Wilderness Art

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

The Tiara (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate....

The Letter (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate...

The artist painted this sketch from plain air in Tsaritsyno Park in November 2000. This evocative artwork captures the serene desolation of a forest in late autumn. Dominated by a pa...

Peanut and Jill (Chicks and Chicks and sometimes Cocks) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Noel Daggett, American (1925 - 2005) - Prize Rack, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 23 inches, Size: ...

Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Duane Bryers, American (1911 - 2012) - His Family, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 14.5 x 22.5 in., Size: 21.5 in. ...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

This nature study was painted in Veliky Ustyug during a trip to the Russian North in 2001. This artwork, an exquisite portrayal of a serene rocky landscape, encapsulates the subtle b...

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

Chris Forrest, American (1946 - ) - Wild Geese, Year: Circa 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 40, Image Size: 18 x 23 inches, Size: 23 in...

The Doctor's Stage (Heather's Dream) - 2013 with Udo Kier and Heather Megan Christie part of "The Girl Behind the White Picket Fence" 38x48cm, Edition of 10 plus 2 Artist Proofs. ...

Frozen XVI (Stranger than Paradise) - 2001 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Runaway (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1...

Title printed on front of mount.

Old Woman Spring Road (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Inspired by a hike on the Grinnell Glacier Trail, Glacier National Park. :: Drawing :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :...

Artist Comments
Shaded water carries streaks of gold and orange reflected from the sunlit hills of Redstone, Colorado. The current flows around clusters of stones, breaking i...

Stamped and signed on the back of the mount, Witkin label affixed to the back of the mount. Edition of 55. The Weston Gallery is located in Carmel-by-the-Sea, CA and owned by Matthew...

Keys View (29 Palms, CA) - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25061....

Artist Comments
A lone figure stands at the threshold of a rugged mountain pass. Bold, impasto brushwork creates a tactile landscape of weathered earth and skeletal trees fra...

Heinz Roder (1895-1965), Low Mountain Landscape with Rocks, oil on painting cardboard, 30 x 40 cm (visual size), 40 x 50 cm (frame), signed and dated "[19]34" at lower right. In a de...

Les Corbières - Limited edition pigment print - Limited Editions of 5 Mountain in France. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 23 x 70,4 cm / 9,05 x 27,56 in - Edition of 5 31 x 95 cm / 12,2 x 37,40 in - Edition of 5 45 x 137.7 cm / 17,71 x 53,93 in - Edition of 5 A custom size is possible, it will be included in the nearest edition of 15 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Title: Vibrant Acrylic Painting of Yosemite National Park of View of Half Dome Summit By Minty Ramsey Signed: Verso Size: 18 x 24 inches (height x width) Medium: Acrylic on Canvas Co...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

Mountain Landscape dated 1994 signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 20 x 25.5 inches condition: very good provenance: from a larg...

This artwork masterfully captures a tranquil alpine scene, where the serene lake mirrors the surrounding majesty of towering mountains. The meticulous use of watercolor creates a lum...

Torrent is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available i...

A beautiful 19th-century Romantic Alpine landscape depicting a majestic mountain valley, where a rushing stream winds its way through rugged rocks and dense evergreen forests. In the...

Hand printed Palladium photograph (no pull down for that) Edition 1/15 Corner Mounted Over matted

'Jane's Place' 29 Palms, CA, Edition 1/5, analog C-Print on Fuji Crystal Archive Paper, 70x80cm Mounted on Aluminum, hand-printed by the artist, enlarged from a Polaroid. THE GRE...

On the Road to Nowhere - 2017, Edition 1/7 plus 2 Artist Proofs Archival C-print, based on the original Polaroid, not mounted. Signature label and certificate. Artist inventory PL2...

These photos were shown at the exhibition 'A Fatal Pass at the Wolfsonian FIU Museum in 2015'. The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

Forest Landscape Josine Vignon (French 1922-2022) ...

Artist Comments
Artist Onelio Marrero captures a quiet autumn morning at Split Rock Reservoir in New Jersey, where he and his wife spent time kayaking through one of its many...

Artist Comments
The afternoon's warm light bathes the rolling hills in soft pinks and golden earth tones, contrasting with the deep greens of the foreground vegetation. A dis...

Artist Comments
Afternoon light drifts across the Mount Diablo foothills in California. It reveals the quiet rhythm of oak woodlands and sunlit grasslands. The soft brushstro...

Artist Comments
The painting captures a view of the Carquinez Straits, exploring the rhythm of Northern California's rolling hills through simplified forms and a balance of w...

"Rushing Waters" The velvet water rushes onwards, leading the eye to the backdrop of Yosemite's most prestigious landmark; El Capitan. This is an award-winning image. These lim...

"Kingdom Come" Two Samburu warriors stand atop this popular overlook surveying their ancestral land. As warriors, it is their job to look after the needs of their community. These...

Gelatin silver print (Edition of 10) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. ...

The Mountain Forest signed by Georges Bordonave (French contemporary) dated oil painting on canvas, unframed canvas: 21.5 x 26 inches condition: very good provenance: from a large p...

Titled Garden View (Pikes Peak from Garden of the Gods), this oil on linen painting by Scott Yeager captures an iconic vista of Colorado's Front Range through the atmospheric lens of...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Dusk til Dawn Edition of 10 - 27 x 36 cm. Digital C-Print based on a 35mm film, not mounted. Signed on back and certificate. Not mounted. Dusk ‘til Dawn (Shot 2019 on 35mm Film) Sh...

Knit One, Pearl One 6, 2011 - Autumnal Leaves and Trees in English Woodland by Ellie Davies Knit One, Pearl One 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, avai...

The Gloaming 3, 2011 - Light on the Forest Floor in English Woodland Forest by Ellie Davies The Gloaming 3 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pa...

original en plein air oil on panel paint in Colorado :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Ha...

Title: "Mid Century French Original Ink Drawing of a Hillside Village Landscape" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 19.75 (height) x 25.75 ...

Title: "Mid Century French Original Pastel Painting of a Mountainous Countryside Landscape" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 25.25...

Botanicals II 2018, 60x48cm, Edition 1/7, plus 2 Artist Proofs, based on an original Polaroid, Digital C-Print, not mounted. Signed on the back and with certificate. Artist Inven...

'Yucca' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

All that Remains - 2016 Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Not mounted. Signed on the back and with certificate. Artist inventory PL2016-3...

A waterfall makes its way through ragged cliffs in this charming French watercolor, c. 1950. Soft pastel colors infuse this painting with a quiet gentleness - from the churning river...

a Piece of Pipe I (Pieces of Berlin), 2012, 4/10, Lambda C-Print, 30x30cm signed Certificate, mounted on Alu-Dibond Florian Reischauer's project 'Pieces of Berlin' Berlin – for mos...

Walking in the high desert, My heart was ever at ease. Whether in the noon day sun, Or in the evening breeze. My wonder never ceased. The burning sands around me, And God ...

The Gloaming 1, 2011 - Light on Forest Floor in English Woodland Landscape by Ellie Davies The Gloaming 1 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pap...