Antique Chestnut

Portuguese bar cabinet; carved and openwork chestnut wood; decorated with plant motifs. Door with embossed decoration depicting a Biblical scene.

Carved and openwork chestnut wood frame with profuse vegetal and bird decoration.

Portuguese; 19th century carved chestnut wood; turned columns; glass front and sides; painted wooden interior. with Calvary and Saint Francis of Roca.

Portuguese, 19th century; carved chestnut wood. Wavy top; chest with four drawers; curved legs with ball-and-claw feet.

Portuguese; 19th century; carved chestnut wood. Openwork backrest; decorated with vegetal motifs; ending in claw and ball feet.

Portuguese table with a 19th-century vine wood top; chestnut wood legs; with two drawers. Elliptical top; resting on turned legs; two of which are gate-style.

Portuguese; 19th century in chestnut wood; upper part with two glazed doors; interior with two shelves.

Portuguese; 19th century, made of mahogany and chestnut wood; glass top; glazed fronts. Lower part with three doors; two of which are sliding.

Portuguese; 19th century, made of chestnut wood; with 4 large drawers. Interior with 7 drawers; 6 pigeonholes and central hatch.

Portuguese; 18th century; carved chestnut wood; with three drawers and three large drawers.

Portuguese; in the King John V style, made of chestnut wood; corrugated body with 2 drawers and 1 large drawer; cut and carved skirts decorated with scrolls and vegetal motifs.

Excellent quality and condition full length portrait of a young lady, reputed to be an Elizabeth Baillie, riding a chestnut hunter accompanied by a hound with the entrance of their e...

Guns Dogs/English Setters & Horse After The Grouse Hunt, dated 1894 Colin Graeme Roe (1858-1910) similar to £8,000 Large 19th Century British sporting scene of Setters and a Chestn...

Supersized antique woven basket having thick weathered woven strips of chestnut or white oak, slightly tapered cylindrical in shape.

Ribbons and folded cloth enclose a chestnut leaf. Fine condition displaying only light wear.

A huntsman in a red coat leaps his chestnut horse across a stream as hounds splash through the water, with a second rider coming through the trees behind.

Crafted from ceramic in the Victorian majolica tradition, the surface is glazed in a mottled, bark-like chestnut brown and molded in bold relief with a woodland scene.

LXXX, September 1881), published at 306 Chestnut Street, Philadelphia. Collected from a private collector in California.

Beautifully observed, the horse is presented in profile against a softly illuminated backdrop, with warm chestnut tones, delicate detailing and a wonderfully understated composition.

The glaze ranges from deep chestnut to ashen gray, blending naturally through the firing process into a surface rich with character and depth.

Carved from an exceptionally wide, dense single plank of Japanese chestnut (Kuri), the composition begins with an exquisite high-relief blossoming lotus flower (Renge)—the supreme Bu...

PAIR OF DISPLAY CABINETS Portuguese, early 20th century, in carved chestnut wood with two glazed doors, interior with shelves.

Between them they show the beech and Spanish chestnut, the oak with hazel and hornbeam, and the Scotch fir with juniper and yew.

Dense, old-growth Japanese horse chestnut (Tochi) of this thickness and width is exceptionally scarce.

An Anglo-Indian Hand-Carved Hardwood Folding Side Table, Early 20th Century Description: Elaborate open fretwork upon a folding octagonal frame with superb light patina, deep chestn...

Red coated infantry in shakos press forward with fixed bayonets against French cuirassiers in brass helmets on gray and chestnut horses, and a Highlander in a tartan kilt fights at t...

Caporal stands proudly in profile, his rich chestnut coat beautifully rendered in warm russet, copper and deep brown tones.

The luminous eye, delicately modelled muzzle, finely painted nose and soft fall of the chestnut ear demonstrate a level of observation that elevates the work considerably.

This 19th century hammered jug was sourced from Belgium and is worked in copper, its surface finished in a warm chestnut brown tone. The hammered jug is a hand-raised copper vessel w...

Robinson Looking Glass Manufacturer" at "80 Chestnut St. Philadelphia," noted as an "Importer of French & English Plate Glass & Engravings."

Beside her, the fawn is painted in soft chestnut and buff shades with delicate white dapples, resting against a shaped plinth base finished in graduated grey and black bands.

Sweeping, sculptural double handles frame the neck, seamlessly integrating into a dense high-relief display of hand-modeled horse chestnut leaves and textured seed pods, rendered in ...

