Antique Copper Engravings

Antique print titled 'Loevestein - Loevestein van de Rivier de Waal te zien'. Copper engraving with

Buffon natural history Amsterdam 1769 Jacques de Sève C J Fritsch hand coloured copper engraving 18th

Antique print titled 'Loevestein - Loevestein van de Rivier de Waal te zien'. Copper engraving with

Antique print titled 'Vue de l'Observatoire et de l 'Eglise de Spaskaia (..)'. Copper engraving of

Antique print titled 'Cascade et Grottes par Halfpenny'. Copper engraving showing caves and a

Antique print titled 'Monumens de Sculpture et Idoles trouvés dans les Tombeaux'. Copper engraving

Antique print titled 'Huys te Watervliet'. Copper engraving of the estate of Watervliet. This print

(..)'. Artists and Engravers: Published in Leipzig. Hand-colored copper engraving. Condition: Good. Slightly

Antique print titled 'Nouvelles Eaux de Belton au Lord Tyrconnel province de Lincoln'. Copper

Antique print titled 'Grande Roche d'après Vernet (..)'. Copper engraving showing various rock

Antique print titled 'Vue de Rocher, Temple et Cascade de St. Leu'. Copper engraving showing the

Antique print titled 'Vüe dessinée dans l'intérieur de la Grotte de St. Leu Taverni'. Copper

Antique print titled 'Pavillons Grottes pour les Jardins Anglais'. Copper engraving showing

was incomplete and starting in 1740 he published only 33 copper engravings before his death, of a

Gallery, decorative print, collectible engraving, interior wall art, global cultures Technique: Copper

North Sea a compass rose and bottom right the scale sticks in a Rococo frame. Backside blank. Copper

Antique print titled 'Manège, La Capriole. Lecon du piafer dans les piliers'. Copper engraving of

-coloured prints, taken from copper engravings and intended to complement the text. Identification by a

-coloured prints, taken from copper engravings and intended to complement the text. Identification by a

-coloured prints, taken from copper engravings and intended to complement the text. Identification by a

illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the

illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the

illustrations. The illustrations were initially hand-coloured prints, taken from copper engravings and

-coloured prints, taken from copper engravings and intended to complement the text. Identification by a

-colored copper engraving, published in 1724-1726 in Dordrecht by Joannes van Braam and Gerard Onder de

using finely executed copper engraving. The scenes include the Adoration of the Magi, a portrait of St

copper engraving, titled "Machine Hydraulique dans les Jardins de Kew," offers a detailed technical and

: Copper engraving with original hand-coloring Maker: European School, circa 1750

parties connues du globe terrestre*. This elegant copper engraving presents a clear and informative

Set of 3 Biblical Engravings – Adoration, Flight to Egypt & Christ’s Baptism (1735) This refined

Fritsch hand coloured copper engraving 18th century zoology antique camel print natural history art museum

Plate from Buffon's Histoire Naturelle. Tom. VIII, Pl. XXXV, p.244. This refined copper engraving

Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LI, p. 396 Copper engraving, 1771 edition

woodwork. Technique: Copper engraving with original hand coloring Maker: Jonathan Carl Zenker, Germany

domestic and decorative character of the subject. Technique: Copper engraving with original hand coloring

G. B. Piranesi in his fifties was interested in archaeology and studied in Southern Italy where he produced drawings of Greek architecture. Medium: Etching on laid paper. Year: circa...

and visual strength. Technique: Copper engraving with original hand coloring Maker: Jonathan Carl

striking and elegant contrast. Technique: Copper engraving with original hand coloring Maker: Jonathan

refined contrast. Technique: Copper engraving with original hand coloring Maker: Jonathan Carl Zenker

engraving depicts Haematoxylon Campechianum, commonly known as logwood, a tree valued for its use in

industrial and artistic associations of the subject. Technique: Copper engraving with original hand coloring

character of the subject. Technique: Copper engraving with original hand coloring Maker: Jonathan Carl

engraving depicts Haematoxylon Campechianum, commonly known as logwood, a tree valued for its use in

comparative nature of the study. A darker wood frame adds gravitas. Technique: Copper engraving with original

. A darker frame adds visual weight. Technique: Copper engraving with original hand coloring Maker

G. B. Piranesi, in his fifties, was interested in archaeology and studied in Southern Italy where he produced drawings of Greek architecture. Medium: Etching on laid paper. Year: c...

collectors and interior designers. Condition report: Two original antique copper engravings with original

decorative appearance. Executed in copper engraving, the map demonstrates precise linework characteristic of

balanced dialogue between vertical elegance and horizontal breadth. Both prints are copper engravings with

balanced dialogue between vertical elegance and horizontal breadth. Both prints are copper engravings with

subtlety and depth. This offering includes both original hand-colored copper engravings together with the

the map. UV-protective or museum glass is recommended. Technique: Copper engraving with original hand

, and the visual language of power within the Qing court. Executed as a copper engraving and finished

contemporary interiors. Technique: Hand-colored copper engraving Maker: Jules Ferrario, Milan, 1815

add historical depth and visual elegance. Condition report: Original copper engraving on laid paper

spirit of the map and reflecting early archaeological curiosity. The fine copper engraving demonstrates

letterpress text. These finely detailed copper engravings capture European encounters with the natural wonders