Annibale Carracci

Made by Guiseppe Maria Mitelli after Annibale Carracci. Guiseppe Maria Mitelli (1634-1718) trained as a painter with Albani and Canatarini.

This edition features a scene taken from one of Raqib Shaw’s most recent paintings, titled The Martyrdom of Icarus (After Honthorstand Carracci), a painting which was partly inspired...

Made by Arthur Pond after Annibale Carracci. Arthur Pond (1705-1758) was an English painter and engraver.

Very beautiful and ancient intaglio of a "Descent from the Cross", engraved by Jean-Louis Delignon 1755-1804 after a painting by Annibale Carracci was born in Bologna (1560-1609) fr...

A pupil of his brother Frans van Oost in Bruges, received a master's degree in Bruges in 1621, he continued his training in Rome for five years, where he was a pupil of Annibale Carr...

Attributed to Annibale Carraci 1590's In this painting "Mary" is being crowned by Jesus and God after her ascension to heaven. The three main figures are surrounded by Angels that a...

It’s most important representatives include the Carracci family, including Ludovico Carracci, and his two cousins, the brothers Agostino Carracci and Annibale Carracci.

His work remained largely untouched by the innovations of Caravaggio (who was briefly his assistant) or that of Annibale Carracci. Cesari was primarily a fresco painter, but he also...

His work remained largely untouched by the innovations of Caravaggio (who was briefly his assistant) or that of Annibale Carracci. Cesari was primarily a fresco painter, but he also...

Therefore it is an essay of considerable interest, typical of the Arcadian taste that was articulated since the 1680s; in a series of exquisite mythological fables set in lush landsc...

Turner, From Michelangelo to Annibale Carracci. A century of Italian drawings from the Prado, Madrid 2008, p. 190. 2.

Deposition is an original black and white etching realized in 1597 after Annibale Carracci. Signed on the plate and dated on the lower left.

The iconographic programme, probably executed by Annibale Carracci between 1595 and 1597, celebrates the supremacy of virtue over vice.

Deposizione di Cristo nel Sepolcro 1650, opera barocca di scuola emiliana ispirata al Cristo deposto nel sepolcro di Annibale Carracci esposto al Metropolitan Museum of Art in New Y...

It’s after a lost painting by Annibale Carracci (1560-1609) and related to three other copies, which are held in museum collections.

Amazing and beautiful work of art, Italian Baroque, "Allegory of tmusic or St Cecilia" artibuted to Carracci or workshop. Annibale Carracci was born in Bologna, and most likely lear...

Both the artworks has been realized in the XVI Century by Annibale Carracci and, the plates, are from an edition of the end of the XVIII Century.

Emilian school, 18th century, by Annibale Carracci (Bologna, 1560 - Rome, 1609) Holy Family with San Giovannino Oil on canvas 55 x 49 cm Frame 66.5 x 57 cm The present H...

"The Hunt" After Annibale CARRACCI (1560-1609) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 89 x 146 cm (35 ...

"The Peach" D'après Annibale CARRACCI (1560-1609) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 81 x 130 cm (...

Center medallion is "Venus and Anchises" after Annibale Carracci (1560-1609). from his monumental fresco in the Farnese Galley / Palazzo Farnese Rome called "Loves of the Gods".

The portrait of Agucchi in York used to be attributed to Domenichino, but is now thought to be by Annibale Carracci, another friend.

Tra i primi modelli che ispirarono questo tipo di composizione vi è la "Madonna del silenzio " di Annibale Carracci, poi rielaborata, come in questo caso, differenziando alcuni detta...

He was a pupil of Agostino Carracci in Parma and later studied with Annibale Carracci in Rome.

He was a pupil of Agostino Carracci in Parma and later studied with Annibale Carracci in Rome.

This piece seems to draw inspiration from Annibale Carracci's renowned ceiling frescoes in the Palazzo Farnese, Rome, specifically the "Loves of the Gods" series painted circa 1597–1...

With his print for Tate 21 Koons continues his dialogue with classical artists of the past, in this instance with the Italian painter Annibale Carracci (1560–1609), one the most admi...

Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci.

A pair of black and white engravings depicting scenes from the history of Romulous, titled SOLIUM TYRANNO PERNICIOSUM and CRUENTI PARCUT PROBO, after Carracci brothers, each within a...

Artists included the Carracci family, such as Ludovico Carracci (1555-1619), and the brothers Annibale Carracci (1560-1609) and Agostino Carracci (1557-1602), who founded the Accadem...

A handwritten inscription in brown ink on the verso, probably dating from the late eighteenth century, identifies our drawing, paradoxically described as 'of great frankness', as a w...

Thus, we are before a work realised by a talented artist who shows that he has well understood the refined Italian figurative culture of his illustrious predecessors such as Raphael ...

