Wilderness Art

Rock formations in landscape

Step into the tranquil grandeur of the Swiss Alps with this striking original 1960s travel poster by Swiss graphic designer Rolf Krebs, commissioned to promote the Bernese Oberland—a...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

The forest painting with the mountains and stones is a beautiful wall decor, the painting is created en plein air, the artwork is full of different bright colours, combinations of wa...

Artist Comments
Artist Catherine McCargar paints a panoramic view of Mt. Diablo, a sight visible from her home. She paints a rendition of the mountain with much detail of the surrounding foothills. "I confess I have used my artistic license to have a little fun with the scene," admits Catherine. The title gives the viewer a hint about the creative aspect integrated into the stunning impression.

About the Artist
Impressionist Catherine McCargar expresses her deep admiration of nature through landscape paintings of Northern California...

Stunning oil on canvas landscape of the River Conway in Wales by British artist R. Ellis Wilkinson. Painted in 1881 and signed lower right. In what apears to be the original period f...

J. Robert Miller (1928 -2005) Abilene Artist Image Size: 16 x 20 Frame Size: 21 x 25 Medium: Oil "Going Home" Biography J. ROBERT MILLER (1928-2005) J. Robert Miller was an ...

Untitled (Mountainside Trail), c. 1900 Watercolor on paper 6 1/8 x 7 3/4 in. Mat: 8 x 10 in.

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Original Ha...

Artist Comments
Part of Jay Jensen's ongoing series of Maine landscapes. "There is this spectacular park near Lubec, which is the eastern most town in the US, and it's also f...

Artist Comments
A monumental view of the Hyalite Reservoir in The Gallatin National Forest stands beautifully in artist Jill Poyerd's magnificent panoramic landscape. The snowcapped fields and mountains give off a pristine white glow against the multitude of bristly pine trees. Muted earth tones enhance the soft yellow tones in the lower sky, creating a natural and subtle color scheme. By paling the values as the scene recedes, Jill provides a feeling of expanse and depth.

About the Artist
Jill E Poyerd brings "peaceful, contemplative moments" to life on the canvas. She approaches the canvas with little preparation, instead allowing herself total freedom to create. Both her watercolor and oil painting works depict gorgeous scenes of nature with a style distinctly her own. Something as common as a tree appears soft and ethereal through Jill's painterly style.

Words that describe this painting: landscape, nature, Montana, mountain, range, Rocky Mountains, fall, winter, lake, reserve, Gallatin Forest, tonal, paper, watercolor, forest, woods, water, impressionism, impressionism, nature, watercolor painting...

Heather Hollis Framed Terrain Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso)...

Artist Comments
Artist Catherine McCargar based this painting off of a plein air piece she created while standing in the middle of this walking path and horse trail. "I had t...

A beautiful watercolour painting by British Army General and artist Sir John James Stibbon, entitled Snowdon-Across Llyn Cwellyn. Well-presented in a crisp white mount and contempora...

Artist Comments
"Mount Diablo is a majestic presence throughout California's Bay Area," says artist Catherine McCargar. In this painting, she capt...

This is the view of Mount Morrison from another ridge in California's beautiful Sierra. I had made a really tough climb up this ridge & the mountain was still towering over me. It wa...

A delightful oil study depicting a winding river in a snow laden forest landscape. Signed to the lower right. On canvas.

Chris Forrest, American (1946 - ) - Wild Geese, Year: Circa 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 40, Image Size: 18 x 23 inches, Size: 23 in...

Artist: Stuart Klipper (American, 1941-) Title: Betataken, Anasazi Places Year: 1980 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted, 20 x 45 framed Signature: Signed, titled, dated on the mat and on reverse Condition: Very good This photograph depicts the Anasazi settlement of Betataken in New Mexico. It is a chromogenic print, also called a C-print on Kodak paper. It is from Klipper’s series called Anasazi Places done in 1980 under the auspices of the National Endowment for the Humanities. The photograph is in very good condition. The mat is in very good condition. The bronze metal frame and Plexiglas are in fair to good condition with some small scratches. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...

