Wilderness Art

Heather Hollis Framed Terrain Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso)...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Dated 1896, gouache on paper, and signed lower right; this painting by John Hauser (1859-1913) is so popular that it has been reproduced in several mediums over the last 100 years, b...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Animas Valley, Colorado I Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 30 x 30 inc...

Noel Daggett, American (1925 - 2005) - Approach of a Rider, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23 inches, ...

Title: Dune Medium: Oil on canvas Size: 21.25 x 25.25 inches Frame: Framing options available! Condition: The painting appears to be in good condition.Although, please note the ...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Title of painting "Squall on the Tree Line," oil on canvas, signed lower right Dimensions: This actual painting measures 24” high x 36” wide. The curved gold leaf 4" wide frame, be...

Mel Hunter, American (1927 - 2004) - Ancient Elm , Year: circa 1980, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 96/350, Image Size: 22.5 x 30 inches, Siz...

Monumental large size painting by Robert F. Morgan (1929-2015) who was born in Helena, Montana and painted western scenes indigenous to his birthplace and surroundings. He was a real...

The Letter (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate...

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

The Doctor's Stage (Heather's Dream) - 2013 with Udo Kier and Heather Megan Christie part of "The Girl Behind the White Picket Fence" 38x48cm, Edition of 10 plus 2 Artist Proofs. ...

Frozen XVI (Stranger than Paradise) - 2001 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Runaway (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1...

Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "Awhile". The verdant scene, with its golden field in the foreground and blue mountain in the background is painted with meticulous detail. Each blade of grass and every leaf is painted with precision. This oil painting is framed in a rich walnut colored wooden frame measuring 16 x 20 inches. "Pozas" René Monzón...

Old Woman Spring Road (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Keys View (29 Palms, CA) - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25061....

Torrent is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available i...

This Texas scene by Daniel Maldonado depicts Garner State Park, located near Concan, Texas. The piece is executed in oil on canvas and measures 16 x 20 inches.  Framed

S is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available in 2 di...

Les Corbières - Limited edition pigment print - Limited Editions of 5 Mountain in France. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 23 x 70,4 cm / 9,05 x 27,56 in - Edition of 5 31 x 95 cm / 12,2 x 37,40 in - Edition of 5 45 x 137.7 cm / 17,71 x 53,93 in - Edition of 5 A custom size is possible, it will be included in the nearest edition of 15 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Title: Vibrant Acrylic Painting of Yosemite National Park of View of Half Dome Summit By Minty Ramsey Signed: Verso Size: 18 x 24 inches (height x width) Medium: Acrylic on Canvas Co...

Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate XVIII - 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Ori...

The San Jacinto Mountains near Palm Springs, California can be seen from this perspective after getting off the tram ride up the mountain. It is a spectacular view!

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

Heinz Roder (1895-1965), Low Mountain Landscape with Rocks, oil on painting cardboard, 30 x 40 cm (visual size), 40 x 50 cm (frame), signed and dated "[19]34" at lower right. In a de...

Mountain Landscape dated 1994 signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 20 x 25.5 inches condition: very good provenance: from a larg...

Hand printed Palladium photograph (no pull down for that) Edition 1/15 Corner Mounted Over matted

Eliza Barchus (American, 1857-1959) Mt. Shasta, California Signed Lower Left Titled Verso 11 x 14 inches 13.75 x 16.75 inches with frame Eliza Rosanna L...

The mountains exhale a quiet, steady breath, and the valley listens. Autumn settles gently here — in the golden grasses, the warm rust of trees, and the soft haze that gathers along ...

Daphne Sweet draws from a profound engagement with the cultural and personal mythologies of the American West, Sweet’s work interrogates themes of femininity, identity, and power. He...

Forest Landscape Josine Vignon (French 1922-2022) ...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a picnic on the bank of the Whiting River near Campbell Falls, Massachu...

Archival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...

'Jane's Place' 29 Palms, CA, Edition 1/5, analog C-Print on Fuji Crystal Archive Paper, 70x80cm Mounted on Aluminum, hand-printed by the artist, enlarged from a Polaroid. THE GRE...

These photos were shown at the exhibition 'A Fatal Pass at the Wolfsonian FIU Museum in 2015'. The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

On the Road to Nowhere - 2017, Edition 1/7 plus 2 Artist Proofs Archival C-print, based on the original Polaroid, not mounted. Signature label and certificate. Artist inventory PL2...

The Mountain Forest signed by Georges Bordonave (French contemporary) dated oil painting on canvas, unframed canvas: 21.5 x 26 inches condition: very good provenance: from a large p...

Title: Mid Century French Original Pastel Drawing of Mountainous Landscape Scene Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height) x...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

"Rushing Waters" The velvet water rushes onwards, leading the eye to the backdrop of Yosemite's most prestigious landmark; El Capitan. This is an award-winning image. These lim...

"Kingdom Come" Two Samburu warriors stand atop this popular overlook surveying their ancestral land. As warriors, it is their job to look after the needs of their community. These...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

Title: "Mid Century French Original Pastel Painting of a Mountainous Countryside Landscape" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 25.25...

Flinders Ranges, South Australia, 1997 - 20x30cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Though small in scale, Timothy James Standring’s oils and watercolors pierce the assumed poetics both media aspire to express. Over the past decade, Standring has brought a gimlet-ey...

Dusk til Dawn Edition of 10 - 27 x 36 cm. Digital C-Print based on a 35mm film, not mounted. Signed on back and certificate. Not mounted. Dusk ‘til Dawn (Shot 2019 on 35mm Film) Sh...

In this painting, I poured my love for nature’s awakening, capturing the delicate bloom of the apple tree against the bold majesty of snowy peaks. The vibrant greens and soft blossom...

Botanicals II 2018, 60x48cm, Edition 1/7, plus 2 Artist Proofs, based on an original Polaroid, Digital C-Print, not mounted. Signed on the back and with certificate. Artist Inven...

A waterfall makes its way through ragged cliffs in this charming French watercolor, c. 1950. Soft pastel colors infuse this painting with a quiet gentleness - from the churning river...

'Yucca' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

Knit One, Pearl One 6, 2011 - Autumnal Leaves and Trees in English Woodland by Ellie Davies Knit One, Pearl One 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, avai...

The Gloaming 3, 2011 - Light on the Forest Floor in English Woodland Forest by Ellie Davies The Gloaming 3 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pa...

Nehrbass’ landscape paintings display a narrative similar to magic realism, where ambiguity, realism and fantasy all play a role.

All that Remains - 2016 Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Not mounted. Signed on the back and with certificate. Artist inventory PL2016-3...