Tree Art

This artwork presents a breathtaking winter scene characterized by its vivid color palette and dynamic composition. Dominating the foreground, barren trees stretch skyward, their int...

by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches condition: very good and ready to be enjoyed. ...

Ed. of 10, archival pigment print on Hahnemuhle Museum etching paper. Known for his minimalistic black & white landscapes as well as his bold fashion and celebrity portraiture d...

Swiss artist Marco Pittori developed a new approach to photography by bringing iconic photographs into conversation with other art forms. His creative artworks are often based on his...

This stunning watercolor artwork vividly captures a serene winter landscape, where the clarity of the frozen river reflects the ethereal glow of the sunset. Bare trees frame the scen...

John Appleton Brown’s A Path Through the Spring Trees is a radiant pastel on paper that beautifully captures the tenderness of early spring. A softly worn path curves gently through ...

This artwork vividly captures a serene winter landscape, where the pristine snow blankets the earth, crafting an undisturbed tapestry of whites and blues. The meticulous detailing of...

Oasis XV (Sidewinder) - 2005 38x37cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #301...

Ralph Albert Blakelock depicts a disoriented elderly man with a long white beard and hair on a forest path in his oil painting “Rip Van Winkle (The Hermit).”

original winter landscape en plein oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: N...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Schaefer Miles Original Painting On Canvas . In good condition measures 49x39

This is an original Oil Painting by the Ukrainian artist Elie Anatole Pavil. It is hand signed by the artist at the lower right corner. The reverse bears a label with the title and d...

Jeanine Donkers Fallen Tree 15 x 23 cm ( framed included in price) Measurement with included frame: 20 x 28 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled wit...

Walk the Line Edition of 25 signed and numbered by the artist A man walks along the shore of the coastline in Ghana. JJK is a pseudonym for one of the world's most successful photo...

Lumen Martin Winter, American (1908 - 1982) - Japanese Maple, Year: Circa 1980, Medium: Lithograph on Somerset, signed, titled and numbered in pencil, Edition: AP 40, Image Size: ...

Work on paper

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.

"WOODLANDS" by Mat Hennek The photos from the Woodlands cycle are the outcome of numerous excursions through all sorts of bosk - wood impressions with bewitching atmospheres. Carefu...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Tire d’aile (with Natacha) is a unique smoke-fired stoneware sculpture by French contemporary artist Cécile Raynal, dimensions are 115 × 43 × 30 cm (45.2 × 16.9 × 11.8 in). This scul...

Wonderful encaustic landscape of Coastal Farm by Northern California artist Gregory Fetler (American, b. 1946), 1973. Signed and dated lower right hand corner and on verso. Attached ...

Art Sz: 13"H x 9 7/8"W Frame Sz: 14 1/4"H x 11"W In custom gilt bamboo frame Original color page from Slim Aarons' iconic book "A Wonderful Time" published 1974

Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...

Paris: Cadart, 1865. Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In good condition with some light toning and several minor spots of light discoloratio...

New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...

Represented by George Billis Gallery, NYC & LA -- From Robertson's Artist Statement, "Growing up on the plains of west Texas, I understood the notion of wide, open spaces. The tablet...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

Artwork is lambda c printed behind acryl glass; museum quality. Beautiful! Ready to hang. Artwork comes with an international certificate of authenticity, signed by the artist. O...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...

Contemporary Impressionism An evening walk inspired this painting. The lovely blue green and violet hues of the foreground cow parsley and grasses are so evocative of summer. The sun...

"Autumn Song" captures the serene beauty of the season's picturesque colors. The artist's impressionistic style brings to life a landscape where trees are adorned in vibrant hues. Fr...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Oil on canvas signed P. Roubin - This captivating work of art presents a picturesque landscape, marking the splendour of nature in all its glory. With meticulous precision, the paint...

The Gate, Cuba Watercolor on paper, 1929 Signed with the estate stamp left recto and again on verso (see photo) Annotated: “Cuba” verso in pencil Condition: Excellent Image/Sheet siz...

Edition of 7 more sizes on request A very atmospheric Photograph of a nude women in front of a tree in Spain. The hair of the model look exactly like the branches. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are among the most sought-after and best-selling works in this genre worldwide and earned him an ever-growing following amongst art collectors. With iconic portraits of Africa‘s big game, Joachim Schmeisser became world-famous, and his distinctive visual language, which brought him great international acclaim, earned him the prestigious Hasselblad Master Award in 2012. The timelessness and intimacy of his photographs are unique and characterized by a delicate sense of „greatness“ that transcends ordinary beauty and makes the concept of the „sublime“ palpable. He gives us the feeling of witnessing something infinite or unattainable, and his phenomenal lighting moods and incomparable compositions open up emotional levels that are difficult to put into words. Joachim Schmeisser‘s unique perspective on the world sets him apart and goes far beyond the usual image of nature photography, documentary, or action photography. He reveals to us a magical vision of our world with equal individuals in which we ultimately recognize ourselves. Joachim Schmeisser is among the most important artists in this genre worldwide. His books on Africa...

"Tropical Coast" is a vibrant and spontaneous original watercolor that captures the lush, immersive atmosphere of a warm coastal setting. The artist uses the flowing and luminous pr...

Breaking Light envisions the profound impact beauty of sunlight pouring through forest trees and blanketing the pathway of a cascading hillside. The painting is painted black around ...

Les Iles à Cantepie by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 65 cm (21 ¹/₄ x 25 ⁵/₈ inches) Signed lower right, Paulémile Pissarro Signed and titled on the reverse Execut...

Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang. Medium : Oil and Acrylic painting on Canvas. Artist : Deniz Bayav Subject : Red and Green (Title) Signat...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-64 2002 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of all that ...

Robert Lewis Lahotan original oil painting on canvas in good condition measures 63x57.

Andre Renoux: 1939-2002. Listed French artist with auction results over $5000, but sells for much more in galleries. This is a truly wonderful mid century and unique slice of Florida...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Walter Launt Palmer is best known as “the painter of the American Winter.” In Bars of Light, the cool areas of shade haphazardly crisscross and then blanket the warm sunlight on the ...

Demonstrate 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-76...

the painting is being offered with a work and authenticity certificate

Artist Comments
Vibrant autumn trees paint a distant forest in shades of red, orange, and yellow. Soft layers of beige and blue land stretches across the foreground. A pale sky...

Clarence Holbrook Carter (American, 1904-2000) Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio, 1929 Watercolor on paper Signed and dated lowe...

Artist Comments
A luminous evening sky sets a magical scene for artist Jesse Aldana. At first glance, he believed he was painting a classic Christmas tree. On closer inspection...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Romantic, tonalist style charcoal drawing of a tree in isolation by Sue Bryan "Arborescent", 2025 charcoal, acrylic, and pastel on paper dry mounted to canvas 30 x 22 inches 31.25 x ...

Flowers on the Cote d'Azur French Post-Impressionist artist, indistinctly signed circa 1970's oil on canvas, unframed canvas: 15 x 18 inches Provenance: private collection, France Co...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Rodrigo Katayama Nature Abstraction #3, Rainforest (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed