Antique Copper Engravings

cartography, antique Asian map, Rigobert Bonne, 18th century geography Technique: Copper engraving Maker

Scotland Ireland, antique UK map, 18th century cartography, Rigobert Bonne Technique: Copper engraving

. Museum or UV-protective glass advised for long-term preservation. Technique: Copper engraving Maker

: Copper engraving with original hand coloring Maker: Jonathan Carl Zenker, Germany, 1831–1832

two original hand-colored copper engravings was produced by Eleazar Albin for his celebrated work A

1720, this hand-colored copper engraving forms part of Eleazar Albin’s A Natural History of English

-17th century. The detailed copper engraving vividly captures the topography, street layout, city walls

: A wide ivory mat and dark wood frame emphasize the scenic quality. Technique: Copper engraving with

, 1771 Plate XVIII, p. 276 Copper engraving Sheet size: approx. 24.5 × 19.5 cm This anatomical engraving

, ebonized wood, or natural oak frames complement the calm landscape. Technique: Copper engraving Maker

contemporary cultural and technological developments. It is an authentic copper engraving made from two plates

maritime culture and as visually striking decorative works. Condition report: Copper engraving on paper

plates reflect the transition from the great 18th-century copper engraving tradition into early 20th

: Copper engraving with hand coloring Maker: After George Edwards (artist), Johann Michael Seligmann

work. Technique: Copper engraving Maker: Frederik Ludvig Norden, Copenhagen, circa 1755 Keyword block

tonal balance and add visual depth. Technique: Copper engraving Maker: William Byrne after Thomas

overall appearance for residential interiors. Technique Copper engraving Maker Engraved for John Millar

biblical setting. This engraving is executed with precision using the copper engraving technique, renowned

Title: Acts XIII Engraving – Elymas the Sorcerer Struck Blind c.1735 Description: This dramatic

Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741

. Technique: Copper engraving Maker: Anonymous Dutch engraver, Netherlands, circa 1750

18th-century copper engraving depicts a man restrained in a wooden punishment collar known as a “karkan

botanical character. Technique: Copper engraving with hand coloring Maker: Johann Wilhelm Weinmann

Dutch explorers with a leviathan at Cochin. This early 17th-century copper engraving captures a

detailed copper engraving showcases three important tropical and subtropical plants: the coffee tree ("Een

of various plants, and illustrated with over five hundred copper engravings. This book is intended to

and a simple wood frame suit the understated strength of the image. Technique: Copper engraving with

pale ivory mat with a dark wood or black frame creates a refined contrast. Technique: Copper engraving

Two rare old miniature copper-engravings one one leaf. One showing the first arrival of the first

cartography, Rigobert Bonne Technique: Copper engraving Maker: Rigobert Bonne, France, circa 1780

frames complement the architectural subject. Technique: Copper engraving Maker: Frederik Ludvig Norden

-colored copper engraving Maker: European School, published in 1749

. Technique Copper engraving Maker After John Hawkesworth, London, c.1774

inspiration only and may not always be to scale. Technique: Copper engravings with original hand-coloring

the original hand coloring. Technique: Copper engraving, hand colored Maker: Alain Manesson Mallet

sophistication to presentation. Technique: Hand-colored copper engraving (vue d’optique) Maker: Daumont, Paris

. Technique: Copper engraving, hand colored Maker: Alain Manesson Mallet, French, Paris, 1683

colored, wildlife wall art, cabin decor, lodge style Technique: Hand-colored copper engraving / etching

the plate mark adds visual depth. Technique: Hand-colored copper engraving (vue d’optique) Maker

Enea Vico (1523-1567) engraving, Two Trophies With a Cuirass Lower Left, 1550, Bartsch 449, with

in his Lives: “many others have engaged in copper engraving, but have not attained such perfection

enhance the woodland tones and bring focus to the central hunting figures. Technique: Copper engraving

miraculous liberation. This engraving is finely executed using the copper engraving technique, renowned for

him within the early Christian world. The engraving is executed with precision using the copper

inspiration only and may not always be to scale. Technique: Copper engraving with original hand color Maker

the image’s tone. Technique: Copper engraving Maker: J.C. Philips, Amsterdam, 1754

composition. Technique: Copper engraving Maker: French school, Paris, circa 1803

. Technique: Copper engraving Maker: Frederik Ludvig Norden, Copenhagen, circa 1755

Antique print titled 't Huis 's Heerendyk en de Stad Ysselstein in 't Verschiet, 1744'. Copper

Antique print titled 'La Maison de Ville d'Utrecht'. Copper engraving of the city hall of Utrecht

hand coloring. The prints are all copper engravings to Volume 70, then continue with stone or zinc

, library, or refined interior setting. Technique: Copper engraving Maker: Alain Manesson Mallet, Paris

. Technic: Hand-colored copper engraving. Condition: Good. Slightly stained, stamp on verso. Please study

(..)'. Artists and Engravers: Published in Leipzig. Technic: Hand-colored copper engraving. Condition: Good

Indian Follower of the Shaivite Sect – Sonnerat Voyage Engraving, 1806 This antique copper

classic and contemporary interiors as a single statement piece. Technique: Copper engraving Maker

visible. Technique: Hand-colored copper engraving (vue d’optique) Maker: Daumont, Paris, circa 1760