Academic Drawing 19th Century

This nuanced charcoal academic study captures the essence of the male nude body. It is powerful

Very interesting male study in a studio ( Louvre ? ) with paintings in the background. Very good quality. Verso : another study probably from another artist. Without frame

This 1883 charcoal on paper male nude academic study is by French artist Eugéne Fourault. Fourault

This late 19th century charcoal on paper academic study is by French artist Eugéne Fourault

.  Artwork details: Elisabeth Concordia 'Elise' Crola Berlijn 1809-1878 Ilsenburg (Duitsland) Academic study

Boldini, and James Jacques Joseph Tissot, somewhere between the traditional Academic painting seen in the

centuries. It appeared, for the Greeks, not in mythology but as an animal in natural history. A symbol of

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

last quarter of the nineteenth- and first-quarter of the twentieth-centuries. Geoffroy’s name (signed

Horace Vernet (French 1789-1863), Study for “The Artist’s Studio” 1820. This is a charming detailed pen and ink study for “Vernet’s The Artist’s Studio” which was painted in 1820. I...

"Juliette et sa servante" & "Juliette au balcon" Paire de dessins à la mine de plomb, encre, aquarelle et gouache 23,5×10,5 cm et 25×14 cm respectivement / 33,6×41,6 cm encadrés Sign...

Head of Apollo of the Belvedere Technique: Charcoal on paper Italian Academic Drawing, 19th Century

A remarkable 19th century French Academic figure study depicting facial features including eyes and

A beautiful 19th century gilt framed French academic figure drawing depicting the Discobolus, an

A well executed collection of four academic studies, housed in a pair of glazed gilt wood and

19th Century Academic Drawing: Charcoal Study of Pallas Athena Bust Iytalian school. XiX century

Charles Louis MULLER Paris, 1815 – Paris, 1892 Dessin au crayon 50 x 38 cm Signé en bas à droite « Ch. L. Müller »

Academic drawing: L'Écorché by Houdon. Italian school. 19th century. 59x44cm This represents the

Academic drawing: L'Écorché by Houdon. Italian school. 19th century. 59x44cm This represents the

This 19th century Italian drawing of classical bust sculpture in plaster showcases expert

A son of Niobe. Italian Academic drawing. XIX century. Charcoal drawing on paper. Dimensions

Italian Academic Drawing: Apollino degli Uffizi. XIX Century. Dimensions: 68 cm x 50 cm Apollino

Late 19th century anatomical male drawing. Chalk and charcoal. Light foxing in places. Later

second half of the 19th century. High quality drawing, which shows the continuity of the Italian and

painting of the second half of the 19th century. High quality drawing, which shows the continuity of the

(80cm × 67cm framed) This drawing was created in the life-class room in the Royal Academy. In 1897

Large Academic drawing of Alexander The Great’s bust sculpture. XIX century drawing. Dimension

Century Pencil and charcoal on antique paper Mid-19th century Cm 59 x 44 Academic drawing depicting the

Michaela de Vito (Italian fl. 1830) Costume di Limosani, Provincia di Teramo; Costume di Villabadessa, Provincia di Teramo; Costume di Schiavi, Provincia dell’Aquila. All in the regi...

30 cm with frame) Signed and dated lower left "JL / 52" Modern frame Excellent condition Our drawing

Follower of William Blake Seated figure Ink drawing 7 x 8.7/8 in. (17.8 x 22.5 cm.)

over the poor. Watts made a series of delicate red chalk drawings from his most important pictures for

George Frederic Watts OM RA (British, 1817 – 1904) Studies of Mischief, circa 1873 Pen and brown ink on paper 6.1/2 x 8.3/8 in. (16.5 x 21.3 cm.) Provenance: From the private estate ...

Paul Sandbymunn (British, 1773 – 1845) Between Pisa and Florence Ink and watercolour 6. 3/8 x 10.1/8 in. (16.2 x 25.7 cm.)

Academic Study after Michelangelo’s David, Tuscan School, 51 × 43 cm Mid-19th century Pencil on

century Pencil on paper Academic drawing inspired by Raphael’s Portrait of Bindo Altoviti (painted circa

French School circa 1860 A Lady (or a queen) and her Maids of honour picking flowers Pencil, brown ink and brown ink wash on paper Bears a Monogramm "h b" on the lower right 23 x 35 ...

exercises based on academic plaster casts, a common practice in 19th-century art academies to refine drawing

XIX century Academic Study of the Head of Helen of Troy by Canova (From Gypsoteca plaster) 63 cm

Academic Study of Hands Holding a Staff, Tuscan School, 32 × 23 cm Mid-19th century Pencil on paper

classical ornamental motifs. This drawing is part of a collection of 19th-century academic studies from the

drawing on matte paper. Excellent conservation conditions. Plaster casts from nineteenth-century academies

Italian Academic Drawing of the 19th Century: Adonis of the Vatican Medium: Ink on paper

This fine turn-of-the-century drawing depicts a shepherd and his wife following a flock of sheep

An enigmatic charcoal portrait of a middle-aged lady attributed to German artist Julius Mante (1841-1907). The artist has captured an expression that's deliberately tricky to deciphe...

This charming late 19th-century portrait by British artist Eden Upton Eddis (1812-1901) depicts a

South African School, 19th Century A view of Cape Town from the water Indistinctly signed and

, one of the rare woman artists of the 19th Century who found international acclaim in her own time. Her

Attributed to William Weekes (British, 1864 – 1904) A donkey at a crossroads Watercolour on paper 5 x 4 in. (12.7 x 10 cm.)

Peter de Wint (British, 1784-1849) Randalls Mill at Nine Elms, on the Thames at Battersea Signed ‘P de Wint’ (lower left) Watercolour on paper 8.5/8 x 6.1/2 in. (22 x 16.2 cm.) The ...

George Frederic Watts OM RA (British, 1817 – 1904) Study for Clytie Black chalk on paper 4.1/2 x 7 in. (11.5 x 18 cm.) (to site edge) Provenance: Chapman Collection.; With Julian Har...