His copies of masters such as Caravaggio, Nicolas Poussin, Annibale Carracci, and Domenichino are excellent. His work sometimes displays a conscious archaic accent, which in his late...

Unlike his contemporaries, he trained under Luigi Scaramuccia (il Perugino), drawing closer to the models of Emilian and Roman classicism (Raphael, Guido Reni, Annibale Carracci) rat...

He was also active as a reproductive engraver making copies after Annibale Carracci. Mignard also developed his lifelong interest in portraiture at this time, and he painted portrait...

He studied the work of Correggio and Pietro da Cortona in Rome as well as copying Annibale Carracci's frescoes in the Palazzo Farnese.

The work is to be referred to the hand of a painter trained on the examples of the great 17th-century Roman Baroque landscape, which sees its roots first in the paradigmatic passages...

He studied the work of Correggio and Pietro da Cortona in Rome as well as copying Annibale Carracci's frescoes in the Palazzo Farnese.

Rubens' work is marked by his time in Italy, where he dedicated himself to the study of classical antiquity and the Italian Renaissance, especially attracted by the Venetian school a...

The Bolognese school took its references from classical styles, both from Greco-Roman antiquity and the Renaissance of the first Fifteenth century, especially Raphael. Annibale Carra...

Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings[2]or Baldassarre ...

Satire had flourished as an upper-class amusement since the 16th century, at which point Annibale Carracci had founded the exaggerated school of portrait known as caricatura.

The other, focused around Annibale Carracci and more restrained in style, brought together the linear approach of central Italian art with a Venetian use of colour.

He was the brother of the more famous Annibale and cousin of Lodovico Carracci. He posited the ideal in nature, and was the founder of the competing school to the more gritty view of...

Born into a respected family of artists, his creative inheritance was further nurtured by the vibrant artistic environment of his home city the birthplace of Annibale, Agostino Carra...

Born into a respected family of artists, his creative inheritance was further nurtured by the vibrant artistic environment of his home city the birthplace of Annibale, Agostino Carra...

Copy of the famous painting of Annibale Carracci, made between 1604-1606 and today preserved at the National Gallery of London.

This artwork was realized by Jan de Bisschop after a painting by Annibale Carracci Published by Gerard Valk (1652 - 1726).

After Annibale Carracci is an original artwork realized by Carlo Cesio in the second half of the XVII Century.

Wonderful image after Carracci Fine steel engraving. Published by A.H. Payne C.1850 Unframed.

They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda. Annibale Carracci Anni...

Blue ink stamp "Collezione pugliese" on the lower left margin, and another one in black ink hard to read on the lower right corner. Annibale Carracci (1560 – 1609) Together with his...

Together Giovanni Lanfranco with Sisto Badalocchio were pupils in Parma of Agostino Carracci (1557-1602). Again with Badalocchio, he traveled to Rome in 1602, following Agostino's de...

Wonderful image after Carracci Fine Steel engraving. Published C.1850 Unframed.

Wonderful image after Carracci Fine Steel engraving. Published C.1850 Unframed.

Wonderful image after Carracci Fine Steel engraving. Published C.1850 Unframed.

This painting seduced us with its rich colors. Depicting Diana and her companions surprised by Actaeon, it was inspired by an engraving by Aegidius Sadeler II after a painting by Jos...

Vincenzo Colleoni (Active in Venice in the second half of the 19th century) - Interior scene with masked figures. 110 x 160 cm (without frame) - 145 x 194 cm (with frame). Oil on c...

Tapestry from the Royal Manufacture of Aubusson, Louis XVI period , made in 1738 at the Gobelins One panel from a series of Gobelins tapestries depicting the Hi...

Boldly sculpted and beautifully finished with a deep mossy green glaze, this bas relief sculpture depicts a nude Hercules, possibly carrying the Cretan bull, followed by a robed fema...

Italian Venetian style (20th Cent) octagonal shaped painted and decorated metal and wood bird cage with 8 upholstered seat and back cushions around base. (Franco Zefferelli Collection)

Continuing a tradition going back decades, Josef Pieper painted a series of seaside scenes with multiple nude male figures, riding and leading horses along the shore, their strong bo...

This monumental 1920s oil on canvas, The Bathers, reinterprets William-Adolphe Bouguereau’s renowned 1884 masterpiece through the distinctive vision of Swedish-born artist Eric John ...

Large-scale 19th century English display cabinet executed in the Chinoiserie tradition. Constructed in carved mahogany and conceived as a tripartite architectural façade, each glazed...

The Color Experience: Stained-glass windows “Color is a power which directly influences the soul” (Wassili Kandinsky, Moskou 1866 – Neuilly-sur-Seine, 1944) “Color! What a deep a...

This beautiful Limoges enamel plaque depicts a knight in full armour. He is portrayed turning towards the viewer, as though he is about to unsheathe his sword. The knight stands befo...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting ...

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave wa...