Weather Art

"Encased in a cloud of dust, a cowboy rounds up a band of semi-wild horses A black and white photograph of a cowboy in the act of rounding up a herd of semi-wild horses encased in a...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain, an exhibition of new paintings by Sara MacCulloch. This will be her fourth solo exhibition with the gallery. An opening ...

Hake's Drove, British landscape photograph from Richard Heeps series, 36 Minutes in Cambridgeshire. Richard Heeps was awarded a Millennium Year of the Artist Arts Council Grant to m...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

"Heavy Clouds" is a dramatic, immersive landscape executed in watercolor, capturing the immense power and movement of a vast sky meeting a fertile field. The artist employs spontane...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Heather Hollis The Gods Have Awakened Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 12 x 8 inches (30.48 x 20.32 cm) Edition: 15 Signed on label (to be attache...

Original RARE Russell Chatham print Puget Sound In Late Afternoon . In good condition. Measures 45x34 unframed

pastel on paper

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Aleksandra Batura (b. 1982 in Augustów) a Warsaw based artist. She earned a Doctor of Fine Arts degree from the Academy of Fine Arts in Cracow. She s...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

Bart Koning (Dutch artist) Landschap II 24 x 30 cm (Framed included in price 24,4 x 30,4) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredi...

Edition 2/15 Archival pigment print “Water's Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

South Park Colorado - Low Clouds Over Mountain Range Photographic Print Dramatic photo print showing low-hanging clouds over foothills by American photographer Richard L. Worthern (...

Title: British Impressionist Watercolor of Misty Woodland Path by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 10.75 x 15.25 inches (H...

A curve in a s steep path in woods that disappear into morning mist. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph print...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Oleander (Life on Mars) - 2024 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 22313....

Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light, Harris paints the lands...

Fenland Clouds, photograph from Richard Heeps series, A View of the Fens from the Car with Wings, taken on a road Richard's father loved to go on their "Fen Hunting" Sunday drives. T...

Fenland Clouds, photograph from Richard Heeps series, A View of the Fens from the Car with Wings, taken on a road Richard's father loved to go on their "Fen Hunting" Sunday drives. T...

Fenland Clouds, photograph from Richard Heeps series, A View of the Fens from the Car with Wings, taken on a road Richard's father loved to go on their "Fen Hunting" Sunday drives. T...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

A rare winter day on the banks of the Main in a Bavarian town where snow has fallen. In the foreground are trees with snow on their bark and bare branches. To the left, a mother in a...

Spring Road by Wayne Cooper, (1942 - ) Date: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300 Size: 20.5 in. x 28.5 in. (52.07 cm...

Edition of 7 more sizes on request A Cheetah family is sitting in the savannah and look out for prey. Joachim Schmeisser is represented by leading Galleries worldwide. His photogra...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Wastelands, 2003 Edition of 1/10, 38x37cm, digital C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No 864.01 Not mounted. Offered is a piece from th...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Tinted Window, rain falls on a car window on a South African open road, landscape photograph from Richard Heeps series, The New Lantern. Richard Heeps' work takes you on a journey, t...

Artist: Vahe Yeremyan Title: Boat Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 29.5" x 30" x 1" inch (75 x 76 x 3cm) Presentation: Unframed, Gallery Wrapped on Wo...

Between the Trees 8, 2014 by Ellie Davies Between the Trees 8 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper, available in this size from a Limited Edition of 7 + 2 A...

The city painting, made in the author's watercolor technique, resonates with its colors. Contrasting, bright watercolor with an urban landscape, painted on cotton paper 40x60cm. The ...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Framing options are available. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Sarah Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Edition 2/15 Archival pigment print “Water's Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

5.3 x 3.5" Image in a 16 x 16 inch Mat CLOUDS “This series began lying in bed lazily photographing the clouds tripping along the horizon of the Jemez Mountains of New Mexico, home ...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Highlights - 2014 25 x 25m , Edition of 7 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). Signed...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

Deep Inside III #4 is a Giclée Print on Cotton Paper (Hahnemuhle Rag Paper 308g) print available in this size in a limited edition of 10 + 2 Artist Proofs. Born in Porqueres, a sma...

Released in spring 2025, Solace is a 192-page hardback by Ugnė Pouwell presenting a composed sequence of black-and-white still life, abstract studies, landscapes and portraits, inter...

"Foggy Trees" Canada 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,500...

Clarence Holbrook Carter (American, 1904-2000) Winter Landscape, 1947 Oil on canvas Signed and dated lower left 19 x 22.5 inches 25 x 28.25 inches, framed Clarence Holbrook Carter a...

A landscape from the Somerset Levels. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed...

"Nordic Path. Sky" is an exquisite mid-sized oil painting, rendered in silver-blue hues, that captures the essence of the artist's deep connection to the Nordic landscape. The cold, ...

Edition of 12 more sizes on request Five Cheetahs are strolling through the savannah and look for some prey. Joachim Schmeisser is represented by leading Galleries worldwide. His p...

The light of the moon creates an otherworldly ethereal world, a stillness and calm across the spiritual landscaper of the Bagan valley in Burma. James S...

Gaia 90 by Jaume Llorens Bach Gaia 90 is a 18cm x 24cm Black and White Photographic print on Premio Kozo 180gsm White Paper by Awagami Factory This size in a limited edition of 10 ...

Title: British Impressionist Watercolor of Snowy Landscape with Sledders and Village Lights by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimens...

Seeking inspiration for his landscape paintings, Yu Hanyu has spent many months since 2005 photographing the snow-covered Tibetan plateau and Himalayan mountains. Reflections of Heaven, 2013 by Yu Hanyu is a signed 16" x 20" HD C-print. In an edition of 5, 2/5 is available. As artist and photographer, he attempts to capture the towering row of mountains, the precipitous cliffs, the cold moon and the wasteland, the places beyond the Great Wall and the forests, the wind and the frost‚ with the Himalayans as his special muse. The artist says of his photographs of the mountains of Tibet: "Under a vast sky and white clouds, eagles soar -- the valley is deep, shadows are blurred. This is a mysterious and peaceful world in Tibet with abundant holy water running through the plateau." Provenance: Yu Hanyu Studio *** Artist’s Bio: Yu Hanyu is a contemporary Chinese painter...

Willard Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Dixon's work is collected worldwide. 'The Track no. 6' is 32 x 48 inches. Oil on canvas. It is traditionally framed in thin, minimal natural oak with an outer dimension of 32.5 x 48.5 inches. Artist signed and dated. Condition is excellent. Painted in 1989. From Andra Norris Gallery in California. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the ...

Very well executed original pastel on archival paper of New York City at night with beacon by the well known American artist, Leon Dolice. Signed lower right. Circa 1930. Condition is excellent. Beautifully gallery framed with stained mahogany wood frame. Under glass. Overall framed measurements are 21 by 30 inches. Birham Wood Galleries, East Hampton, New York provenance. Exhibited artwork. See photo gallery labels verso. Leon Dolice was born in Vienna, Austria on August 14, 1892, the son of a machinest/welder. He went on to study art in Europe and viewing the works of the Masters. Dolice immigrated to the United States in 1920, finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. Concentrating on etching and with the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan. A decline in popular favor for etchings led him to put aside his plates in the late 1930s and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes, and even experiments with Abstract Expressionism at the height of its new found favor in the 1940s punctuated his career. In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit. Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...