Suit Art

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Palm Beach Fashion 1955 (printed later) Fiber print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Mrs. Guilford Dudley, JR. wears a De De Johnson lace dress as she walks her Dandie Dinmont...

"Some nights are meant to meet", Contemporary Figurative Painting with Calligraphic Abstract Background, Felipe Gimenez, 2026 Acrylic on canvas 100 x 60 cm (39.37 x 23.62 in) This F...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE ...

Karl Kling, Mercedes W196, Grand Prix of France, Reims, France, 1955 Gelatin silver print Paper size: 16 x 20 in., Image size: 11 1/2 x 17 1/2 in. Signed in black ink on print margin...

Alfred Hitchcock and Ina, Hollywood, Harper's Bazaar, 1962 Gelatin Silver Print image size: 12 x 8 inches print size: 13 x 9 1/2 inches signed in pen recto on lower right; photog...

Bijin-ga Series XXXIV (Nº 34) Title: Miyahito of the Ôgiya Three quarter portrait of the elegant courtesan Miyahito of the Ôgiya House. This beautifully dressed japanese woman wears a solid grey outer robe, which contrasts with her soft rose kimono and the colored obi with an intricate geometric pattern. Her hair is arranged high atop her head, adorned with several hairpins. A classic Utamaro beauty print recreated with extraordinary taste and subtlety by Mario BGil in this delicate drawing. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Vintage Photo. Mrs. Martin Luther King jr., presents the Non violent Peace Prize to Sir Richard Attenborough of England in Atlanta.

Story illustration for “The Torrent: A Romance of the Orange Groves of Valencia” by Vicente Blasco Ibanez for Hearst’s International, published June 1921, page 6. The full caption reads: “‘How beautiful it is!…How I have longed to see it again!’ the lovely stranger mused half aloud to herself - quietly ignoring Rafael’s advances.” Masters of the Golden Age: Harvey Dunn and His StudentsSouth Dakota Art...

"Joan Crawford" by Thurston Hopkins American actress Joan Crawford (1906 - 1977) asks her assistant to bite off a loose thread from her dress at the Dorchester Hotel...

Glass takes the place of canvas in this Qing Dynasty reverse glass painting dating to the 19th century. Chinese painters and calligraphers bega...

Frida at the Border by Lucienne Bloch is a black and white photograph of Mexican painter Frida Kahlo standing amongst others in a city street scene. Mount size: 20 x 16 in. Image s...

Godzina Za Godzina is a vintage poster realized in 1978. Good conditions with some folding and cutting along the margin. This beautiful mysterious black poster was realized for Fil...

Paper Size: 23.5 x 16.5 inches ( 59.69 x 41.91 cm ) Image Size: 23.5 x 16.5 inches ( 59.69 x 41.91 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Poster feat...

Carolien van Olphen The Blue Kimono I Oil on wood panel 60 x 40 cm (Framed 68 x 48 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many place...

Vintage Photo. Lightly damaged (Folds on the angles).

Tohoyara Chikanobu "Women in a Garden" Woodcut print on Paper Tryptich totalling 13 x 29" Framed size 20 x 35" The triptych of woodcut prints features a classic scene of a garden in...

Emmy Award 1987. Bruce Willis holding his Emmy for "Moonlighting". Vintage Photo, good condition.

"Mrs. Gulliver" Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the artis...

Albert WATSON (*1942, Scotland) Sebastian Cardin in Issey Miyake, New York City, 1989 Archival pigment print 76 x 61 cm (29 7/8 x 24 in.) Edition of 25, plus 2 AP Print only Signed...

B&W photo of the black Venus in the early 1970s. Photo stamp "ANSA"

Utagawa Kunisada  Titles: Woman beside a Mosquito Net, from the series Starlight Frost and Modern Manners (Hoshi no shimo tôsei fûzoku) Original Date  1819 Reporduction, C. 1950S ...

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude II (Nu Bleu II) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67...

Lillian Shao, Taiwanese/American - Chrysanthemum Song, Medium: Screenprint, signed and numbered in pencil, Edition: PP 6/6, Image Size: 31 x 23.5 inches, ...

Slim Aarons Last-minute Adjustments 1955 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity A young woman has last-minute...

Archival pigment print in colors on Innova Etching Cotton Rag paper from White Shirt portfolio. Hand signed by Alex Katz lower left. Hand numbered 49/50 lower right (there were als...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...

Carmen and the Cathedral, Notre Dame, Paris 1957 Archival pigment print Edition of 5 Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity The entire Gleb Derujinsky Collection available exclusively at IFAC Arts on 1stdibs. Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970 Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion...

