Antique Chestnut

The individual staves display attractive variations in grain and color, ranging from warm honey brown to deeper chestnut tones. The surrounding bands create a strong horizontal rhyth...

Subtle variations of chestnut, russet and warm brown model the head and neck, while softer whites and pink tones articulate the blaze and muzzle.

A young groom dressed in 18th-century attire skilfully manages two horses—a rearing dapple white and a chestnut—while a lively dog bounds at their feet and hunters ride through the d...

Expertly crafted from solid turned timber, the frame convincingly simulates natural bamboo stalks with carved nodes, flared cut-off terminals, and a rich, warm chestnut patina accent...

Presented in a decorative gilt frame, this sporting scene combines expressive canine portraits with a compact, dramatic composition. The warm chestnut tones of the deer contrast wit...

The surface is finished in rich chestnut and tan earthenware slip tones, set against pale cream shading on the underbelly and muzzle.

Portuguese Oratory, 19th Century Carved chestnut wood. Glass door and sides. Interior with three shelves and polychrome back.

. - PN 1259, year 1904 Decor: 'Argus' chestnut Phenomeneon Genre - PG 2/351, year 1902 Colorless glass with a brown overlay that runs dark to light from top to bottom, dense light g...

The porcelain body is finished in a lustrous glaze showing warm chestnut, tan, and honey-brown tones across the torso, flanks, and haunches.

Excellent quality and condition full length portrait of the gentleman in an open landscape accompanied by his chestnut hunter and fox hounds. Presented in a good gilt frame. unsigned...

Hand-painted iron-red and chestnut patches decorate the coats of two dairy cows in this matching pair of Staffordshire earthenware mantle figures.

The naturalistic scene is picked out in rich chestnut and warm umber enamels, with delicate hair detailing across the animal's coat set against broad washes of apple green pasture an...

A richly mottled brown glaze covers the boots, creating convincing variations of chestnut, russet and dark brown that enhance the illusion of aged leather.

The head is warm brown, the throat and breast bright white, bordered below by a chestnut band, and the back, wings and belly slate gray.

In the early 19th century Sir John Foster, the British Ambassador, transformed the Italian garden into a romantic one, planting Lebanese cedars, sequoias and horse chestnuts. In the ...

Barker uses subtle highlights across the chestnut horses and softer tonal modelling on the grey, contrasting them against the greens and blues of the surrounding countryside.

Dotted lines mark the northern limit of the chestnut, the vine, maize, the olive and the orange, so that the map can be read as a picture of where each crop gives way to the climate.

MAGNIFICENT PORTUGUESE ORATORY 18th CENTURY Made of chestnut wood with carvings. Architectural design with carved, scalloped and openwork cornices, glazed door and sides.

Tonal shading shifts between honeyed tan and rich chestnut-brown, with darker variegated patches accentuating the spine, ears and muscular ridges.

Each avian figure is executed with layered brushwork in jewel-toned shades of rose pink, turquoise, green, yellow, and chestnut brown. Distinctive coral-orange enamel outlines the sp...

Emperor Alexander I rides a chestnut horse with a white blaze, walking to the right, and holds out a telescope in his right hand.

The caption spells the name as engraved; the usual spelling is Platov. He rides a chestnut horse galloping toward the left and holds a curved saber aloft in his right hand.

The body is copper and chestnut, each feather marked with a dark crescent, with white flecks across the back, and the folded wing is olive gray.

The Emperor rides a chestnut horse stepping toward the left, holding the reins in both hands with his saber sheathed.

The drawer sides are made of clean, solid oak or chestnut, indicating premium construction. The drawer bottoms are clean, wide, solid wood planks running side-to-side, showing typica...

The entire exterior is coated in a rich, honey-amber treacle glaze that gathers into deeper chestnut-brown tones within the recessed folds of the neck, snout, and small upright ears.

Below it stands a stone gateway crowned by a lion, a unicorn and a shield, through which an officer in a blue coat rides out on a chestnut horse; upturned cannon barrels serve as pos...

The treated leather displays a rich chestnut-brown colour with darker shaded areas over the back, hump, and flanks.

The upper image shows a monumental gateway of rusticated stone blocks framed by two columns with Corinthian capitals, with another column behind; a file of barefoot soldiers in crest...

Furniture made from a beautiful single piece of chestnut wood is a special piece that gives you a sense of the strength and warmth of nature.

