Signed limited edition print of the Beastie Boys by Jake Chessum. Jake recalls ” This was from April 1994. I flew from London to shoot at Mike D’s ba...