Urban Art

Title: British Impressionist Watercolor of European Stone Archway Street Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.5 x ...

Title: British Impressionist Watercolor of a Figures Taking a Riverside Walk at Sunset By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Title: British Impressionist Watercolor of a Quaint Archway and Alley By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11.25 in...

Title: British Impressionist Watercolor of a Sunlit Street with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11.25 ...

Title: British Impressionist Watercolor of a Busy Sunlit European Street Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x...

Title: British Impressionist Watercolor of a Sunlit Alley with Archway and Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15 ...

Barefoot (Stranger than Paradise) - 1998 Edition of 5, 40x40cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1558. Signature...

This mid-1970s photograph, taken by society photographer Slim Aarons, features a helicopter and two motor boats adorning the deck of a luxury yacht where Iowan businessman Roy J Carv...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Artist: Pol Bury, Belgian (1922 - 2005) Title: Pan Am Building Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 32/75 Image Size...

VR's Trailer Park (Ghosts of Route 99) - 2021 Route 99 used to cut right through Bakersfield. The streets were filled with Motels for the weary traveler. In the 1970s the highway was moved, killing this section of town. In some places only the signs remain. 40x40cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Dougherty...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Title: British Impressionist Watercolor of Charming Townscape with a Hillside Backdrop By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Roman Loranc hand printed photograph. Retired Negative and artist is no longer printing. Limited Edition Dry Mounted to board. Some minor damage to lower right hand side (see pics) -...

My own private Travel Diary - Bishop, CA - Walking Lulu - diptych - 2001, 20x55cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature l...

This black & white photograph of a child and a tree growing in an open courtyard of Havana, Cuba as seen through an arched doorway is part of artist Ron...

Tropics Motor Hotel (Stranger than Paradise) 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Archival pigment print Signed, titled, dated, and numbered, verso 17 x 11 inches, sheet size (Edition of 15) $2500.00 22 x 17 inches, sheet size (Edition of 15) Price upon request....

Eagle Gargoyles On top Of Chrysler Building In golden light. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed...

Archival pigment print Signed and numbered on label, verso 22 x 17 inches, sheet size (Edition of 15) 38 x 27 inches, sheet size (Edition of 9) 57 x 40 inches, sheet size (Edition of 3) From the series, "New York Unseen" This artwork is offered by ClampArt, located in New York City. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

Title: French Watercolor of "Blois: L’Escalier François I" with Historical Figures by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 14.25 x 20 (height x width) Condition: Very good Provenance: From the artists atelier collection, South of France Description: This beautifully detailed watercolor captures the grandeur of the Château de Blois, specifically the renowned "Escalier François I." The intricate stone staircase, a masterpiece of French Renaissance...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Title: British Watercolor of a Sunlit European Market Street Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (Height x Width) Condition: Good, with some minor signs of aging. Provenance: From a large collection of this artists work, held in England. Description: This lively British watercolour captures the bustling charm of a sunlit market street, showcasing a picturesque row of whitewashed buildings adorned with balconies. The painting is set against a clear, bright sky, with outdoor umbrellas...

Title: British Watercolor of a Clock Tower and Village Street Scene with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x ...

Industrial Wasteland (American Depression) - 2017 “How can we live without our lives? How will we know it's us without our past?” ― John Steinbeck, The Grapes of Wrath 24x20cm, Edi...

High Voltage (American Depression) - 2017 “How can we live without our lives? How will we know it's us without our past?” ― John Steinbeck, The Grapes of Wrath 24x20cm, Edition of ...

Howard Cook (1901-1980), Soaring New York, aquatint, soft0ground etching, roulette, 1931-2; signed, dated and annotated “imp” in pencil lower right, titled lower margin. Reference: D...

ABOUT THIS ARTIST: Austin Bell is a photographer from North Carolina that shoots a variety of landscapes. His current focus is capturing basketball courts in Hong Kong, be it aeriall...