A group of four samples of articulated hands for dummies, made in various types of wood: national walnut, chestnut, maple. Mounted on bases, made of cast iron and brass for the locki...

A fine Chesterfield two-seater sofa upholstered in original patinated chestnut leather from Edwardian era England - featuring a deep button-tufted back and scroll arms, with two loos...

Rich, naturally developed patination has softened the bronze to deep chocolate and warm chestnut tones, with subtle golden highlights appearing along the raised edges and mouldings.

A tall two stage oak cupboard is shown from the front, printed in chestnut brown and golden tan with cream highlights.

The composition captures a chestnut horse standing attentively behind a pale grey companion as they feed, creating a charming and intimate rural scene.

PAIR OF HIGH-BACKED CHAIRS Portuguese, 19th century, in carved and turned chestnut wood, seats and backs in tooled leather with studs.

PAIR OF HIGH-BACKED CHAIRS Portuguese, 19th century, in carved and turned chestnut wood, seats and backs in tooled leather with studs.

The warm walnut has developed an appealing, varied patina ranging from honey brown to deeper chestnut tones. Particularly attractive is the contrast between the heavily used top and ...

The hounds’ white coats and chestnut markings catch the light against a rich background of russet foliage, golden ochres and earthy greens.

The frame has been refinished in a warm Chestnut tone with strongly turned legs and stretchers.

In 1937, his color lithographs Mädchen vor blühenden Kastanien (Girls in Front of Blooming Chestnut Trees) and Ce fut un religieux mystère (It Was a Religious Mystery) were confiscat...

The new hide has been hand dyed six times, antiqued, sealed, waxed and polished, producing the wonderful variation of cognac, chestnut and darker brown tones normally associated with...

Rather than replacing the old hide, the restoration has retained its natural creasing, tonal variation and mellow patina, with rich shades of cognac, chestnut and darker brown giving...

Oil on board This painting shows the famous and outstanding racehorse Blair Athol. A notable chestnut racehorse foaled in 1861. This horse was undefeated in England.

Large Display Cabinet Portuguese, 19th-century Baroque style, In carved chestnut wood decorated with vegetal elements, birds, and putti.

Crafted from walnut with a medium chestnut-hued stain. Original iron escutcheon and lockbox are present.

The horses are equally important to the composition, their chestnut, white and grey coats providing contrasts of light and shade.

The exquisite details are equally magnificent, including the large teardrop-shaped pearl earrings that stand out against her chestnut curls, echoed by the splendid necklace adorning ...

Art Sz: 8 3/4"H x 11"W Frame Sz: 10"H x 12"W Watercolour & bodycolour The subject of the sketch, Zoedone, was a famous chestnut mare owned and ridden by the Austro-Hungarian noble...

This rare shape features a tall, globular body with subtly flattened sides that elegantly taper inward toward a narrow base, bearing a striking resemblance to early American chestnut...

The flea fills the upper half in glowing amber and chestnut, its legs spread and bristling, with its larva, pupa and magnified eggs around it, while the louse below is drawn in grey ...

The figures range from brown and barred birds with long graduated tails to a slender blue grey bird, a crested black and chestnut bird with a red tail and a stout bird with a pink bi...

The hoopoe takes the centre with its fanned, black tipped crest and barred wings, below it the roller shows its turquoise, blue and chestnut plumage, and to either side stand a red a...

The original cold-painted finish combines rich chestnut and darker brown tones, creating natural variation across the coat, mane and extremities.

The two women lived on the edge of Chestnut Hill, close to Germantown -- which was at the center of the city's abolition movement and political progressivism for years.

A man in a hat and red waistcoat sits on a grey working horse, leaning down to lift a small child in a green dress from the arms of a young woman in a pink jacket and headscarf, who ...

Low seated armchair covered in hand-finished Italian chestnut hide English walnut turned legs and original castors featuring a mahogany and brass reading slope.

The top showcases a sumptuous Parquet de Versailles pattern in mixed-tone oak, each panel hand-laid to create a mesmerizing interplay of warm honey and deep chestnut hues. The surfac...

The three equine heads emerge from a muted, atmospheric ground, their forms modeled with vigorous strokes and a restrained palette of umber, chestnut, and charcoal. The dynamic handl...

The contrasting white, chestnut and dark horses create a strong rhythm across the composition, while the expansive blue sky and softly rendered countryside give the painting an appea...