Brigands Hideout, Madrid 1957 Archival pigment print Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970 Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion Photography...

L’étoile, from the series Fantômes, 2025. © Diana Markosian / Aperture Framed and Signed Magnum/Aperture square print sale Diana Markosian takes an intimate approach to her photogr...

Photographed for Dior, Palais de Glace Dress, 1957. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a grey Dior dress outside by the Louvre metro. A model is wearing a dress with gloves...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography that was popularized in China during the econom...

Elizabeth Taylor Black Suit, Hands on Hips -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy award winnin...

The Godfather Part II 1974 Unframed Original Vintage Cinema Lobby Card 8x10" inches / 20x25 cm paper size Unframed (framing options available - please enquire) Condition: Very Good...

President Bill Clinton Archival pigment print image size: 36 x 36 inches Signed and numbered edition of 25 William Coupon is an American photog...

An iconic image by the photographer Peter Ruck. Roger Moore, downs a Martini, July 17th, 1968. Moore had recently been awarded his second Bravo Otto award for most popular television...

An iconic image by the photographer Peter Ruck. Roger Moore downs a Martini, July 17th, 1968. Moore had recently been awarded his second Bravo Otto award for most popular television ...

9 3/4"H x 6 3/4"W

Georgia O'Keeffe on Her Roof, New Mexico, 1967 Signed in ink on recto Gelatin Silver Print Image - 12"x18", Paper - 16"x20", Matted - 20"x24"

Bijin-ga Series XXVI (Nº 26) Title: Hanaôgi of the Ôgiya House Hanaôgi, one of the most famous courtesans of the Edo period working in the Ôgiya House, an exclusive brothel in the Yoshiwara appears beautifully dressed holding a writing brush on her right hand and a decorated piece of paper in the shape of a “cartuche”, maybe to write a message of love for a client. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Elizabeth Taylor Black Suit, Hand to Lapel -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy award winnin...

Most likely for Redbook, Cosmopolitan, Collier's Weekly, Good Housekeeping or Macall's

PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed. PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...

Dior, H-LIne, "1955," 1954. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print i...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is a subject which Jewish American photographer Leonard Freed from Brooklyn widely co...

Dora MAAR Smiling Model Original silver print made from the original 1935 negative Authenticated by the Succession stamp on the reverse (see photo) Limited edition of 5 copies (here...

David Ogburn, American (1942 - ) - Alexander O'Neal, Medium: Gelatin Silver Print, Size: 10 x 8 in. (25.4 x 20.32 cm)

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Bijin-ga series II (nº 02) Title: “Hairdresser” The interest in this picture is focused on the hairstyles of both women, a hairdresser leaning forward with a bow of intense black color, arranging his client's especially long hair. The ways of gripping both the hair and the comb, making it slide through the ocher-scented kimono of the customer, decorated with sea stars, stand out. Highlighting with great detail the drawing of loose hair on the obi of white lines on a red background, and the kosode of plum color. This image is part of the Bijin-ga Series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print "Hairdresser" (1798-1799), 39,8 x 26,8 cm. Museum of Fine Arts. Boston-USA. Utamaro drawn a series of twelve prints whose themes were related to the manual works of women, and this "Hairdresser" is one of them. Mario BGil reproduces the seal of the censor (Kiwame) and writes his own signature, Mario BGil, in Japanese, with the date 14 (2014). The mesaurements of the drawing are 76 x 56 cm. (29,92 x 22,05 in.), with a painted surface of 67 x 49,5 cm. With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the business world, away from commercial art galleries. Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late 19th century. The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...

Fernando Natalici: John Waters, Baltimore 1985: Medium: Silver Gelatin print in Agfa darkroom paper. Dimensions: 11 x 14 inches. Condition: Fair overall vintage condition; scattered...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Medium: Oil on Masonite Signature: Signed 'Hughes-' Lower Left This work was published as the cover of the June 17, 1950 edition of The Saturday Evening Post. Literature: J. Cohn, ...

This original 1968 Japan Air Lines (JAL) travel poster, titled "Tsuzumi no Ne" (The Sound of the Hand Drum), is a fusion of traditional Japanese art and mid-century aviation marketin...

signed and number in pencil on verso

Open and Limited Edition Silver Gelatin Prints
 Hand Signed by Bob Gruen Please contact us for inquiries of desired size: 8" x 10" Unframed
Open Edition 11" x 14" Unframed
Open Ed...

Vintage Photo. The American Actor Alan Ladd. Not Good Conditions. Very Damaged.

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Cornell Capa Estate Stamped

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 26" tall. Traditional Wayang Golek plays can be comp...