This artwork " Landscape with River II" c.1970 is a oil painting on canvas by Russian artist Irina Belotelkin Roublon 1913-2009. It is signed lower left by the artist. The canvas size is 16 x 20 inches. It is in very good condition. About the artist. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija poppy...

Title: "The touch of the Sun" Composition: The painting is dominated by a sweeping vista of the Dolomites, with the mountains rising majestically in the distance. We can see also a ...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Sunrise over the Dolomites is an original artwork realized by the Italian artist Adriano Bernetti da Vila in 2017. Hand-signed oil and acrylic on canvas 50 x 70 cm. The artwork is ...

Colorful mountain river watercolor painting by Henry "Hank" Volle (American, 20th Century). Signed "Henry Volle" lower right. Artists bio on verso. Pre...

Autumn by American artist Stephen McMillan presents a sweeping view of the vineyards of Sonoma County at the height of the fall season. The composition unfolds across a broad panoram...

Barbara Mauldin Fredericksburg Artist Image Size: 12 x 16 Frame: 16 x 20 Medium: Oil "Vespers" Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Oil painting on canvas by Elena Mardashova, 60x80 cm. Excellent condition.

The mountains exhale a quiet, steady breath, and the valley listens. Autumn settles gently here — in the golden grasses, the warm rust of trees, and the soft haze that gathers along ...

Original Oil Painting signed by the Artist in the lower left corner.

Forest Oasis, Mid-Century Pool Under Redwood Trees Landscape Beautiful mid-century redwood forest scene by Vladimir Shkurkin (1900-1990), c.1950. This st...

Monte Mano 1973 - Slim Aarons Estate Stamped A swimmer in the seaside-style pool at architect Jacques Cou‘lle’s home ‘Monte Mano’, on the Costa Smeralda, Sardinia, Italy, August 197...

The San Jacinto Mountains near Palm Springs, California can be seen from this perspective after getting off the tram ride up the mountain. It is a spectacular view!

Man-Made Miracle - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Century....

Prey for the Dead (Original Title: pregate per Morti) is an original lithograph realized by C. Ronchi in 1860 ca. In good condition but aged. The artwork represents a general, prob...

Signed to the lower left. Inscribed with location verso. On canvas.

"Arroyo Between Nambe & Pojoaque on #113" (1985) By Joellyn Duesberry is an original handmade oil painting on linen that depicts an expressionist landscape with an arid riverbed. A ...

Alps is an original lithography artwork on paper realized by A. Lauro in the XX century. The State of preservation is very good. Included a white Passepartout: 34 x 49 cm. The ar...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Duane Bryers, American (1911 - 2012) - Camouflage, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 22.5 x 18 in., Size: 26.5 in. x 2...

"Sabanilla" by Diego Glazer is an original oil painting depicting an arid landscape. Artist Statement: The Sabanilla gorge, painted on location near my hometown of Quertaro, Mexico...

Noel Daggett, American (1925 - 2005) - Trackers Moon, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, Size: ...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

A painting depicts a serene winter scene with a river running through a mountain valley. The waterway appears to be covered with a light layer of snow and ice, and the surrounding ba...

“Fading Winter” Oil on canvas, 28 × 35 cm A fleeting moment between seasons, “Fading Winter” captures the quiet transition from winter to spring in the Swiss Alps. The painting depi...

The majestic vista of the mountains of the South Island Range in New Zealand. View from the walking path that leads down into the deep valley at the foot of this incredible sight. ...

Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Evening Sunset" 70.0 X 90.0 CM / 27.5 X 35.4 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2026 Go...

Noel Daggett, American (1925 - 2005) - A Last Look Back, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 25 inches, S...

The Letter (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate...

Chromogenic print Signed, dated, and numbered, l.r. This photograph is offered by ClampArt, located in New York City. Megan Cump writes: My photographs fuse performative elements w...

Title printed on front of mount.

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

Archival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...

Torrent is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available i...