Archival pigment print Signed and numbered on label, verso 17 x 22 inches, sheet size (Edition of 15) 27 x 38 inches, sheet size (Edition of 9) 40 x 57 inches, sheet size (Edition of 3) From the series, "New York Unseen" This artwork is offered by ClampArt, located in New York City. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

Title: British Watercolor of Figures Walking Down Boulevard Near Arc de Triomphe, Paris By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Title: British Watercolor of Spanish Village Scene with Church and Archway By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11....

Title: British Watercolor Market Scene with Historic Building Facade By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 inc...

Title: British Watercolor of a Sunlit Village Scene with Horse and Cart and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11 inches (Height x Width) Condition: Good, with some minor signs of aging. Provenance: From a large collection of this artists work, held in England. Description: This charming watercolor painting captures a quaint village street bathed in warm sunlight, with its ochre-toned buildings adorned with green shutters and flowering window boxes. The peaceful scene is animated by a horse-drawn cart heading down a narrow path towards the ocean, visible in the background, evoking a sense of timeless rural life. In the foreground, a few chickens peck along the dusty road, adding a touch of rustic authenticity. The artist beautifully renders the interplay of light and shadow on the buildings, creating depth and inviting the viewer to wander down this idyllic street. This piece would be a lovely addition for collectors drawn to pastoral and European village landscapes.

'Welcome', classic Las Vegas sign photography from Richard Heeps Dream in Color series. Primarily known as a color photographer Richard Heeps was commis...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Title: British Impressionist Watercolor of an Italian Village Archway with Figures by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15....

Title: British Impressionist Watercolor of Square with Historic Architecture by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 1...

Valerio D'Ospina's (US based) "Viridian's Ride" is an oil painting depicting an urban street in green, at night, with a motion blur. Valerio D’Ospina was born in Taranto in 1980. O...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

Artist: Charles Levier, French (1920 - 2003) Title: Paris Street Scene Year: circa 1960 Medium: Watercolor, signed l.l. Size: 22 x 30 in. (55.88 x 76.2 cm)

Title: Old City Corner Medium: Oil on canvas Size: 27.25 x 27.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: ...

Archival pigment print Signed and numbered on label, verso 17 x 35.375 inches, sheet size 15 x 33.375 inches, image size (Edition of 9) 43.25 x 96 inches, sheet size 40.5 x 90 inch...

French Village Street Scene by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 10.5 x 7.5 inches condition: This painting is in exc...

Title: British Impressionist Watercolor of Terrace Café Scene with Red Umbrellas by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x ...

Archival pigment print Signed and numbered on label, verso 17 x 57.5 inches, sheet size 15 x 55.5 inches, image size (Edition of 9) 30.375 x 96 inches, sheet size 24.375 x 90 inche...

Title: British Impressionist Watercolor of Bustling Market Street with Flower Stalls by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Edition of 5 in format 75x52 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 75x52 cm + 5 cm white margin The photo will be after purchese signed and s...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Chromogenic print Signed and numbered, verso 11 x 14 inches (Edition of 5) 20 x 24 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please no...

'The road ahead', 2020 20x24cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL...

Title: French Impressionist Watercolor of a European Street Scene with Gothic Church By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5.5 x 7.5 inch...

Self Service - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid, not mounted. Signed on the back and with certi...

'The Empire', (Strange Love), 2018, 80x50cm, Edition 1/10, digital C-Print, based on a 35mm analog Negative, signature label and certificate, artist Inventory No. 30000.01, not m...

Archival pigment print Signed and numbered, verso 17 x 22 inches, sheet (Edition of 15) 27 x 38 inches, sheet (Edition of 9) From the series, "The Secret Lives of Buildings" This ...

Archival pigment print Signed and numbered, verso 16 x 20 inches (Edition of 7) 20 x 24 inches (Edition of 7) 30 x 40 inches (Edition of 7) This artwork is offered by ClampArt, l...

Archival pigment print Signed and numbered, verso 40 x 60 inches 50 x 75 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed and numbered, verso 24 x 40 inches 30 x 50 inches 40 x 69 inches 48 x 80 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. With the series, "Lost" (2003-2004), Nix and Gerber continue their investigation of the constructed landscape, this time examining feelings of isolation and loneliness. Like much of their previous work, this group of photographs...