Antique Cherub

Antique Italian Renaissance Revival Carved Ornate Figural Bust, Winged Lions Head and Cherub

featuring cherubs, cupids, and children, often representing abstract concepts like "Innocence" or "The

. The base rests on three scrolled feet, each terminating in a figural support featuring seated cherubs

handle to the centre, next to the bottle sections are four cherub surrounding the original glass gilded

gilt cherub spandrels, finely cast and chased each depicting winged cherub heads framed by scrolling

gilt bronze detailing, including a sculptural cherub mask at the scroll and decorative mounts

with deeply carved acanthus leaves, floral garlands, and expressive cherub (putti) heads, executed

curved lines and richly detailed carvings. The upper frieze is adorned with carved cherubs, surrounded by

. The centerpiece of this remarkable piece is a beautifully detailed adorned with two cherubs

three putti (cherubs), arranged in the round, standing on a circular base and collectively supporting a

it and red decoration on his black shoes in front of a lady wearing a flowing red dress, a cherub

acanthus leaves and sculptural cherub masks, evoking 18th-century French salon aesthetics. The smaller

the French Louis XVI style, depicting seated cherubs holding clusters of grapes. Each 24 by 20 by 10

cartouche and rare gilt-bronze figural handles of cherubs and foliage. The corners are mounted with

surrounded by playful cherubs beneath a flowering tree, rendered in soft pastel hues with refined detail and

elaborate shell motif surmounted by a cherub in high relief, a hallmark of important Lyonnaise work and a

patinated pine typical of the best Venetian sculptor's workshops, this sculptural group of Cherubs depicts

garlands, while supported on a scrolled Ormolu saddle. A charming cherub is seated above while reclining on

complete the composition, a group of joyful cherubs in flight are preparing to support a large basket

, depicting a cherub tickling the nose of a cresent shaped mythical face.  Circular mirror with bevelled edge

in high relief with a charming scene of playful putti (cherubs) nestled amongst swirling floral

cresting is guarded by the most exquisite cast bronze putti and cherubs. These celestial inhabitants do not

kneeling monks. The composition is framed by a floral wreath with cherubs dotted to the corners. Unsigned

upper portion. This antique silver bell is fitted with an unusual cast figural cherub handle, accented

sky, a winged cherub holds the palm of martyrdom. The protagonists are depicted in historical dress

before the socle displaying a charming and smiling cherub holding a laurel branch as a sign of peace. The

, exquisitely cast with two cherubs in each sconce. The cherubs gracefully hold two candle arms each, which are

. The carved apron is where the story deepens. At the center, a sculpted cherubic face emerges — calm

rendered in human form. The torch-bearing cherub suggests enlightenment or inspiration, while the woman’s

One of a kind pair of cherub high reliefs dating from the 18th century, probably belonging to the

hardware. Drawer pulls depict water cherubs. The silhouette and details are aligned with classic pieces of

pedestal adorned with cherubs and crescent moons, traditional Marian symbols. A piece of great rarity

the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced

, ethereal cherub (putto) is seen playfully reaching into a garland. In 18th and 19th-century French art

, featuring cherubs / satyrs. The style is characterized by elaborate scrollwork, foliage designs, and

cherubs tending to a flame and frame with organic motifs including connected scrolls and rocaille. 29

“Cherub” figures, such as those ones presented here were particularly singled out for their charm and

sides and back. On the lid there are two cherubs, flanked by shepherds tending their sheep. At some

Large pair of Neoclassical French bronze ewers, ornately cast with cherub and lion surmount handles

top, pendant garlands to the corners, openwork panels centred on a cherub sunburst with scrollwork

cherubs.   The clock has a half quarter chime movement with silk suspension and is complete with pendulum

scrolling foliage and cherubs, bordered by ebony and framed with finely cast gilt-bronze mounts. The table

Large hand carved Italian marble pedestal with revolving top, having cherub and rosette carved

lap, with naturalistic anatomy and original patina, accompanied by polychrome cherubs on either side

two cherubic faces nestled closely together beneath a compact console shelf. Cast in plaster with a

, comprising a globe clock, with strike on bell timepiece movement, supported by three cherubs, on a floral

A fine set of 4 19th century French Louis Philippe gilt bronze and bronze sconces. Winged cherub in

tones. The central figure—a cherubic child gathering wheat—is framed by ornate scrollwork and stylized

beautiful cherubs. The anatomy of the cherubs is perfect and precise. Generously sized but well-proportioned

(French, 1934-1917) with finely cast figures of cherubs with silvered patinas, and rouge marble bases

painted with green ground beneath golden Neoclassical scenes depicting a group of cherubs enjoying

with a cherub holding a cup in its hands. It is richly crafted. This is an authentic fountain; it is

dolphin spouts is held aloft by a cherub, or putto, his foot resting on a turtle. Weathered patina with

, standing on clouds adorned with cherub heads. The Virgin displays a youthful and serene face, in a posture

cherub head with wings resting on a garland of pomegranates and acanthus leaves. The bases and Corinthian

. In four parts: low stepped platform base, tall pedestal, large shell and cherub. Tall rectangular

Renaissance furniture. The piece is crowned with a moulded cornice and carved uprights, with charming cherub