Antique Florence

Venice or Naples Today some of his works are presented in museums in Milan, Bari, Florence

the Free School of Nude at the Academy of Fine Arts in Florence. Returning to Viareggio, he settled in

PAIR OF PIETRA DURA PLAQUES WITH LANDSCAPES Italy, Florence, 18th Century pietre dure in gilt

1/4 in Provenance: Sotheby Parke Bernet Florence, 21 October 1976, page 36, lot 56, ill.

of Penni. Born in Florence, Penni entered Raphael's workshop at an early age and collaborated with

escutcheon A heraldic marshaling denoting a union Continental or Florence. Each of these fine, impressive

the Academia in Florence. For over thirty years, Stilling travelled widely throughout Europe painting

painted panels with landscape, double-sided: back also carved, originating in Italy (Florence) and

and traveller in Medici Florence Born in Florence in 1579, Donato Mascagni entered the studio of the

carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14

expertly mounted the map here in Florence to protect it. The city is depicted from a bird's eye view

with original frame and irons from the mid-eighteenth century, built in Italy (Florence) by an artisan

Milan, Venice, Florence, Rome, Naples, Palermo, and Turin are clearly marked, alongside smaller towns

Florence. He initially studied with Angiolo Tricca, Stefano Ussi, and at the Florentine Academy of Fine

. Sourced in Florence, Italy and dating circa 1900, this piece captures the fluidity, drama, and elegance of

barnacles and crystal quartz points. The 18th century architectural pediment originally came from Florence

waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year

waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year

waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year

, etching. at the waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he

, etching. at the waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he

waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year

waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year

waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year

marble sculptors working in Florence in the late 19th century. Concentrating on genre themes and the nude

Mercury sculpture currently exhibited at the Museo Nazionale del Bargello in Florence. He passed away in

awards and accolades, including the Florence Blumenthal scholarship that granted exposure to the United

usable as a door, has two doors with pull opening. Original from the 19th century, from Florence Italy

dei Lanzi in Florence. The statue is raised by a black Belgian marble socle below a Rosso Alicante

Andrea di Alessandri, called Il Bresciano (Florence, 1550-1575). height 17 cm (6 3/4 ) without base

A fine quality 19th Century Carrera marble statue by; Eduardo Giolli, Galeria Barzanti / Florence

century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a

. Toward the end of his life he spent extended periods of time in Paris and Florence, Italy. He died of a

(Florence), The Metropolitan Museum of Art, and the Victoria & Albert Museum, often as components of

scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence

workshops in Florence during the late 17th and early 18th centuries, particularly those carried out under

. These magnificent pieces, originating from the city of Florence, were meticulously created by the

Florence. Considered one of the last great Italian painters, Alessandro was one of few artists who remained

, originating in Florence (Italy), Pull openings. Maximum size with frame cm w 130 x H 270, opening size cm w

the history of art due his size and story. In 1501, the Opera del Duomo of Florence officially

endearing figures in the novel. Shy, sincere, and hopelessly in love with Florence Dombey, Toots is

. Another view of Florence, executed in the same technique and during the same year, can be found in the

marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of

yellow gold by Ginori, Firenze (Florence), Italy, circa early-20th century. Piece is all hand-painted

- 1891) Sculptor, studied at the academies in Dresden, Munich, and Florence, created numerous sculptures

State Museum, Museums of Florence, and many others. Please note that this is a pair of paintings not a

wonderful Florence where we believe this mirror may well have originated from. It’s also worth noting that

Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their

” (“Chinese-style with pavilion”) (R. Ausenda, La maiolica a Milano nel Settecento, Florence 2025, p. 110). It

, Colosseum 3. Rome, Colosseum 4. Bozen, Cabel car 5. Florence, Palazzo Vecchio 6. Rome, Castle

lacquered back. Original from the 18th century, from Florence (Italy). Different sizes: 1. with frame cm L

company of Maillol; in Italy (Florence and Venice) (1902); in Algeria (1903); and in Anthéor (regularly

1616 – 17 January 1686) was an Italian Baroque painter, active mainly in Florence, known for highly

An early 1900’s Rococo style Mirror from Florence, Italy. Hand carved with much flair and finished

-Auguste Vivier-Deslandes called “Baron Deslandes” (Florence 6 January 1832 -Paris 23 February 1917

who has his workshop in the "coolest" neighborhood of Florence: San Frediano, known for the

Matteo Bonechi (Florence, Italy, 1669 - 1756) Title: Marine Triumph Medium: Oil on canvas