Its deep, almost black-brown patina contrasts with warmer chestnut tones along the seat, armrests, and heavily worn front rail, giving the piece a particularly distinctive character.

An exceptional and stately late 19th-century Belgian Louis XIII style high-back settee (sofa) crafted from finely carved solid oak (or chestnut), circa 1880. Imported directly from B...

The tabletop features a shaped cartouche / scalloped-corner silhouette veneered in bookmatched burr walnut, displaying tight swirling eyes, warm amber-chestnut depth, and a lustrous ...

The exterior sheet copper has mellowed to a warm, reflective bronze and chestnut tone, highlighted by streaks of authentic turquoise verdigris where water naturally gathered along th...

The exterior surfaces showcase well-figured mahogany with warm amber and chestnut tones under an established waxed patina. Overall dimensions measure 82 cm in width, 34.5 cm in depth...

The painted panel depicts a coaching scene with four chestnut horses pulling an open carriage along a country road past a quaint farmhouse.

The leather is magnificent, beautiful deep chestnut with areas which have almost worn to caramel, the overall patina is very lovely.

An imperial silver-plated pewter card tray with 'B G IMPERIAL 5395' mark by the Imperial Bitter and Gobbers (Co.) with a releif of a chestnut spiky sheath that opens in a chestnut a...

Features & Details : Top surface : Decorated with fine and intricate asymmetrical marquetry, typical of Japonism, featuring chestnut leaves and branches along with iris flowers.

This writing desk is dressed in richly figured burl veneer, its top a swirling field of honey, caramel, and deep chestnut grain framed by a crossbanded border. The shaped top has sof...

The mahogany presents a rich chestnut tone throughout, complemented by a smooth hand finish across the rectangular top, sides, and panelled fronts, with fine figuring evident in the ...

Set against distant rolling hills beneath a soft blue sky with drifting clouds, the animals are captured in shades of chestnut, umber, cream and black. Textural brushwork delineates ...

Beautifully worn through years of use, it has developed a wonderful rich chestnut patina, with natural grain, surface marks and darkened areas adding to its primitive character and a...

In the foreground, a magnificent chestnut racehorse, ridden by a jockey in blue and red racing silks, gallops clear of the obstacle, while other horses leap over the fence behind.

Around it, six deeply molded oyster compartments radiate outward, each shaped like a half shell and washed in a mottled, tortoiseshell-style brown glaze that shifts from deep chestnu...

Finished in a glossy white porcelain body, the composition relies on subtle, restrained colouration. Rich chestnut-brown accents highlight the combs, wattles, beaks, and slender claw...

Glossy cobalt blue fills the shaped lip and the lower lobed cartouches, offset by warm ochre accents, deep chestnut brown, and translucent forest green. The mythological figures reta...

Large Mid 19th Century Gold Gilt American Philadelphia Floral Wall Mirror Dimensions : 91" Tall X 47" Wide X 4" Deep This stunning mirror was made by James S Earle of Chestnut St....

The table top is decorated with intertwining chestnut leaves in fruitwood marquetry. It's beautifully executed, a master-piece with great usability.

The piece is veneered in rich, figured mahogany, showcasing dark swirling grain patterns alongside warm chestnut and honey-toned amber undertones across each drawer front and side pa...

Crafted from ceramic in the Victorian majolica tradition, the body is molded in bold relief with large, serrated chestnut-style leaves in layered emerald and jade, their finely incis...

Brilliant lead glazes in deep leaf green, warm chestnut brown, ochre, slate blue, and amber produce the glossy, pooling effects celebrated in Victorian art pottery.

The walnut displays warm golden-amber and deep chestnut undertones across its polished surfaces, complemented by prominent straight and swirled grain patterning.

The wood exhibits a deep chestnut tone with natural grain warmth across the entire surface.

The burl displays a dense, highly figured grain enlivened by knots, irregular markings, and warm tonal variations ranging from honey brown to deep chestnut. Its softly worn rim and l...

The 4 crossbanded tables with multiple veneers, including burr walnut, burr chestnut, rosewood, amboyna, burr maple, and rosewood and birch chess top on the smallest table.

These lighter areas flow downward into a honey-gold glaze across the collar, before deepening into rich shades of auburn, chestnut, and dark treacle brown across the gathered folds o...

Of long and narrow rectangular profile, made from beech and chestnut, with canted corners to each end. The benches made using mortise and tenon construction for strength.