Antique Chemise

Charming Art Deco Lace Inserted Chemise Dress from the 1920's. Easy, slightly flared shape with

Circa 1915/1925. France Interesting sac dress for the seashore in embroidered cotton chiffon dating from the years 1915/1925. Straight cut with Kimono sleeves and low waist, belt in ...

Antique French embroidered natural rustic linen, shift dress, slip dress, night dress. Hand woven rustic linen in a cream with slight bluish grey tones, and the natural irregularitie...

This 1920's filet lace dress was Made in France and it is a very beautiful and wearable dress. It has a square neckline with two small hand embroidered panels at the center front. Th...

This antique Native American quilled brown chamois suede leather sleeveless chemise dress, which

Elegant Art Deco Tunic Dress of black silk chiffon with diamond and radiating patterns of iridescent purple beads throughout. Sheer dress slips over the head with sides open to hip w...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

La Chemise Enlevée is an original artwork realized by the French artist Benjamin Damman in 1909

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Greece. Ready to go on a wall. Frame...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Greece. Ready to go on a wall. Frame...

chemise and a black cropped bolero jacket. The painting is not signed and is presented in its original

portrait of Palmer wearing a gold dress and white chemise holding a hay fork. Presented in a panelled frame

modest high neckline designed to be worn over a chemise or lace blouse. Crafted in black fabric with a

presented in a dignified manner, in a softly draped gown with a blue wrap and delicate white chemise falling

chemise.  signed lower left: L Perrault oil on canvas canvas: 38.5 by 30 in  framed: 50" by 41.5" in 

This exquisite etching by Marc Chagall (1887–1985), titled Tchitchikov triomphe en chemise

, willowy silhouette. She is posing elegantly in a flowing skirt and matching fur-lined chemise. The

plainer chemise or high-neck top. A rare survivor from the period, it would look great paired with a

but muted with age, opened at the bodice to reveal a white chemise edged with delicate lace. The

composition a dynamic sense of movement. She wears a blue bodice with crossed lacing over a white chemise, red

. Measuring 13-5/8" x 8-5/8". Each leaf housed in it’s own maroon cloth chemise, the four chemise’s housed in

; dynamically sculpted with an adorable upturned smile and glimmering eyes, in a chemise with an incredibly

an outfit aligned with the late medieval or early Renaissance period. Wearing a bodice and chemise

minimalist yet intricate style was popular for collars, lapels, chemise dresses, and hat adornments during

a white silk dress with a low neckline, revealing a striped muslin chemise. A pearl chain, fastened

. Original wrappers with intact glassine covers, red cloth chemise and slipcase seeded with small gold flower

chemise sleeves gathered beneath the bodice. The garment can be dated with confidence to approximately

fashion. She wears a lustrous pale satin gown cut with a broad oval neckline edged in fine linen chemise

slashed sleeves and a low, décolletage neckline revealing a white chemise or undergarment beneath. Her

, fluid folds over a pale chemise, the neckline cut low across the shoulders in keeping with early

Belgium. Her attire, consisting of a white chemise, striped apron, and fitted bodice tied with a pink

a custom green cloth chemise, one flap detached, and 1/2 green morocco slipcase with raised bands

in a cloth chemise and housed in a beautiful signed half crushed morocco solander box by Riviere

leave a hole to reveal the layer beneath. Attached black silk chemise underslip with nude chiffon straps

gold. The ring is set with a three quarter portrait of a gentleman wearing an elegant wig, chemise

cheval et son cavalier habillé d'une chemise blanche avec des perles dorées, un jean, un foulard rose

white chemise beneath, enveloped in luminous blue silk that frames the shoulders and directs attention

hem, the bodice cut in deep folds revealing a white chemise. A wide golden sash emphasizes her

and arms extended. She is wearing a delicate sleeveless long white chemise adorned with ruffles, light

. Baltimore: F.D. Benteen, 1846. First edition. Folio. Presented in a new, archival cloth covered chemise and

wears a yellow-trimmed blue bodice over a green chemise, with wide white sleeves and a striped red-and

tropical foliage, her white chemise clinging to her form, crowned with a floral wreath. She shields her

solid beaded waistband. Slip-on chemise style with no closure. Most likely French made. Size 6.

. Slip-on chemise style, no closure. Most likey French-made. US generous size 6.

sleepwear. The neckline is wide and low, softened by the suggestion of the chemise beneath, and the bodice

) and richly dressed in a light white linen chemise, a luxurious fuchsia-pink tunic and a royal-blue

red straight grained morocco solinder slipcase with a folding cloth chemise, spine with gilt hunting

coat with white chemise and black feathered hat. He is stood against a dark background. His curly

a naughty smile and wearing a delicate white chemise with pink bows and ribbons. Her hair is curly

up and wearing a delicate white chemise with pearly buttons and pink ribbons. Her hair is curly

eyes. She sits at a slight angle, in a pensive pose, wearing a frilled pinafore and white chemise, the

gentlemen classically dressed for the period, in white chemise and cravat, with piercing blue eyes and a

title Femme à la chemise, confirming its place within the sculptor’s body of work. This scholarly

gilt edges; t.e.g., rest uncut. Marbled paper chemise and marbled board slipcase. Copy 342 of 350

matching, cloth covered chemise, to hold and protect the magazine. Magazine Dimensions: 8 3/8" H x 5 3/16

is now protected in an archival cloth-covered chemise, held within an oversized ¼ leather and cloth

translucent chemise and a varicolored Kashmiri scarf. Her husband’s collection of red-figure pottery was